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≡ 陶辉 | 群展“连接方程式” | 日本京都艺术中心

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© 图片由日本京都艺术中心提供
Image courtesy of Kyoto Art Center


当前展览 Current Exhibition

群展 Group Exhibition 

“连接方程式”

"Methods of Connection"

陶辉 Tao Hui

展期 Duration: 2020.03.01-04.05

地址 Address: 日本京都艺术中心

The Kyoto Art Centre, Kyoto, Japan



(Scroll down for English version)


≡ 陶辉 Tao Hui
“连接方程式”展览现场
Installation view at “Methods of Connection”
© 图片由京都艺术中心提供。摄影:顾剑亨
Image courtesy of Kyoto Art Center
Photography by Kenryou Gu


陶辉和前田耕平在京都艺术中心举办双人展"连接方程式"。正值京都艺术中心成立20周年之际,该展览中的作品强调突出了在数码图像中以记忆与经验来创作的过程。展览展出了陶辉的录像装置《你好,尽头!》(2017)。


《你好,尽头!》这件作品,九个录像以规则的矩阵排布在展厅中,强调了作品内容之间的互文和平行关系,也是一种如同跳转频道一般的选择性观看方式的实验。艺术家撰写了故事的剧本,并最终呈现镜头中主角对着电话道出的不完整的、单方面的对话。这件在京都取景拍摄的作品从场景到表演都散发着深受大众喜爱的日本电视剧的独特气质,然而日语的念白所讲述的是由中国的社会新闻和艺术家的个人经历所改编的故事。这些带有距离感却又似曾相识的片段共同回应着构成主题的终结的味。


≡ 陶辉 Tao Hui
连接方程式”展览现场
Installation view at “Methods of Connection”
© 图片由京都艺术中心提供。摄影:顾剑亨
Image courtesy of Kyoto Art Center
Photography by Kenryou Gu


关于日本京都艺术中心

日本京都艺术中心成立于2000年4月,希望通过京都市、艺术家和其他与艺术有关的人之间的合作,全面推广京都的艺术。该中心旨在支持各种艺术活动,提供有关艺术的信息,并通过艺术促进市民与艺术家之间的交流。


≡ 陶辉 Tao Hui
连接方程式”展览现场
Installation view at “Methods of Connection”
© 图片由京都艺术中心提供。摄影:顾剑亨
Image courtesy of Kyoto Art Center
Photography by Kenryou Gu

The duo exhibition of Tao Hui and Kohei Maeda, ‘Methods of Connection’ at The Kyoto Art Center is presented on the occasion of the 20th anniversary of Kyoto Art Centre. ‘Methods of Connection’ displays works that highlight the process of creation through memories and experiences in the form of digital imagery. On view is Tao Hui’s video installation, ‘Hello, Finale!’ (2017).


‘Hello, Finale!’ (2017) is the multi-channel video work the artist created specially for this exhibition. The series of nine videos is arranged in an orderly array within the exhibition space, which emphasize the intertextual and parallel relationships between the content of the work; it is also a selective viewing experience akin to surfing channels. The artist person-ally composed the script for each story! and finally presents the incomplete, one-way dialogues uttered over the telephone by protagonists who appear on camera. This work, shot in Kyoto, is from the setting to the performance imbued with that distinctive mood found in Japanese TV series, series which are much loved by the masses. However, the spoken parts in Japanese relate stories rewritten based on news from Chinese society as well as from the artist's personal experience. These clips, with their sense of distance and yet familiarity, all echo the sense of finitude, which forms their main theme.


≡ 陶辉 Tao Hui
连接方程式”展览现场
Installation view at “Methods of Connection”
© 图片由京都艺术中心提供。摄影:顾剑亨
Image courtesy of Kyoto Art Center
Photography by Kenryou Gu

About The Kyoto Art Center

Kyoto Art Center was established in April 2000 in a hope to promote arts in Kyoto in a comprehensive way by collaboration between the city of Kyoto, artists and other people related to art. The center aims at supporting various artistic activities, providing information about arts, and promoting communication between the citizens and artists through arts.


