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【OCT-LOFT创意节】展品介绍|吴国勇《无处安放—中国共享单车坟场奇观》

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07.《无处安放—中国共享单车坟场奇观》

静态照片,2018-2019


No Place to Place: The Wonders of Shared Bicycle Graveyards in China Photograph,2018-2019, 「欢乐宫殿——2019 OCT-LOFT创意节」 展览现场


△深圳福田八号Futian No.8,Shenzhen, China


△49昆明五华三号Wuhua No.3,Kunming,China


△深圳南山一号Nanshan No.1,Shenzhen,China


曾被誉为中国“新四大发明”之一的共享单车,发端于“大众创业、万众创新”的风口。2015年5月,第一辆无桩共享单车首次出现在中国北京大学校园。其“绿色出行”、“解决最后一公里人们出行难题”的理念得到大众欢迎。短短2年时间,70多家共享单车公司蜂拥成立, 2700万辆颜色艳丽、品牌各异的共享单车被生产出来,并迅速占领了中国各大城市核心区的公共空间。


从一开始的放任不管,到2017年中期车多为患时,政府才觉不妙,开始实施限制管理,并由政府主导对市场上超量投放的单车进行收缴清理。这些被清理的临时堆车点在中国各大城市纷纷出现,体量庞大却又隐蔽难寻,被人们称为共享单车“坟场”。共享单车运营商因此纷纷倒闭,仅剩少数几家公司勉力运营。数十亿元人民币的用户押金无法退还,数百亿资本财富打造的共享单车弃如敝履,成了城市垃圾。


2018年1月起,摄影师历时一年多时间,跑遍国内曾被共享单车占领的城市,暗访了50多处共享单车坟场,用航拍、地拍、VR、视频、音频等多媒介方式记录下这个社会奇观。


2018年7月26日上午,中国搜狐门户网首发了这些照片和视频,立刻引发中外媒体的疯狂转发,网络点击量数亿人次,成千上万的市民在网络上留言发表看法,形成一个现象级的传播事件。


风暴过后一片狼藉,让人们反思当下中国资本利益驱动下的发展模式中各种深层次问题。


无处安放的不仅仅只有共享单车,更有我们对这世界的执念,对财富的梦想,以及在时代背景下每个人的内心。


No Place to Place:The Wonders of Shared Bicycle Graveyards in China

Photograph,2018-2019


Bicycle sharing, known as one of China's “New Four Major Inventions” ,has been originated during a period of so-called Mass Innovation and Mass Entrepreneurship.In May 2015, the first dockless shared bicycles were introduced on the campus of Peking University. The concept behind bicycle sharing, “Green Travel” and“Solving of the Last Mile Traveling Problem”was widely welcomed. In just two years, more than 70 shared bicycle companies had sprung up, and around 27 million shared bicycles had been deployed to major cities with different brands and bright colors.Soon, shared bicycles began to overwhelm public spaces in cities.


Originally the government was laissez-faire about the cluttered streets and even encouraged bicycle sharing. They did not realize the seriousness of the issue until September 2017 when the government started to limit the number of bicycles deployed and placing excessive bicycles in temporary locations. Such hidden locations are hard to be found in cities and have earned the name “shared bicycle graveyard". Many shared bicycle companies have therefore closed down, leaving only a few companies still operating. Billions of Chinese Yuan of user deposits cannot be refunded, and shared bicycles costing tens of billions of Yuan are abandoned and become urban garbage.


Since January 2018, the photographer has traveled throughout the country to multiple cities that have been occupied by shared bicycles. He has visited more than 50 shared bicycle cemeteries, using aerial photography, local shooting, VR, video, audio and other multi-media methods to record this social wonder.


On the morning of July 26, 2018, Sohu.com launched these photos and videos, which immediately triggered the crazy forwarding of Chinese and foreign medias. The number of hits on the Internet was hundreds of millions. Thousands of citizens posted comments on the Internet and it became a phenomenon level of propagation events.


In a mess after the storm, people start to think about various deep-seated problems in the development pattern driven by China's current capital interests.


It is not just the shared bicycles having no place to go, but also our obsession, our dreams of wealth and the hearts of each of us in the context of times.


艺术家

1963年出生于中国湖北襄阳,曾为水利工程师,1992年南下闯荡深圳,以其专业知识谋生。现居深圳,自由摄影师。


过往展览:

2017.08 《深圳河》系列,第七届DIPE大理国际影会国内邀请展

2017 《生死毒局》青少年戒毒故事系列,惠州启明星禁毒教育基地常设展

2018 连州国际影展参展艺术家独立个展

2019.09~2020.08 巴黎荣军院地铁站个展(SNCF)

2019 金边国际摄影节(PPP)参展艺术家


奖项荣誉:

2018《无处安放》2018映·纪实影像奖优秀奖及阿尔帕资助奖

2018 腾讯传媒赏“年度视觉奖”

2018 澎湃新闻-眼光-湃客年度视觉奖

第六届中国摄影年度排行榜上榜作品

2019 (第十一届)三影堂摄影奖入围作品


Born in Xiangyang, Hubei, once a hydraulic engineer, Wu went south to make a living in Shenzhen by his specialties. He currently lives in the same city and works as a freelance photographer.


Exhibitions:
2017.08 Shenzhen River series, Domestic Invitation Exhibition of the 7th DIPE Dali International Photography Festival.
2017 Drug Plots in Life and Death , Drug Detoxification of Teenagers Story series, Permanent Exhibition at Huizhou Qimingxing Drug Control and Education Base.

2018 Lianzhou Foto Festival Independent Exhibition. 
2019.09-2020.08 (SNCF) Paris L'hôtel des Invalides Subway Station Exhibition. 
2019 Phnom Penh International Photography Festival (PPP) Exhibition. 


Awards and Honors:

2018 No place to place2018 Excellence Award and Alpa Funding Award of Documentary Image Award.  

2018 "Vision of the year" of Tencent Media Award
2018 Thepaper.cn news Vision Award. 
On-list Works of the 6th Chinese Photography Annual Ranking.

2019 A finalist for the 2019 (11th) Three Shadows Photography Award. 


2019 OCT-LOFT创意节正于深圳华侨城创意文化园北区C2展厅举办。此次创意节将以“欢乐宫殿”为题,聚焦技术伦理及其与社会的关系,强调人们作为“提问者”的角色,并试图借此激发与话题相关的各种讨论。


「欢乐宫殿」主展览部分共邀请16组国内外艺术家,展出包括交互装置、影像、声音、摄影等不同媒介的17件艺术作品。此外,在创意节期间,我们也将组织丰富多样的公共项目,从不同角度与观众一同反思并回应当下的技术生活。


同时,作为此次创意节的特别项目,“无定游乐场”将作为一个不断变化、可以自定义的灵活空间,面向公众开放征集入驻方案,并希望能通过共建对话与分享的空间,呈现更多的实践与联系。

“无定游乐场”持续公开征集方案,提交申请点击链接:【OCT-LOFT创意节】给你一个可以自定义的“游乐场”



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