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阿尔卡迪乌斯·马尔金科夫斯基 | “仿真星系”参展艺术家

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回文素数 11,101,131,151,181,191,313,353,373, 383,727,757,787 | 数字动画，2019

Palindromic Prime 11,101,131,151,181,191,313,353,

373,383,727,757,787 | digital animation, 2019

艺术家介绍第三期 Introduce of Artists:3

阿尔卡迪乌斯·马尔金科夫斯基

（Arkadiusz Marcinkowski）

‍关于游戏和质数对我的视频艺术的影响

“从我早期的视频作品《Fluktus》开始，到最近与素数算法相关的作品结束。本文将提出我对艺术作品与其展示空间之间关系的看法。素数影响了许多艺术家和作家。法国作曲家奥利维尔·梅西亚恩（Olivier Messiaen）使用素数通过“自然现象”创作了音乐。在诸如LaNativitédu Seigneur（1935）和Quatreétudesde rythme（1949-50）之类的作品中，他同时运用了具有不同素数的长度的图案来产生不可预测的节奏：素数41、43、47和53出现在第三本练习曲，“Neumes rythmiques”。根据梅西亚恩的说法，这种构图方式是“受到自然运动，自由和不相等持续时间的运动的启发” 。科学家卡尔·萨根（Carl Sagan）在科幻小说《接触》中提出，素分解可以用作建立与外星人交流的二维图像平面的方法，这种想法是他于1975年首次与美国天文学家弗兰克·德雷克（Frank Drake）非正式地发展起来的。在马克·哈登（Mark Haddon）的小说《夜里的狗的好奇事件》中，叙述者用连续的素数排列了故事的各个部分，以传达其主要角色的心理状态，这是一个数学上天赋的青少年，患有阿斯伯格综合症。保罗·佐丹奴（Paolo Giordano）的小说《素数的孤独》中素数被用作孤独和孤立的隐喻，其中素数被描述为整数中的“局外人”。

文字由艺术家提供

About the influence of games and prime numbers on my video art

The lecture will be about the influence of prime numbers and games on my work. Starting from my early video work with the title Fluktus and ending with recent works related to the algorithms of prime numbers. The paper will present my observations regarding the relationship between the work of art and the space in which it is displayed. Prime numbers have influenced many artists and writers. The French composer Olivier Messiaen used prime numbers to create ametrical music through "natural phenomena". In works such as La Nativité du Seigneur (1935) and Quatre études de rythme (1949–50), he simultaneously employs motifs with lengths given by different prime numbers to create unpredictable rhythms: the primes 41, 43, 47 and 53 appear in the third étude, „Neumes rythmiques”. According to Messiaen this way of composing was „inspired by the movements of nature, movements of free and unequal durations”. In his science fiction novel Contact, scientist Carl Sagan suggested that prime factorization could be used as a means of establishing two-dimensional image planes in communications with aliens, an idea that he had first developed informally with American astronomer Frank Drake in 1975. In the novel The Curious Incident of the Dog in the Night-Time by Mark Haddon, the narrator arranges the sections of the story by consecutive prime numbers as a way to convey the mental state of its main character, a mathematically gifted teen with Asperger syndrome. Prime numbers are used as a metaphor for loneliness and isolation in the Paolo Giordano novel The Solitude of Prime Numbers, in which they are portrayed as „outsiders” among integers.

The text is provided by the artist

参考读物/Reference:

Hill, Peter Jensen, ed. (1995). The Messiaen companion. Portland, OR: Amadeus Press. Ex. 13.2 Messe de la Pentecôte 1 ‚Entrée’. ISBN 978-0-931340-95-6.

Pomerance, Carl (2004). „Prime Numbers and the Search for Extraterrestrial Intelligence” (PDF). In Hayes, David F.; Ross, Peter (eds.). Mathematical Adventures for Students and Amateurs. MAA Spectrum. Washington, DC: Mathematical Association of America. pp. 3–6. ISBN 978-0-88385-548-5. MR 2085842.

GrrlScientist (September 16, 2010). „The Curious Incident of the Dog in the Night-Time”. Science. The Guardian. Retrieved February 22, 2010.

Schillinger, Liesl (April 9, 2010). „Counting on Each Other”. Sunday Book Review. The New York Times.

回文素数 11,101,131,151,181,191,313,353,373, 383,727,757,78作品截取片段

part of "Palindromic Prime 11,101,131,151,181,

191,313,353,373,383,727,757,787"

艺术家是基于素数来创作他的作品的。素数在维基百科的定义中是：素数是大于1的自然数，不能由两个较小的自然数相乘而形成。因此它可以说是数学中最孤独的数字。在影像作品《回文素数11,101,131,151,181,191,

313,353,373,383,727,757,787》中，背景音一直在冷漠地报着一系列的数字，而一个个下半身看起来像是人体的生物在漆黑的背景里向上飞升。这些生物看起来就像是一个个被异化和疏离的人类个体，赤裸而畸形，在无边无际的真空中毫无交集地飘荡。另外一个屏幕上播放着一个无脊椎生物在水中奋力游动的影像，它似乎无论怎样努力，也游不出自己的那个框架。艺术家的作品洋溢着强烈的孤独感，这使我们不禁开始深思，在我们这个时代，究竟是什么加剧了人的孤独？

由艺术家口述，实习生林昀整理

The artist created his work based on prime numbers. In the definition of Wikipedia, a prime number is: A prime number (or a prime) is a natural number greater than 1 that cannot be formed by multiplying two smaller natural numbers. So it is arguably the most lonely number in mathematics. In the video work Palindromic Prime11,101,131,151,181,191,313,353,373,383,727,757,787, the background sound has been indifferently reporting a series of numbers, and the creatures whose lower bodies look like human bodies have risen up against the dark background.

