台北当代 | 阿拉里奥展位C20携亚洲 10 位艺术家参展 - 阿拉里奥画廊

艺博会资讯 | THE ART FAIR

阿拉里奥 | 2020 台北当代艺术博览会

Arario Gallery | 2020 Taipei Dangdai

画廊展位 | GALLERY BOOTH

C20 & I01

贵宾预览：2020年1月16日

公众开放：2019年1月17日–19日

展会地址：台北南港展览馆

Taipei Nangang Exhibition Center

阿拉里奥画廊（Arario Gallery）将于 2020 年 1 月 17 至 19 日期间，荣幸参展2020 年台北当代艺术博览会。在本届艺博会的画廊单元展位（C20）中，阿拉里奥将展出旗下一系列东北亚当代艺术家的精彩创作，不仅有出自著名韩国艺术家李禹焕( Lee Ufan）和权五祥（Osang GWON）的代表之作，亦有日本艺术家清川阿莎美（Asami KIYOKAWA）、奈良美智（Yoshitomo NARA）、照沼敦朗（Atsuro TERUNUMA）和渡边信子（Nobuko WATANABE）的重要作品。名和晃平（Kohei NAWA）的 “Vessel” 系列也将亮相此次艺博会，这位日本当代艺术大师曾于2018 年在法国卢浮宫美术馆展出其大型跨流派装置作品。此外，中国当代艺术家黄渊青（HUANGYuanqing）、徐跋骋（XU Bacheng）和闫珩（YANHeng）之新作也将被呈现。

Arario Gallery will participate at TaipeiDangdai 2020, opening from 17 to 19 January 2020. At the second edition of thefair, Arario Gallery presents artworks by prominent Northeastern Asia contemporaryartists for the main booth (Galleries Sector) and the installation Sector. Koreanartist Osang GWON and internationally acclaimed artist Lee Ufan will headlinethe Galleries Sector (C20). The booth will also present works by Japanese artistsincluding Asami KIYOKAWA, Yoshitomo NARA, Atsuro TERUNUMA and Nobuko WATANABE.In addition, VESSEL series of famous Japanese artist Kohei NAWA will bepresented, who had also exhibited a large-scale and genre-crossing installationwork at the Louvre Museum in 2018. New works by three Chinese contemporaryartists, HUANG Yuanqing, XU Bacheng, YAN Heng, will be displayed at the fair too.

夫智炫 Jihyun BOO, Ultimate Space, 2018，

LED, junk fishing lamps, motor, fog machine, laser

Dimensions variable © 艺术家和阿拉里奥画廊 Artist and ARARIO GALLERY

在艺博会的装置单元（I01）中，阿拉里奥将展出韩国艺术家夫智炫（Jihyun BOO）的装置作品《Ultimate Space》。该作品名的灵感源于韩国建筑师金寿根（Swoo-Geun Kim）（1931-1986）所追求的建筑概念。有别于主掌生存的“第一空间”及主掌生产与经济活动的“第二空间”，所谓的“终极空间（UltimateSpace）” 寓意着 “第三空间”，意指丰富人类精神世界的边缘空间，在其中可进行创造、冥想等精神活动。展览现场，在由红光，雾气和废弃的灯具所制造的空间里，观者将浸入一种神秘氛围，仿佛他们正逐渐被从日常生活中分离出去，潜入宇宙之流。

For the Installations Sector (I01), Korean artist Jihyun BOO’s installation work ‘Ultimate Space’ will be presented. The title of this artwork comes from the architectural concept pursued by a Korean architect Swoo-Geun Kim (1931-1986). ‘Ultimate Space’ implies the ‘third space’, in other words, the marginal space that makes the spiritual existence of humansabundant such as creation or meditation, not the ‘first space’ for survival northe ‘second space’ for production or economic activity. In the exhibition space,created with red light, fog and discarded lights, the viewers will be immersedin a mysterious atmosphere as if they are gradually separated from the dailylife and falling into the flow of universe.

精选作品 | SELECTED WORKS