≡ 马凌画廊 | 台北当代Taipei Connections

周育正 Chou Yu-Cheng

赖志盛 Lai Chih-Sheng

马凌画廊参加了2020年5月2日至10日向公众开放的Taipei Connections。Taipei Connections是台北当代艺术博览会（台北当代）与线上艺术平台Ocula合作研发的在线项目，将呈献精心策展的重要画廊线上展览、虚拟工作室导览和线上研讨会。

Edouard Malingue Gallery attends Taipei Connections between 2 and 10 May 2020. Taipei Connections is an online initiative launched by Taipei Dangdai in partnership with Ocula, bringing galleries together with a series of tightly curated online presentations, virtual studio visits, and online discussions.

马凌画廊 Edouard Malingue Gallery展厅：

https://ocula.com/art-fairs/taipei-connections-2020/viewing-rooms/edouard-malingue-gallery/

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5月6日下午2时的Taipei Connections直播单元中，观众可以透过艺术家江上越、毛友文、胡为一工作室及冈瑟·弗格（Günther Förg）及Bosco Sodi个展的线上导览，浸润于色彩所带动的感性时刻。马凌画廊画廊主江馨玲将会为大家带来香港空间正在展出的冈瑟·弗格个展导览。（展览详情）

Edouard Malingue Gallery will be participating in Taipei Connection’s Live-Streaming Program on 6 May from 2pm (Taipei/HK/SH). Be immersed in color and sensibility with a visit to the studio of Etsu Egami, Mao Yo Wen, Hu Weiyi and Günther Förg's and Bosco Sodi’s solo exhibition. Don’t miss the walkthrough with our Director, Lorraine Kiang Malingue at Günther Förg's solo exhibition at Edouard Malingue Gallery, Hong Kong.

Zoom直播链接：

https://zoom.us/j/96879515665

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这个方案之主旨，是对一种尽可能细微的”动“或”力“的观察。也就是说，去试图想一想”变“与”不变“之本质。比如，地球的一小动，对地球来说不会改变什么，对人类的命运是大变。同理，人的心只要一小动（比如通过艺术），世界没动，但对人来说，一切都可能已全然不同。

The aim of the project is to obtain an observation of "movement" and "force" as detailed as possible. Or to say, trying to look into the nature of the "changing" and "unchanging". For instance, a tiny movement of the earth, which impact is insignificant to itself, could vastly change the human destiny. In the same way, a tiny movement happened inside a man's heart (through art, for instance), will do nothing to the world. But for the man himself, everything could may completely different. 

≡ 周育正 Chou Yu-Cheng

刷新、牺牲、新卫生、抹布、画布、周育正、

餐桌、擦拭、日常性、墨韵、形象、绘画集 #14

Refresh, Sacrifice, New Hygiene, Rag, Canvas, Chou Yu-Cheng,

Dining table, Wiping, Everyday, Ink Rhyme, Image, Album #14

2019

丙烯于画布上、画布裱贴于木板

Acrylic on canvas, Canvas mounted on wooden board

150 x 180 x 3 cm

《刷新、牺牲、新卫生、抹布、画布、周育正、餐桌、擦拭、日常性、墨韵、形象、绘画集》的命名来自于社交媒体hashtag。在画布上想像擦拭餐后桌面，形成抹布反覆留下的墨韵痕迹，穿透于日常居家清洁的动作与艺术媒介之间。

The title “Refresh, Sacrifice, New Hygiene, Rag, Canvas, Chou Yu-Cheng, Dining table, Wiping, Everyday, Ink Rhyme, Image, Album” comes from hashtags on social media. On the canvas, I try to imagine when cleaning the dinning table after meal, and how the cleaning cloth repeatively leaves ink-like traces on its surface, seemingly penetrating between the action of daily cleaning and the medium of art. 

≡ 周育正 Chou Yu-Cheng

水彩 #17 Watercolor #17, 2019

水彩于纸上、纸裱贴于木板

Watercolor on paper, Paper mounted on wooden board

92 x 69 x 3 cm

延伸自渐层绘画的“水彩”是以水性颜料的特性作为基础，以两种以上相异性质的颜料混合溶解，透过流动产生相异性质色粉沉淀与分离于纸张上的自然现象，并由无数次反覆操作成为渐变的结果。颜料的提炼来自于天然矿物、金属、植物等等的大地资源，作品“水彩”借由颜料的物质特性产生大地的光芒与时间的积淀，并在物质流变现象中产生物质的结晶结果。

The "Watercolor" series, which is derived from the gradient paintings, is based on the feature of water-based pigments. By mixing and dissolving two or more dissimilar pigments and letting it flow on the paper, it produces a natural phenomenon where dissimilar colors precipitate and separate. By repetition of such operation, it results in a color gradient. The pigments are extracted from resources on earth like natural minerals, metals and plants. As such, by the material properties of the pigments, the "Watercolor" series brings the light of earth and the accumulation of time, and the crystallization of matter resulting from material rheology. 

即将展出 UPCOMING EXHIBITION:

香港 Hong Kong “1986 - 1992”  冈瑟·弗格 Günther Förg 20.05.08-05.23