聚焦艺术家 | 洛泰尔 · 鲍姆嘉通的自然奏鸣曲
IN FOCUS
洛泰尔 · 鲍姆嘉通
玛丽安 · 古德曼画廊在每期专题通讯“聚焦艺术家IN FOCUS”中，为大家介绍画廊大家庭中的一位艺术家。我们希望通过艺术家故事、访谈、手稿、视频和全新计划等多样的形式，为大家提供有关其创作生涯的一幅更全面的图景。
在过去的四十五年中，德国观念艺术家洛泰尔 · 鲍姆嘉通（1944-2018）因其涉猎广泛的创作而赢得了赞誉与尊重。他的创作运用多样的媒介来反思艺术表现最核心的思想和系统：从临时雕塑，到摄影、幻灯展示、影片、声音记录、素描、印刷品、书籍、短篇故事，以及场域特定创作和与建筑有关的艺术介入。
这一次，我们将感受鲍姆嘉通艺术实践中运用声音创作的一面，特别是其中一个刻画了纽约州北部的声音环境和地理面貌的计划。
这段录音收录在了CD《洛泰尔 · 鲍姆嘉通—七种声音，七种循环—Mohicanituk I, II, III, IV, V, VI, VII 》之中，是艺术家2009年在奥地利布雷根茨美术馆的展览“七种声音，七种循环”的背景音。
其中每一种声音都是在纽约州北部记录的，构成了一部当地野生动物的声音交响乐，其节奏只是偶尔被经过的火车打破。展览期间与这幅声音全景图同时呈现的还包括艺术家的一批摄影和一篇手稿。
作品一览
关于艺术家
过去的十年中，艺术家曾在多地举办个展，其中包括：马德里的索菲娅王后国家艺术中心博物馆水晶宫（2016）、西班牙桑坦德的博廷艺术基金会（2012）、德国埃森的弗柯望博物馆（2011）、奥地利布雷根茨的奥地利布雷根茨美术馆（2009）、巴塞罗那的巴塞罗那当代艺术博物馆（2008）以及德国克莱沃的柯豪斯艺术博物馆（2006）。
艺术家近年参加的群展包括：米兰当代艺术研究所举办的“Apologia della storia—历史学家的行业”（Apologia della storia-The historian’s craft，2019）；厄瓜多尔第十四届昆卡双年展“鲜活的结构/艺术作为一种多重体验”（Living Structures / Art as a Plural Experience，2018）；巴西圣保罗绘画陈列馆举办的“起源的发明”（Invention of Origin，2018）；西班牙桑坦德博廷艺术中心的“重置的风景”（The Reconfigured Landscape，2018）；德国美因茨美术馆群展“FORSTER, 1754-2015”（参展艺术家包括：洛泰尔 · 鲍姆嘉通、卡米耶 · 昂罗、弗里德曼 · 冯 · 斯托克豪森）；哥伦比亚卡塔赫纳双年展（2014）；慕尼黑艺术之家的“地球的尽头，大地艺术1974”（Ends of the Earth, Land Art to 1974，2013）；洛杉矶当代艺术博物馆群展（2013）等。
相关阅读
IN FOCUS
Lothar Baumgarten
Marian Goodman Gallery is pleased to continue IN FOCUS, our
artist-centric newsletter, where we delve deeply into one artist on the
MGG roster at a time. Aiming to show a fuller picture of the breadth of
our artists' careers, we will feature our
favorite stories, podcasts, interviews, artists’ writings, and videos
from the archive, as well as new and upcoming projects.
Over the last four and a half decades, German conceptual artist Lothar Baumgarten
(1944 – 2018) has garnered critical acclaim and respect for his
extensive body of work, which uses a wide range of media to question the
very core ideas and systems of
representation – from ephemeral sculptures, to photography, slide
projections, films, sound recordings, drawings, prints, books, short
stories, as well as site-specific works and architecture-related
interventions.
Today, we explore a side of Baumgarten’s practice dedicated to sound, and in particular to a project depicting the soundscapes and landscapes of upstate New York.
An audio piece published as part of the CD set “Lothar Baumgarten - Seven Sounds / Seven Circles – Mohicanituk I, II, III, IV, V, VI, VII” released to accompany the artist’s exhibition Seven Sounds / Seven Circles at Kunsthaus Bregenz in 2009.
Each sonic composition was recorded on the banks of the Hudson River in
upstate New York, and features the sounds of native fauna, broken only
by the passing of the occasional Amtrak train. This sound panorama is
accompanied by a set of photographs, as well
as an essay by the artist.
Overview of his work
About the artist
Lothar Baumgarten represented Germany at the 41st Venice Biennale in 1984, where he was awarded the Golden Lion. His work has also been shown at documenta 5 (1972), 7 (1982), 9 (1992), and 10 (1997).
Solo exhibitions have been held over the past decade at the Museo Nacional Centro de Arte Reina, Palacio de Cristal, Madrid, Spain (2016); Botin Foundation, Santander, Spain (2012); Museum Folkwang, Essen, Germany (2011); Kunsthaus Bregenz, Bregenz, Austria (2009); Museu d’Art Contemporani de Barcelona (MACBA), Spain (2008), and Museum Kurhaus, Kleve (2006).
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