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追悼｜艺术家李晖因病逝世，他曾创造艺术与科技融合的新样态

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2020年5月4日，艺术家李晖先生因病离世，享年43岁。其妻子谢思维发布如下讣告，阿拉里奥画廊在此致以沉痛哀悼。

On May 4, 2020, artist Li Hui passed away after illness at the age of 43. His wife Xie Siwei issued an obituary as follows，and Arario Gallery wants to express sincere condolences.

讣告

艺术家李晖先生，于2020年5月4日19点因病离世，享年43岁。非常时期，吊唁多有不便。谨此，对其生前给予关爱的亲朋师长好友致以诚挚的谢意。

妻谢思维携全体家人泣告

2020年5月5日

▲ 李晖 Li Hui

“

李晖（1977-2020）总是像他作品中的犀牛一样充满活力和激情……我们会想念您，希望您得以安息。在另一个世界里，尽情抽烟，喝酒，大笑，随心所欲地享受一切吧……带着爱意，我们将永远铭记您。

Li Hui (1977- 2020) was always full of energy and passion like the Rhinoceros in his work... We will miss you, Li Hui, and hope you rest in peace. Smoke, drink, laugh, and enjoy there as much as you like...we always loved you....and we will remember you forever.

—— 阿拉里奥画廊总监

Henna Joo 周娟禾

”

李晖，生于1977年，2003年毕业于中央美术学院，曾生活、工作于北京。李晖先生的作品曾在世界各地广泛展出，他的两项创作主轴:一面利用镭射(激光)、冷光(LED灯)为创作素材，探讨艺术与高科技结合的新表现性;另一面透过观念性的“实体雕塑”或空间装置，传达他对于中国社会快速转换的现象观察与情境思考。

Li Hui, born in 1977, graduated from the Central Academy of Fine Arts in 2003 and used to live and work in Beijing. Li Hui actively held exhibitions in the major cities of Asia, Europe and America. Li Hui’s work is based on the two creative themes: working with laser and LED as media to explore new expressions of art that are integrated with high technology, and using “Conceptual Sculptures” and space installations to portray observations and reflections on the rapid transformation of the Chinese society.

在新人辈出、竞争激烈的中国新一代艺术家群中，李晖是少数能够运用各类新兴媒体，又兼能探讨严肃人文课题的艺术家之一。

In the competitive new generation of Chinese artists in which new talents constantly emerge, LiHui was one of the few capable of effectively using a variety of new media while exploring serious humanistic issues.

▲ 李晖 Li Hui，《陨石》，2014 年

1000 x 350 x 700 cm，不锈钢

“万古长空，一朝风月”是李晖的艺术哲学，他喜欢把时间的不同切面和矛盾性并置在一起。李晖的作品除了写照历史轮回对现状的无情汰换、描述沧海到桑田的快速转换，作品的内蕴也指向了生命轮转不息的活力，和一种精神上的永恒追求。

Li Hui’s artistic philosophy is built on the Zen couplet “an eternity of endless space; a day of wind and moon” and he often juxtaposed different aspects and the contradiction of the time. In his creations, the artist portrayed the presents as replaced by the wheel of history, depicting the rapid transformation of what was once sea into land.

李晖的艺术创作融合了感性氛围与理性操作，有意借道当代高科技媒介探讨人与生俱来的状态、心理的恐惧感等，并用以呈现有关轮回、生死、穿透、纠结、膨胀、压缩、不确定等生命情境与精神议题。

Additionally, the works’ content often refers to the eternal vitality of the wheel of life, and a continuous spiritual pursuit. He integrated an emotional atmosphere with rational operation, deliberately employing modern industrial technology as a medium to explore the state of mankind, life, and psychological fear. Such a process resulted in the depiction of life and spiritual issues, such as transmigration, life, and death, transcendence, conflict, expansion, compression, and uncertainty.

▲ 依旧留存的展览海报勾起过往回忆

The well-preserved exhibition poster recalls the memory

2015 年，阿拉里奥画廊上海空间曾举办李晖个展「错乱的瞬间| INSTANT INSANITY」。我们在此与各位分享阿拉里奥和李晖之间的珍贵记忆。在对该场展览的回顾之中，我们或许能再次直观、真切地理解和感受这位艺术家的思考与创作，体会他超越言语之上的表达。

In the year of 2015, Arario Gallery held Li Hui' s solo exhibition 「INSTANT INSANITY」in gallery's Shanghai space. We share the precious memories between Arario and Li Hui here. Through the review of this exhibition, we may be able to more intuitively and truly understand the artist's cutting-edge idea and creation, and receive his expression beyond words.

