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动态 | 徐震®、佩恩恩参展新世纪当代艺术基金会群展“具身之镜”

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具身之镜:中国录像艺术中的行为与表演

Embodied Mirror: Performances in Chinese Video Art


展期 | Exhibition Period

2020.5.22 - 8.30


策展人 | Curator

杨北辰 Yang Beichen


艺术家 | Artists

曹斐、陈晓云、戴陈连、胡向前、蒋志、阚萱、厉槟源、李燎、李明、李然、林一林、马秋莎、佩恩恩、石青、唐狄鑫、陶辉、童文敏、汪建伟、徐震、鄢醒、姚清妹、章清、周滔、赵赵

Cao Fei, Chen Xiaoyun, Dai Chenlian, Hu Xiangqian, Jiang Zhi, Kan Xuan, Li Binyuan, Li Liao, Li Ming, Li Ran, Lin Yilin, Ma Qiusha, Payne Zhu, Shi Qing, Tang Dixin, Tao Hui, Tong Wenmin, Wang Jianwei, Xu Zhen, Yan Xing, Yao Qingmei, Zhang Qing, Zhou Tao, Zhao Zhao


地址 | Address

新世纪当代艺术基金会

北京朝阳区798艺术区797东街A05

New Century Art Foundation

No. A05, 797 East Road, 798 Art Zone, Chaoyang District, Beijing 


“具身之镜” 展览现场,新世纪当代艺术基金会,北京,图片由新世纪当代艺术基金会提供

Exhibition view of "Embodied Mirror", New Century Art Foundation, Beijing, Photo courtesy of New Century Art Foundation



没顶画廊艺术家徐震与佩恩恩参展新世纪当代艺术基金会群展“具身之镜:中国录像艺术中的行为与表演”,分别展出作品《喊》与《每个人都是企业的同时也是产品》。

MadeIn Gallery artists Xu Zhen and Payne Zhu participate in the group show "Embodied Mirror: Performances in Chinese Video Art" at New Century Art Foundation, presenting Shouting and Each Is a Corporate and Each Is a Product respectively. 


“具身之镜”试图探讨的即是在中国当代艺术的历史中,录像艺术与表演之间展开的密集交流。整个展览被划分为五个主题:“自传”、“事件”、“舞者”、“演讲者”与“剧场”。每一个主题都涉及一条独立的线索,以梳理这个交叉地带中纷繁复杂的现象。“具身之镜”指向了这样一个事实,即录像并没有为表演带来新的“舞台”,而是一个通往世界的“镜面”或“出口”;其作用亦并非仅仅在于解放身体,或令其摆脱社会与历史语境的规约,而是提供了新的战术装置或解码器:影像化的身体如同一个“不朽的”与“可传播”的化身,在这种情境中,媒介呈现为崭新的生命情景,而主体对于现实的回应已被转化为共通的媒介感知。

What “Embodied Mirror" attempts to explore is the intimate exchange between video art and performance in the history of Chinese contemporary art. This exhibition presents five themes, "Autobiography," "Event," "Dancer," "Speaker," and "Theater." Each topic will address an independent clue in combing through the diverse and complex phenomenon of this overlapping domain. “Embodied Mirror" points to the fact that video art does not necessarily provide the "stage" for performance, but a "mirror" or "exit" to access the world. It does not necessarily emancipate the body or to isolate it from the confines of social and historical discourses, but provides new strategic device or decoder. Where the body becomes the embodiment of "eternity" and "transmission" in the context of moving image, and the medium becomes a new scenario of life. At the same time, the subject's response to reality translates into a shared media sensibility.  



徐震,《喊》,1998,单频录像,4
“具身之镜” 展览现场,新世纪当代艺术基金会,北京,2020,图片由新世纪当代艺术基金会提供
Xu Zhen, Shouting, 1998, single-channel video, 4' 
Exhibition view of "Embodied Mirror", New Century Art Foundation, Beijing, 2020, Photo courtesy of New Century Art Foundation


徐震,《喊》,1998,单频录像,4,录像截图由艺术家提供

Xu Zhen, Shouting, 1998, single-channel video, 4', Video stills courtesy of the artist



徐震的《喊》记录了艺术家在人群中大喊一声后,用相机拍摄下人群回头的影像。画面中,移动的观众背向镜头,直到被一声从后面传来的喊叫惊吓后才回头(一个在镜头后引人发笑的反应)。


Xu Zhen's work Shouting documents the artist shouting in the crowd, then record the imagery of people turning their heads. In the video, a moving crowd faces away from the camera, until startled by screams coming from behind they turn around (a reaction that elicits laughs from whoever is behind the camera).



