【OCT-LOFT创意节】展品介绍|里亚尔•里扎尔迪《锡石》

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09.《锡石》

影像装置，纤维屏幕，iPhone手机，尺寸可变，2019

锡石（影片部分）：单频道高清视频，18′22″

锡石（拓展部分）：双频道高清视频，6″及21′38″

Kasiterit, Video installation, fabric screen, iPhones, Varied dimension,2019, 「欢乐宫殿——2019 OCT-LOFT创意节」展览现场

Kasiterit, Video installation, fabric screen, iPhones, Varied dimension,2019

《锡石》是在印度尼西亚的邦卡岛调研后拍摄记录的，探讨了岛上锡矿与劳动力变迁及当今科技的复杂纠葛。邦卡岛作为世界最大的锡产地之一，它的锡供应量占了全球的三分之一，锡金属是低熔点和高导电性的，它是所有电子设备之必需。在影片中，里亚尔记录了锡从矿山到博物馆的重要性，从社群、政治与采矿活动间的紧张关系，到塑造了岛上人类及其他物种生活的地理形态等面向，追踪了锡的物质性的变化。从被地下提取出来的一刻，到在地球另一边作为电子垃圾被埋葬，锡环流通全球，是影响了我们对技术产品之依赖的一个动因。每个人的口袋里，都有一块邦卡岛的碎片。

Kasiterit

Video installation，fabric screen, iPhones，Varied dimension，2019

Kasiterit (the film): one channel HD video file: 18′22″

Kasiterit (extended): two channels HD video files: 06 ″and 21 ′ 38″

Researched, filmed, and recorded on Bangka island in the Indonesian archipelago, Kasiterit is a video installation that explores the complex entanglement of tin with contemporary technology and the labour dynamics on the island. Branded as one of the major exporters of tin in the world, Bangka’s tin represents one-third of the global tin supply. Due to its low melting point and high electrical conductivity, tin is an instrumental foundation in all electronic apparatus and every digital screen. In Kasiterit, Riar traces the materiality of tin from the mine to the museum, from the tension between communities, politics, and mining, to the geophysics that shapes the daily life of human and nonhuman life on the island. From the moment it is extracted from the soil until it ends buried as e-waste back in the earth, tin travels around the globe as an actant that shapes our dependency on technological apparatus. There is a little piece of Bangka island in everyone’s pocket.

艺术家

里亚尔•里扎尔迪是一名艺术家和研究员，生于印度尼西亚，现工作生活于香港。他关注资本与技术、能源开采和理论虚构之间的关系。其作品对瞬时性、影像政治、物质性、媒介考古学和技术的不可测结果提出普遍质疑。他运用现场录音和基于编程语言的拟音技术创作声音小说，并将其表演出来。作品曾在洛加诺电影节、 BFI伦敦南岸电影中心、NTT东京国际交流中心、印尼国家美术馆放映或展出。

里亚尔还是一位策展人，策划过两届ARKIPEL雅加达国际纪录片与实验电影节，并有作品——《刑事殖民地》（2017）和《（无）物联网》（2018）在印尼日惹市国家博物馆展映。

Rial Rizzardi is an artist and researcher born in Indonesia and now lives and works in Hong Kong. He focuses on the relationship between capital and technology, extractivism, and theory-fiction. Through his works, he questions the notion of (a)temporality, image politics, materiality, media archaeology and unanticipated consequences of technologies. He is also actively composing and performing sonic-fiction using the methods of field recording and foley through programming language. Riar has also curated ARKIPEL Jakarta International Documentary & Experimental Film Festival — Penal Colony (2017) and Internet of (No)Things (2018) at Jogja National Museum. His works have been shown at Locarno Film Festival, BFI Southbank London, NTT InterCommunication Center Tokyo, and National Gallery of Indonesia amongst others.