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安杰伊·瓦西列夫斯基 | “仿真星系”参展艺术家

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 没有未来 华侨城盒子美术馆展览现场
No future installation, OCT Boxes Art Museum


 艺术家介绍第二期 Introduce of Artists:2


安杰伊·瓦西列夫斯基(Andrzej Wasilewski)


“这件装置由日光灯和开关构成。灯具被摆成了“没有未来”的字样,它也是70年代流行文化中抗议固有模式和刻板印象的口号。装置由一台设备控制,该设备的声音就像时钟倒数计时的声音声。作品被放置在美术馆的最后一个展厅——展览叙述线索的结尾。人类是否可以继续忽略当前的问题(例如气候变化或污染)同时拥有未来?但是,技术不会挽救我们,它会像日光灯一样破裂,形成“没有未来”的字样……而时钟仍在一边滴答作响,一边走向尽头。
文字由艺术家提供

"The No future installation is made of fluorescent lamps that turn on and off. Lamps built the inscription 'No future', which was also a slogan in popular culture in the 70s to protest against patterns / stereotypes. The installation is controlled by a device whose sound resembles the ticking of a clock - countdown. The work is placed in the last room of the Museum - at the end of the exhibition narrative. It seems to be the question asked: does humanity have any future by ignoring current problems, such as climate change or pollution? Technology will not save us, it can break down like fluorescent lamps forming the inscription 'no future' ... and the clock is still ticking to the dead end."

The text is provided by the artist



华侨城盒子美术馆“没有未来”作品现场

"No future" at OCT Boxes Art Museum

“什切青艺术学院教授安杰伊·瓦西列夫斯基(Andrzej Wasilewski)在紧张工作了4个整天之后,向观众完美地呈现了以电磁场安全放电的装置作品《没有未来》。考虑到华侨城盒子美术馆的场地限制,安杰伊·瓦西列夫斯基降低了特斯拉线圈放电的电压,使电火花仅仅以滴答滴答的声响产生一个安全的电磁场。电磁场点亮荧光灯管,排列出“没有未来”字样的朋克标语(安杰伊·瓦西列夫斯基2018年曾在波兰第6届波兹南“调解”双年展上实施过极其危险的特斯拉线圈50万伏电压的放电效果,电光火石间的放电声响犹如裂帛摧枯之万钧雷霆)。《没有未来》的声响是电磁场随机发出的,没有任何特定的指示意义。然而, 能量损耗的条件下,滴答滴答的电磁场声响很容易被提示为时间流逝,从而指向一种人工生成的未来及其概念困境,即VR、AR、AI哲学及其平行世界中常常遭遇编辑、删除的一种“没有未来”的未来,还究竟是不是人类的未来?套用一句当下最无厘头的权威艺术机构使用机器写作的作品阐述术语,作品也许“瓦解了当前的劳动和权力状态,侵蚀了整个系统的功能和价值,重新给集体自主权。
策展人顾振清

"Professor Szczecin Academy of Art Andrzej Wasilewski, after working intensively for 4 full days, perfectly presented the installation work "No Future" with an electromagnetic field safe discharge. Taking into account the site constraints of the OCT Boxes Art Museum, Andrzej Wasilewski lowered the voltage of the Tesla coil discharge, so that the electric spark generated a safe electromagnetic field with only the sound of a tick. Electromagnetic fields illuminate fluorescent tubes and line up punk slogans with "No future" (Andrzej Wasilewski implemented the extremely dangerous Tesla coil's 500,000 volt voltage discharge effect at the 6th Poznan "Mediation" Biennale in Poland in 2018. The sound of a discharge sounds like a thunderous thunder. The sound of "No Future" is emitted randomly by the electromagnetic field, without any specific indication. However, under the condition of energy loss, the electromagnetic field sound of ticking and ticking can be easily prompted as time passes, which points to an artificially generated future and its conceptual dilemma, that is, VR, AR, AI philosophy and parallel worlds often encounter editing, Is the deleted "No future" a human future? To paraphrase a term used in a machine-written work in one of the most absurd authoritative art institutions of the moment, the work may 'dissolve the current state of labor and power, erode the function and value of the whole system, and restore collective autonomy'"

Curator Gu Zhenqing


安装工作阶段
installation work phases


安装的静态部分

static part of installation


控制电子设备,其声音类似于时钟的滴答声
controlling electronic device whose sound resembles the ticking of a clock

打开和关闭安装的一部分
turning on and off part of installation


 过往作品 Past works 


邪恶之花 | 3个动力学对象,网站算法,4个实时生成的视频,墙上的阴影,2013 

Les Fleurs du Mal 3 kinetic objects, website algorithm, 4 live-generated videos, shadows on walls, 2013




输液 | 装置,2005 

Transfusion | installation, 2005




 关于艺术家 About the Artist 



安杰伊·瓦西列夫斯基  

(Andrzej Wasilewski)

1975年生于波兰托伦,2000年毕业于尼古拉哥白尼大学艺术学院,目前在波兰什切青艺术学院工作。

Born in 1975 in Torun (PL), graduated from Nicolaus Copernicus University in Torun, the Faculty of Fine Arts in 2000. Works in Szczecin Academy of Art (PL). 