佩恩恩,《每个人都是企业的同时也是产品》,2015,事件,12’17’
“具身之镜” 展览现场,新世纪当代艺术基金会,北京,2020,图片由新世纪当代艺术基金会提供
Payne Zhu, Each Is a Corporate and Each Is a Product, 2015, event, 12'17'' 
Exhibition view of "Embodied Mirror", New Century Art Foundation, Beijing, 2020, Photo courtesy of New Century Art Foundation


佩恩恩,《每个人都是企业的同时也是产品》,2015,事件,12’17’’,视频截图由艺术家提供
Payne Zhu, Each Is a Corporate and Each Is a Product, 2015, event, 12'17'',  Video still courtesy of the artist

在佩恩恩的作品《每个人都是企业的同时也是产品》中,艺术家在一个传销组织“教育基地”—武汉东湖生态艺术公园,给传销人员表演了一出“东湖水怪”戏剧。传销导师被“疯子水怪”吓走后,佩恩恩利用该组织“1040工程”的内部话术给没有了导师的围观学员讲述了一个关于发财致富、成功的欲望、中部崛起、房地产与武汉东湖间恩怨的故事。


Payne Zhu's work Each Is a Corporate and Each Is a Product took place in Wuhan Ecological Art Park, a place frequented by an illegal pyramid scheme organization. The salesperson would lead a tour and give random meanings to the public sculptures in order to persuade the public to join their organization. The artist interrupted the tour with similar or even more absurd acts, such as talking to a bronze figure. The salesperson was freaked out by Zhu’s performance and left. Zhu then took over and told a story to the crowd about the battles between the real estate and East Lake, the rise of central China, Capitalism, and the desire for success.




 关于徐震

 About Xu Zhen

徐震,1977年出生,工作和生活于中国上海。徐震是中国当代艺术领域的标志人物,2004年获得中国当代艺术奖(CCAA)“最佳艺术家”奖项,并作为年轻的中国艺术家参加了第49届威尼斯双年展(2001)主题展。徐震的创作非常广泛,包括装置、摄影、影像和行为等。
他的作品在世界各地的博物馆和双年展均有展出,包括威尼斯双年展(2001,2005)、纽约现代艺术博物馆(2004)、国际摄影中心(2004)、日本森美术馆(2005)、纽约现代艺术博物馆PS12006)、英国泰特利物浦美术馆(2007)、英国海沃德画廊(2012)、里昂双年展(2013)、纽约军械库展览(2014)、上海龙美术馆(2015)、卡塔尔Al Riwaq艺术中心(2016)、悉尼双年展(2016)、纽约古根海姆美术馆(2017),沙迦双年展(2019),洛杉矶当代艺术博物馆(2019)等。


Xu Zhen was born in 1977, and lives and works in Shanghai. Xu Zhen has been considered as an iconic figure in Chinese contemporary art. In 2004, Xu won the prize for ‘Best Artist’ at the China Contemporary Art Award. His practice covers various media such as installations, video, painting, performance and etc.


Xu Zhen has exhibited internationally, at museums and biennales, such as Venice Biennale (2001, 2005), The Museum of Modern Art (New York, 2004), Mori Art Museum (Tokyo, 2005), MoMA PS1 (New York,2006), Tate Liverpool (2007), Hayward Gallery (London, 2012), Lyon Biennial (2013), Armory Show (New York, 2014), Long Museum (Shanghai 2015), Al Riwaq Art Center (Qatar, 2016), Sydney Biennial (2016), Guggenheim Museum (New York, 2017), among others.




 关于佩恩恩

 About Payne Zhu


佩恩恩,1990年生于上海,毕业于上海对外经贸大学,现工作生活于上海。佩恩恩的实践深入不同权力技术机制之中,在全球竞争系统下流动化的金融、身体和图像之间展开工作,并成为其中的流放或者反叛者,以此来破坏或创造这些系统背后的冲突。 

近期参加过的展览有:“具身之镜:中国录像艺术中的行为与表演”,新世纪当代艺术基金会, 北京,2020;“紧急中的沉思”,UCCA 尤伦斯当代艺术中心,北京,2020;“严肃游戏”,昊美术馆,上海,2019;“撒谎的索菲亚和嘲讽的艾莉克莎”,现代汽车文化中心,北京,2019;保时捷 “中国青年艺术家双年评选” 提名艺术家群展,北京展览馆,北京,2019;“变量与供养”,没顶画廊,上海,2019;“时间开始了,2019乌镇当代艺术邀请展”,乌镇,2019;“全球都市 延展智慧”,蓬⽪杜艺术中心,成都,2018;“新冶金者”,尤利娅斯托舍克基金会,杜塞尔多夫,2018;“A Better Version of You 2”,德国文化中心歌德学院,北京,2018;“A Better Version of You”,Sonje艺术中心,首尔,2017;“流动者会议” ,明当代美术馆,上海,2017;“偶发使命”,没顶画廊,上海,2017;“数字采样者” ,星汇当代美术馆,重庆,2017;“CHINAFRICA”,莱比锡当代艺术馆,莱比锡;“好景不常在” ,上海,2016;“后感性:恐惧与意志” ,民生现代美术馆,北京,2016;“展览的噩梦(下)”,上海当代艺术博物馆,上海,2015。