▲ 李晖 Li Hui，《Instant Insanity | 错乱的瞬间》与细节，2015 年，Stainless Steel，250 x 250 x 120 cm, © 艺术家和阿拉里奥画廊 Artist and ARARIO GALLERY

▲ 李晖 Li Hui，《Broken Heart | 破碎的心》与 Detail 细节，2015年, Stainless Steel，160 x 60 x 80 cm

《错乱的瞬间》展览中，李晖将整三个楼面的画廊空间幻化为一个浓缩社会现状的戏剧舞台，剧情是关乎某种“膨胀与压缩”现象的更替和循环，而所有的作品都仿佛是这出剧目中被艺术家强行定格的一幕瞬间。当观众走进这一剧场，便如同步入了这一奇幻的定格里，形似破裂的作品，或膨胀、或压缩的时间点似乎就在下一秒，时间仿佛在这一瞬间被打乱了顺序，空气中弥漫的不安定氛围，不断冲击着观者既有的价值观。

In the exhibition titled「INSTANT INSANITY」, Li Hui used symbols and physical objects of the industrial society to construct a visual and spiritual stage that condenses the theme of “instant” and “disorder”. Artist turned the entire floors of Arario Gallery Shanghai into a Theatrical Stage that condenses social affinities and the atmosphere of an era. In the stage, the theme of this play was seemingly about the replacement and circulation of the "expansion and compression", and all the works were forced to be there for the instant moment in this space.

Once the audience stepped into this stage Li Hui made，they would feel like entering into magic static space-time. The explosion, expansion or compression of the art pieces was about to happen at the coming second. The order of time seemed to be disrupted at this instant, which was spreading an atmosphere of instability that continuously conflicted with the values of the population.

▲ 李晖 Li Hui，《Become a Buddha Immediately | 立地成佛 Detail》与细节，2015年，Stainless Steel Dimensions variable © 艺术家和阿拉里奥画廊 Artist and ARARIO GALLERY

▲ 李晖 Li Hui，《Dissociative Truth | 不确定的真相》，2011-2015年，Stainless Steel，450 x 190 x 210 cm © 艺术家和阿拉里奥画廊 Artist and ARARIO GALLERY

在这件大型雕塑作品中，艺术家以相当具体而又半抽象的方式，打造了一头珍惜牛隐藏在大型货柜中，试图挣脱而出的戏剧情境和张力造型，犀牛强壮有力的身体乃透过变形的货柜箱体间接加以呈现，展现出生命受困而急于挣脱的紧张情绪和高昂意志。在这件作品中，艺术家继续演绎他对于膨胀与收缩这个时代命题的浓厚兴趣和艺术想象。

This large-scale sculpture placed on a truck uses a concrete yet semi-abstract expression to portray a rhinoceros concealed in a large container. The animal's attempt to escape is depicted dramatically, while the thrust of its powerful body through the misshapen container reveals the animal's willpower and eagerness to break free. With this contradictory juxtaposition between contradiction and irrelevance, the artist portrayed conflict and suspense of our contemporary life and society.

该场个展之后，李晖参与了舞台舞美设计的跨界合作，将其代表性的激光作品和吊挂装置融入芭蕾舞剧《浮士德ll》，在艺术家眼中，那是他在激光运用层面最为“合适”的一次。此外，李晖亦尝试以电影的形式酝酿新作，甚至已完成剧本的撰写，然而在一次采访中，他真挚地描述着此中未破的谜题： “像又重新看量子物理一样，我觉得我可能还没有触及到最根本的问题”。可惜的是，我们无法等到下一件作品的诞生，无法见证艺术家如何以“李晖”的独有方式，再次打破不同创作形式间的壁垒。如此一位优秀艺术家的英年早逝，令人惋惜。阿拉里奥画廊再次致以最沉痛的哀悼，愿逝者一路走好，得以安息。

亲爱的李晖，我们将永远铭记您。

After this exhibition, Li Hui participated in the crossover project of stage design, integrating his representative laser work and installations into the German ballet performance "Faust ll". He also tried to create new work in the form of public movie, and even completed the script writing，while in an interview, he described an unsolved mystery during his movie creation process: "Just like restudying quantum physics theory, I think I may not have touched the most fundamental problem yet. " Unfortunately, we can't witness again how Li Hui breaks the barriers between different art forms in his unique way. It is a great pity that one of the most outstanding Chinese artists passed away young, Arario Gallery wants to express sincere condolences again，may this talented artist rest in peace.

Dear Li Hui, we will always remember you.