These creatures look like alienated and dissociated human individuals, naked and deformed, wandering in the endless vacuum without intersection. On the other screen was an image of an invertebrate struggling to swim in the water. It seemed that no matter how hard it tried, it couldn't swim its own frame. The artist's work is filled with a strong sense of loneliness, which makes us start to ponder: What exactly exacerbates human loneliness in our time?

Oral by artist, collated by intern Lin Yun‍

华侨城盒子美术馆展览现场

Exhibition site at OCT Boxes Art Museum

过往作品 Past works

回文素数101, 131, 151

Palindromic Prime101, 131, 151

作品截取片段

Park of the work

回文素数181, 191, 313

Palindromic Prime181, 191, 313

作品截取片段

Park of the work

关于艺术家 About the Artist

阿尔卡迪乌斯·马尔金科夫斯基

（Arkadiusz Marcinkowski）

1970年出生于波兰。1989年毕业于什切青艺术中学。1991年，他开始在波兹南美术大学学习。1995-1996年间在荷兰学习。1996年，他在波兹南艺术大学获得艺术硕士学位。他在图形和画架绘画领域组织了几次展览，并参加了国外的许多展览。他曾在日本大阪和东京的著名美术馆多次举办了展览。自2006年以来，他一直是波兰艺术家协会波兹南区的董事会成员。他还是日本大阪艺术组织A-21的成员。2011年，他在波兹南艺术大学获得了博士学位。2013年，他被任命为什切青的西波美拉尼亚理工大学和波兹南WSUS副教授。目前，他是什切青艺术学院跨学科图形学系系主任，负责数字图形工作室。他曾参加国内外数十个小组展览，包括在荷兰，德国，日本，土耳其，比利时，希腊，意大利，立陶宛，白俄罗斯，乌克兰，匈牙利，乔治亚州，台湾，以色列，俄罗斯，西班牙，挪威，伊朗，中国以及波兰的许多地方。负责数字图形，视频艺术，图形设计，绘画和空间活动。

Arkadiusz Mieczyslaw Marcinkowski was born in 1970. In 1989 he graduated from the High School of Fine Arts in Szczecin. In 1991 he began studying at the University of Fine Arts in Poznań. In 1995-1996 he studied in the Netherlands. In 1996 he obtained a master's degree in art from the University of Fine Arts in Poznań. He organized several exhibitions in the field of graphics and easel painting and took part in many exhibitions abroad. Among others in Japan, where he travelled several times and where he had a number of exhibitions at prestigious galleries in Osaka and Tokyo. Since 2006, he has been a member of the board of the Poznań District of the Association of Polish Artists. He is also a member of the Japanese artistic organization A-21 operating in Osaka. In 2011 he obtained the post-doctoral degree at the University of Fine Arts in Poznań. 2013 he was appointed an associate professor at the West Pomeranian University of Technology in Szczecin and WSUS in Poznań. Currently, he is the head of the Interdisciplinary Graphics Department at the Art Academy in Szczecin, where he runs the Digital Graphics Workshop. He is the author of many individual exhibitions. He took part in several dozen group exhibitions in the country and abroad, including in the Netherlands, Germany, Japan, Turkey, Belgium, Greece, Italy, Lithuania, Belarus, Ukraine, Hungary, Georgia, Taiwan, Israel, Russia, Spain, Norway, Iran, China and in many places in Poland. He deals with digital graphics, video art, graphic design, painting and spatial activities.

正在展出

On View

仿真星系 Symularis

展地 / Venue:

广东佛山市顺德区顺峰山公园(南门)，华侨城盒子美术馆

OCT Boxes Art Museum, Shunfeng Mountain Park, Shunde District, Foshan City, Guangdong Province.

策展人：

顾振清、托马斯·温德兰

艺术家：

安德烈亚斯·古斯科斯、安杰伊·瓦西列夫斯基

阿尔卡迪乌斯·加耶夫斯基

菲利普·加耶夫斯基、马吉·奥斯梅斯基

托马斯·温兰德、兹比格涅夫·塔奇奇基

艺术总监：

周力

项目负责人：

刘可

Curators：

Gu Zhenqing, Tomasz Wendland

Artists:

Andreas Guskos, Andrzej Wasilewski, Arkadiusz Marcinkowski, Dariusz Gajewski, Filip Gajewski, Maciej Osmycki, Tomasz Wendland, Zbigniew Taszycki

Art Director：

Zhou Li

Workshop Director：

Liu Ke