Payne Zhu, b.1990, lives and works in Shanghai, graduated from Shanghai University of International Business and Economics. Payne Zhu critically investigates the control systems that lead the rheology of finance, body, image, and becomes an exile or a rule-breaker, revealing or creating conflicts that are often hidden behind these systems. 

His recent exhibitions include: "Embodied Mirror: Performances in Chinese Video Art", New Century Art Foundation, Beijing, 2020; "Meditations in an Emergency", UCCA Center for Contemporary Art, Beijing, China; "Serioua Games", HOW Art Museum, Wenzhou, China, 2019; "Lying Sophia & Mocking Alexa", Hyundai Motorstudio Beijing, Beijing, China, 2019; "Porsche Young Chinese Artist of the Year", Beijing Exhibition Centre, Beijing, China, 2019; "The Variable and The Generating", MadeIn Gallery, Shanghai, China, 2019; "NOW IS THE TIME 2019, Wuzhen Contemporary Art Exhibition”, Wuzhen, 2019; "Cosmopolis #1.5: Enlarged Intelligence", Chengdu Pompidou Biennale, Chengdu, 2018; "New Metallurgists", Julia Stoschek Collection, Dusseldorf, 2018; "A Better Version of You 2", Goethe Institut China, Beijing, 2018; "A Better Version of You", Art Sonje Center, Seoul, 2017; "Precariat’s Meeting", Ming Contemporary Art Museum, Shanghai, 2017; "Serendipitous Mission", MadeIn Gallery, Shanghai, 2017; "Digital Sampler", The Galaxy Museum of Contemporary Art, Chongqing, 2017; "Chinafrika. under construction”, Museum of Contemporary Art Leipzig, Germany, 2017; "You Won’t Be Young Forever", No.235 Guangfu Road, Shanghai, 2016; "Post-sense Sensibility: Trepidation and Will", Minsheng Art Museum, Beijing, 2016; "The Nightmare of the Exhibition Part II", Shanghai Contemporary Art Museum, Shanghai, 2015.





 关于没顶画廊 

 About MadeIn Gallery 


没顶画廊成立于2014年上海,由当代艺术创作及策划平台没顶公司所发起创办,公司创始人徐震是一位深具国际影响力的当代艺术家。
没顶画廊致力于推广优秀的艺术家和项目活动,推动当代文化的发展与国际交流。自成立至今,画廊已为新锐艺术家和知名艺术家举办了众多具有策划性的、高品质的个展与群展,成为一个独特而重要的艺术平台。没顶画廊善于挖掘和培育具有天赋的年轻艺术家,并积极参与国际对话,活跃于中国及国际当代艺术舞台。
没顶画廊合作艺术家包括:陈冷、陈英、丁力、艾略特·多德(Elliot Dodd)、冯梦波、龚剑、何岸、李汉威、刘成瑞、刘娃、陆博宇、陆平原、苗颖、莫少龙、佩恩恩、蒲英玮、商亮、沈莘、苏予昕、王思顺、王新一、夏云飞、徐大卫、徐震®、杨深、杨扬、张联、郑源、周子曦。

MadeIn Gallery was established in 2014 in Shanghai by the contemporary art creation and curating platform MadeIn Company, a corporation founded by international influential artist Xu Zhen.
MadeIn Gallery is dedicated to the promotion of outstanding artists and projects, spurring the development of contemporary culture and international exchanges. Since its creation, the gallery has organized numerous curated, high-quality solo and group exhibitions of both emerging and established artists, becoming a unique and important art platform. MadeIn Gallery excels in discovering and accompanying young talented artists in their career,  as well as actively participating among international dialogues, in the Chinese and international contemporary art scene.
Collaborating artists: Chen Leng, Chen Ying, Ding Li, Elliot Dodd, Feng Mengbo, Gong Jian, He An, Li Hanwei, Liu Chengrui, Liu Wa, Lu Boyu, Lu Pingyuan, Miao Ying, Mo Shaolong, Payne Zhu, Pu Yingwei, Shang Liang, Shen Xin, Su Yu-Xin, Wang Sishun, Wang Newone, Xia Yunfei, Xu Dawei, XU ZHEN®, Yang Shen, Yang Yang, Zhang Lian, Zheng Yuan, Zhou Zixi.

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