≡ 陶辉 Tao Hui
连接方程式”展览现场
Installation view at “Methods of Connection”
© 图片由京都艺术中心提供。摄影:顾剑亨
Image courtesy of Kyoto Art Center
Photography by Kenryou Gu



艺术家简介 About the artist


陶辉1987年出生于重庆云阳,毕业于四川美术学院的油画系,现工作生活于北京。虽然毕业于油画系,但陶辉的作品以影像和装置艺术为主,从个人记忆、视觉经验和大众文化中积累素材,通过提炼与改造形成崭新的叙事模式和影像风格。陶辉从社会身份、性别地位、种族问题和文化危机等问题入手,以荒诞、吊诡、夸张的场景搭建,充满隐喻和错位感的人物设置,呈现出当代人的集体经验,带动观者正视自身的文化历史、生存现状和社会身份。他曾于2008年获得四川美术学院的“当代艺术档案特殊奖”,并在2015年荣获三亚艺术季华宇青年奖评委会大奖。2015年陶辉在SESC巴西录像艺术节“南部全景”单元上获得特奖,又于2017年先后入选HUGO BOSS亚洲新锐艺术家大奖和KINO DER KUNST电影节“国际竞赛”单元。2019年,他入围首届由香港M+展亭成立的希克奖。他的个展包括:OCAT西安馆的“一点儿不多余”(2017)和北京尤伦斯当代艺术中心的“新倾向:陶辉”(2015)。参加的群展包括:国立亚洲文化殿堂(ACC)群展(2019);罗马当代艺术博物馆的“SESC巴西录像艺术节影像展”(2019);第四届温哥华双年展"re-IMAGE-n"(2019);上海外滩美术馆和Para Site艺术空间的”百物曲“(2019);上海当代艺术博物馆的第11届上海双年展“何不再问”(2016年);巴黎路易威登基金会的“本土:变革中的中国艺术家”(2016);上海K11基金会的“骇客空间”(2016);圣保罗SESC巴西录像艺术节“南部全景”单元(2013)。


© 图片由艺术家和马凌画廊提供

Image courtesy of the Artist

and Edouard Malingue Gallery


Tao Hui was born in Yunyang, Chongqing, China. He graduated from Sichuan Fine Arts Institute with a BFA in Oil Painting in 2010 and currently lives and works in Beijing, China. Tao traversed into the art of video and installation, drawing from personal memories, visual experiences and popular culture to weave an experimental visual narration, the focus of which is often our collective experience. Running throughout his work is a sense of misplacement vis-à-vis social identity, gender status, ethnicity and cultural crisis, prompting the audience to face their own cultural histories and living conditions. He won the special award of Contemporary Art Archive from Sichuan Fine Arts Institute in 2008 and ‘Art Sanya & Huayu Youth Award’ in Sanya in 2015. He also won the grand prize of 19th “Contemporary Art Festival Sesc Videobrasil”, and was shortlisted for “HUGO BOSS ASIA ART Award for Emerging Asian Artists” and International Competition sector of the KINO DER KUNST festival in 2017. In 2019, he is shortlisted for the inaugural Sigg Prize. His solo exhibitions include OCAT Xi’an, Xi’an, China, 2017; UCCA, Beijing, China, 2015. Group exhibitions include Asia Culture Center(ACC) group exhibition, Gwangju, Korea, 2019; ‘Collezione Videobrasil, Opere Vincintrici Del Contemporary Art Festival Sesc_Videobrasil’, MACRO ASILO, Rome, Italy, 2019; ‘re-IMAGE-n’, the 4th Vancouver Biennale, Vancouver, Canada, 2019; ‘An Opera for Animals’, Rockbund Art Museum, Shanghai, China / Para Site, Hong Kong, China (2019); 11th Shanghai Biennale’, PSA, Shanghai, China, 2016; Fondation Louis Vuitton, Paris, France, 2016; chi K11 Art Space, Shanghai, China, 2016; ‘Contemporary Art Festival Sesc Videobrasil: Southern Panoramas’, São Paulo, Brazil, 2013, 2015.





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