{{sindex}}/{{bigImglist.length}}
{{memberInfo.real_name}}
{{commentname}}

|| ARTWORK || Für Velimir Chlebnikow | Anselm Kiefer

{{newsData.publisher_name}} {{newsData.update_time}} 浏览:{{newsData.view_count}}
来源 | {{newsData.source}}   作者 | {{newsData.author}}

Installation view of The Red Bean Grows in the South”, Faurschou Foundation, New York, 2019,Für Velimir Chlebnikow, Anselm Kiefer, 2015-16, Oil acrylic, emulsion, and shellac on canvas, 149 5/8 x 224 7/16 in  Photo by Anders Sune Berg  © Faurschou Foundation 


The painting "Für Velimir Chlebnikow" is part of a series of works that Kiefer dedicated to the renowned Russian poet Velimir Chlebnikow (1855-1922). One of Chlebnikows central ideas was a cyclical recurrence of sea battles by combining poetry and mathematic calculations to describe history. The result of his calculations was that battles would endlessly repeat themselves every 317 years. 

Fascinated by submarines, Kiefer has created an ode to the sorrowful beauty of vessels by reflecting the themes of war, peace, the volatility of human aspirations, and the relentless nature of fate. Kiefer draws on Chlebnikows idea in an ironic way, by emphasizing that there is no fixed formula that can be applied to explain history.


Installation view of The Red Bean Grows in the South”, Faurschou Foundation, New York, 2019,Für Velimir Chlebnikow, Anselm Kiefer, 2015-16, Oil acrylic, emulsion, and shellac on canvas, 149 5/8 x 224 7/16 in  Photo by Tom Powel © Faurschou Foundation 


This painting incorporates two model ships into thick layers of paint, creating an intensely dynamic canvas surface. The work articulates the artists deliberate strategy in dealing with fascist and nationalistic imagery of the past through layers of multiple versions of history and media. In reference to his national legacy of World War II, Kiefer has said: After themisfortune’, as we all name it so euphemistically now, people thought that in 1945 we were starting all over again… Its nonsense. The past was put under taboo, and to dig it up again generates resistance and disgust.


About Artist

Anselm Kiefer(b. 1945) is a German post-war painter and sculptor, who studied with Joseph Beuys and Peter Dreher during the 1970s. Through the use of heavy materials such as lead, clay, shellac, straw, dried flowers, ash and broken glass, his works refer to subjects drawn from Germany and its culture: German history, myths, literature, music, philosophy and religion, as well as questions of postwar heritage.

---------------------------------

FAURSCHOU FOUNDATION BEIJING

VENUE:798 Art Zone, No.2 Jiuxianqiao Road, Chaoyang District, Beijing, China

OPENING HOURS:TUE - SAT,10:00 - 18:00

E-MAIL:beijing@faurschou.com

WEBSITE:www.faurschou.com

WEIBO:@林冠艺术基金会

WECHAT:faurschoubeijing


FOLLOW US BY




{{flexible[0].text}}
{{newsData.good_count}}
{{newsData.transfer_count}}
Find Your Art
{{pingfen1}}.{{pingfen2}}
吧唧吧唧
  • 加载更多

    已展示全部

    {{layerTitle}}
    使用微信扫一扫进入手机版留言分享朋友圈或朋友
    长按识别二维码分享朋友圈或朋友
    {{item}}
    编辑
    {{btntext}}
    艺客分享
    {{mydata.real_name}} 成功分享了 文章
    您还可以分享到
    加载下一篇
    继续上滑切换下一篇文章
    提示
    是否置顶评论
    取消
    确定
    提示
    是否取消置顶
    取消
    确定
    提示
    是否删除评论
    取消
    确定
    登录提示
    还未登录崇真艺客
    更多功能等你开启...
    立即登录
    跳过
    注册
    微信客服
    使用微信扫一扫联系客服
    点击右上角分享
    按下开始,松开结束(录音不超过60秒)