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≡ 袁远 & 郑洲 | “风雨同舟Stand Together——艺术抗疫慈善拍卖”

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© 图片由昊美术馆提供
Image courtesy of How Art Museum


2020年2月,昊美术馆及HOWStore联合一条、现代传播、ART021联合发起倡议,以上海宋庆龄基金会作为受捐机构,携手国内外80余家重要艺术机构及100余位艺术家共同发起“风雨同舟”艺术抗疫慈善拍卖。


马凌画廊携其代理艺术家袁远和郑洲共同捐赠两幅画作,将分别于3月4日、3月5日拍卖。 


向上滑动图片,查看更多活动详情


© 图片由昊美术馆提供
Image courtesy of How Art Museum




第2场

“风雨同舟” Stand Together

当代艺术-1 Contemporary Art -1

时间:2020年3月3日00:00-3月4日24:00


≡ 郑洲 Zheng Zhou
相拥 Embrace, 2017
布上丙烯,油画  Acrylic and oil on canvas
40 x 40 cm
© 图片由艺术家和马凌画廊提供
Image courtesy of the Artist and Edouard Malingue Gallery

作为视觉艺术的一个门类,绘画的表现手法非常直观,没有过多说教,只不过因为绘画历史悠久有积淀。线条、色彩、结构这些构成绘画技术的基本要素,经过现代主义的洗礼后,已经深入画家的骨髓。内容作为具像绘画的魂,在这里不过是捕鱼之笙过河之筏,线条、色彩、结构才是主题。但个人的作画方式又让这些要素退去人为的刻意。画面随自身的发展产生视觉含义,一切皆是缘成。  


Painting, one category of visual art, has a very intuitive expression without much preaching, only because of accumulation of the long history. Lines, colors, and structures constitute the basic elements of painting technique. After experiencing modernism, painters have kept those three elements deeply in mind. As the soul of figurative painting, content is nothing more than a tool, just like fishing tools or the raft for people crossing the river. However, personal ways of painting make these elements get rid of artificial intentions. The picture has its own visual meaning during the time of drawing. Everything is destined.  


 起拍价 Starting price

20,000 RMB  




第3场

“风雨同舟” Stand Together

当代艺术-2 Contemporary Art -2

时间:2020年3月4日00:00-3月5日24:00


≡ 袁远 Yuan Yuan
与我共浴 Bath with Me, 2018
布面油画  Oil on canvas
48 X 37 cm
© 图片由艺术家和马凌画廊提供
Image courtesy of the Artist and Edouard Malingue Gallery


《与我共浴》实际上和目前的社会环境有一定呼应关系。现在不光是因为新型冠状病毒疫情处于水生火热之中的中国,全球都和灾难绑在一起,例如前不久才刚刚结束森林大火危机的澳大利亚,和爆发蝗灾的非洲。各地经济上或多或少受到影响。尽管文化不同,文化上的隔阂也不能阻碍来自不同地方的人的精神上的“共浴”,互相支持,思考社会会如何发展、如何让明天变得更好。


"Bath with Me" actually echoes current social situations. Not only China, which is suffering from the outbreak of Novel Coronavirus (COVID-19), but also other parts of the world is tied to disasters, such as Australia, which has just ended its forest fire crisis, and Africa, where occurs a worst locust plague in decades. Local economies are more or less affected. In spite of different cultures, cultural barriers cannot hinder the spiritual "bathing" of people from different areas. People support each other, and think about how society will develop and how to make tomorrow better.


起拍价 Starting price

150,000 RMB  



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捐赠说明 Donation credit  

由艺术家及马凌画廊共同捐赠 

Generously donated by the artist

and Edouard Malingue Gallery



艺术家简介 About the artist


袁远 Yuan Yuan

袁远(1973年生于杭州)的创作独特,专注于描绘建筑主题,结合细腻的技巧,呈现一种独特的氛围,在国际艺圏屡获佳誉。其就读于杭州中国美术学院油画系,1996年获艺术学士学位,2008年获艺术硕士学位。袁远的绘画主题多为建筑物室内,有些是曾经辉煌、点缀着新古典风格的拱门及露台的大厅,有些是较为平实的老房子的入口及走廊。取景来自现实的中国风景,揉合不同的想像元素,创造为他个人的设计风格。袁远笔下的景观总带有一种被遗弃、濒临拆迁之感,透露点滴昔日的光辉。曾在意大利贝尔加莫特尔兹宫、法国巴黎Galerie Malingue、上海香格纳画廊等多地举办个展。群展包括第12届上海双年展、印尼ROH Projects、悉尼白兔画廊等。


© 图片由艺术家和马凌画廊提供

Image courtesy of the Artist

and Edouard Malingue Gallery


Yuan Yuan (b. 1973), has earned international critical acclaim through his distinctive paintings, executed with impeccable technique and conveying a unique atmosphere. He studied in the Oil Painting Department of the China Academy of Art in Hangzhou, where he gained a Bachelors and later a Master degree in Fine Arts in 1996 and 2008 respectively. His subjects are often interiors; some are grand structures such as great halls with neo-classical arches, others from more modest structures such as entrances and corridors of old apartment buildings. These are based on real places mainly in China, but with imaginary elements added to impose Yuan Yuan’s own system of design. All share a sense of abandonment, offering just a glimpse of their former glory. Yuan has had solo exhibitions at Palazzo Terzi, Italy, Galerie Malingue, Paris, and ShanghART, among others. Group exhibitions include The 12th Shanghai Biennale; ROH projects, Jakarta; and White Rabbit Gallery, Sydney, among others.



郑洲 Zheng Zhou

郑洲(b.1969)1990年代初就读于浙江美术学院(即今天的中国美术学院)版画系,以绘画记录思维永不停息的流动,推敲自己对外界信息的接收及反馈,剖析内心幻想和隐秘欲望,一切幽秘的思维活动,皆以绘画为途径为出口。就风格而言,郑洲的绘画基本属于表现主义的范畴,崇尚漫不经心、随心所欲的感觉,排除透视,颜色大胆,线条狂乱,不受困于任何时间空间的逻辑,超越主观和客观的边界,在一定程度上,可比意识流文学中对灵感、直觉和潜意识的表达,连绵、多变、跳跃。郑洲画画可能就像常人头脑里面的联翩浮想和绵绵思绪,意识流动永不停息,郑洲只是快速地将其转化成画面。郑洲的作品曾在上海和香港展出,也曾在CHAO艺术中心举办个展。


© 图片由艺术家和马凌画廊提供

Image courtesy of the Artist

and Edouard Malingue Gallery


Zheng Zhou (b.1969) was born in Wenzhou, Zhejiang, China. A graduate from the Zhejiang Academy of Fine Arts in Printmaking from 1990 to 1994, Zheng worked at the Printmaking Department of the China Academy of Arts from 1994 to 1996. Since 2000, Zheng Zhou has been a lecturer at the China Academy of Art Affiliated High School for 10 years. Zheng relocated to Beijing where he has been working as an artist since 2013. Delineated contours, a subconscious blur of decipherable imagery and extraneous elements, a wistful expressive tide between the figurative and the abstract; Zheng Zhou is a painter of instinct, conveying onto canvas observations from the world, as ad hoc as they may be. His strokes, furtive yet decisive, depict an urgency - to grasp, to depict, to capture that mesmeric multitude of the cosmos, the ‘phenomena’ we, or more precisely he, is a witness to.





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