安杰伊·瓦西列夫斯基的作品具有批判性,哲学性和社会性。在他的作品中出现的与现有现实的分歧是在“朋克”的文化和氛围中长大的结果。装置与自己作斗争——否认它们的感觉,自我毁灭,包含了使人瘫痪的危险武器的潜力。可识别的元素是视觉形式,指的是基于简单,科学的实验而对机器,设备,体系结构进行工业图示表示的视觉形式,也引用了流行文化的元素。

作品曾展出于日本,中国,印度尼西亚,美国,乌拉圭,德国,法国,捷克共和国,西班牙,波兰,意大利,乌克兰和立陶宛。

波兰共和国文化部奖学金获得者。艺术住宅。


Andrzej Wasilewski works are critical, philosophical and social. The disagreement with the existing reality, which appears in his work, is the result of growing out in the culture and atmosphere of "punk". Installations fight against themselves - denying their sense, self-destruct, contain the potential of a dangerous paralyzing weapon. A recognizable element is the visual form referring to the industrial iconography of machines, devices, architecture, based on simple, scientific experiments, but also quoting elements of popular culture.

He presented his works, among others, in Japan, China, Indonesia, USA, Uruguay, Germany, France, the Czech Republic, Spain, Poland, Italy, Ukraine and Lithuania


部分展览

2019

GAD – Giudecca艺术区, 02展馆,GAD 项目空间#01, 威尼斯,意大利

2018

旧思想新词典,开放工作室,Meet Factory,布拉格,捷克共和国

第2018届CTM艺术节,昆斯特拉姆·克罗伊茨贝格 / 贝阿尼,柏林,德国

2017

ТЕТРАМАТИКА视听艺术节,利沃夫,乌克兰

2016

调节双年展 - 基本原理,波兹南,波兰

中野共生双年展,中野(日本)

2015

生活状态:全球环境中的波兰当代艺术,中国美术馆,北京,中国

2014

马塞尔·杜尚的沉默被高估了,竞技场展览第2部分,当代艺术中心,托伦(波兰)

2013

展馆0 - 一个不存在共同未来的乌托邦国家的跨国展,多纳宫,威尼斯,意大利

2012

大都会陌生人,平行事件到宣言9,公开大学,哈塞尔特,比利时

2011

走向绿色,日新月艺画廊,纽约,美国


Selected exhibitions: 

2019 Pavilion 02, GAD – Giudecca Art District, GAD Project Space #01, Venice

2018 The New Dictionary of Old Ideas, Open Studio, Meet Factory, Prague (The Czech Republic)

2018 Uncanny Valleys of a Possible Future, The CTM Festival 2018, Kunstraum Kreuzberg / Bethanien, Berlin

2017 Фестивалю аудіовізуального мистецтва ТЕТРАМАТИКА, Lviv (Ukraine)

2016 Mediations Biennale Fundamental, National Museum, Poznan (Poland)

2016 Nakanojo Biennale Symbiosis, Nakanojo (Japan)

2015 State of Life. Polish Contemporary Art within a Global Circumstance, National Art Museum of China, Beijing (China)

2014 The Silence of Marcel Duchamp Is Overrated, part 2 of the Arena exhibition, Center of Contemporary Art, Torun (Poland)

2013 Pavilion 0 - transnational pavilion of a country which does not exist of a common future of utopia, Palazzo Dona, Venice (Italy)

2012 Cosmopolitan Stranger, Parallel Event to Manifesta 9, Open University of Diversity, Hasselt (Belgium)

2011 Going Green, Corssing Art Gallery, New York (USA)



/

正在展出

On View


仿真星系 Symularis


展地 / Venue: 
广东佛山市顺德区顺峰山公园(南门),华侨城盒子美术馆 
OCT Boxes Art Museum, Shunfeng Mountain Park, Shunde District, Foshan City, Guangdong Province.

策展人:
顾振清、托马斯·温德兰
艺术家:
安德烈亚斯·古斯科斯、安杰伊·瓦西列夫斯基
阿尔卡迪乌斯·加耶夫斯基 
菲利普·加耶夫斯基、马吉·奥斯梅斯基  
托马斯·温兰德、兹比格涅夫·塔奇奇基
艺术总监:
周力
项目负责人:
刘可
Curators:
Gu Zhenqing, Tomasz Wendland
Artists:
Andreas Guskos, Andrzej Wasilewski, Arkadiusz Marcinkowski, Dariusz Gajewski, Filip Gajewski, Maciej Osmycki, Tomasz Wendland, Zbigniew Taszycki 

Art Director:

Zhou Li
Workshop Director:
Liu Ke




 关于华侨城盒子美术馆 

OCT Boxes Art Museum


华侨城盒子美术馆是由广东华侨城全资建设,广州美术学院油画系策划组运营管理的非营利公益性机构。美术馆坐落在顺德区顺峰山公园内,包括四个标准的室内展厅和室外公共展览空间。美术馆致力于整合地区及国际资源,呈现出国际化高水准的艺术样态;并依托美术学院研究与教学平台、顺德当地的传统特点和现代化发展,将艺术展示、公共交流和本地文化结合在一起,促进本土的、社会的、国际的艺术实践与文化产生。



Contact /联系我们

Email /电子邮箱:boxesartmuseum@163.com

Website /官网:http://www.boxesart.com

TEL /电话:0757-22916960

Address /地址:

OCT Boxes Art Museum, Shunfeng Mountain Park, Shunde District, Foshan City, Guangdong Province.

佛山市顺德区顺峰山公园(南门),华侨城盒子美术馆



Opening hour /开放时间

10:00-18:00 (Tuesday to Friday) 

10:00-20:00 (Weekend)

10:00-18:00 (周二至周五) 10:00-20:00 (周末)




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