2020年度（第十二届）三影堂摄影奖评审结果揭晓！
![]()
{{newsData.publisher_name}}
{{newsData.update_time}}
浏览：{{newsData.view_count}}
来源 | {{newsData.source}} 作者 | {{newsData.author}}
For English Please Scroll down
受疫情影响，本届摄影奖评选不得不在线上进行。5位国际评委与20位入围艺术家以视频会议的形式进行了长达两个半小时的交流，之后评委们又经过近三个小时的热烈深入的讨论，最终决定：本届三影堂摄影奖大奖空缺，大奖奖金8万元人民币（税前）将平均颁发给所有20位入围的艺术家；艺术家邸晋军荣获骆伯年优秀摄影师奖，奖金1万元人民币（税前）；艺术家张北辰获得媒体关注奖。
本次线上评选由三影堂摄影艺术中心副馆长齐燕主持。三影堂摄影艺术中心联合创办人荣荣首先致辞：“首先今天在这里，我们要特别感谢评委们。这也是自三影堂摄影奖自创办以来，第一次用线上的方式评选和大家见面。在此我们也很感谢所有的参展艺术家，谢谢你们的支持！祝你们好运！最后我们也要感谢三影堂的团队，从去年筹备摄影奖，从冬天、春天，到夏天，大家付出的一切努力和艰辛汗水。”
英国泰特现代美术馆国际艺术部（摄影）资深策展人中森康文表示，很荣幸参与到今年的三影堂摄影奖的国际评委团队，他本人非常向往来到中国参观三影堂摄影艺术中心，也非常佩服荣荣&映里两位创始人以及工作人员，连续十几年如一日的组织这样一个重要的国际性的奖项。由于疫情的原因，无法做到与艺术家面对面交流，虽然对这次入围艺术家印象深刻，可以从中挑选出五、六组相当出色的作品，但要选择一个最出色的获得大奖就显得困难。
评论家、策展人费大为说，评委经过激烈的讨论，集体做出大奖空缺、并平均分发奖金以支持和表彰所有入围艺术家的艺术创作的决定，是出于对三影堂摄影奖严肃性的考虑，也是对历届获奖艺术家、现在所有参与的艺术家、甚至是未来的艺术家的保护和尊重。
南京艺术学院美术馆副馆长郑闻认为，本届三影堂大奖的最终悬置，在学术意义上来看，也折射出近年来整体摄影创作的一些普遍性问题。不少作品在个体叙事与局部层面有极强的亮点和高光，但摄影作为“时代信息”的高度浓缩的符号载体，以及面对当下图像机制和“景观社会”的深层次剖析，乃至艺术家对摄影未来发展的思考密度，完全可以走的更远。
映里则表示，评委们的每一票都经过慎重的考虑，不仅是为当下这个奖项，也是为未来的年轻艺术家的创作方向、为中国摄影的发展而考虑。这是第一次三影堂摄影奖大奖空缺，我们在第十二届回到原点，重新思考未来的发展。
本届摄影奖作品展于三影堂北京空间展出至7月12日，随后将巡展至三影堂厦门摄影艺术中心，欢迎参观！
费大为是中国第一代当代艺术策划人。他参与了’85新潮艺术运动，是最早将中国当代艺术推介到国际舞台的中国批评家。1954年生于上海，1985年从中央美术学院美术史系毕业留校任教。1986年受法国文化部邀请赴法国讲学。1987年-1989年与法国蓬皮杜文化艺术中心合作参与策划《大地魔术师》展览。1989年作为独立学者和策划人移居法国。1990年以后在国外策划的展览包括《献给昨天的中国明天》、《非常口》、《在限度之间》、《亚细亚散步》、《心动》、《天下》、《里里外外》等。2002年至2008年，任尤伦斯基金会主任，尤伦斯当代艺术中心馆长，建立了近2000件中国当代艺术作品的收藏，在北京创立的UCCA，并策划了《85新潮》展览。2018年联合策划了《陌生风景》。现任华侨城OCAT美术馆群学术委员会委员。上海当代艺术博物馆学术委员会轮值主席。法国卡地亚当代艺术基金会收藏委员会委员。
索菲·玛卡里乌丨Sophie Makariou
法国吉美国立亚洲艺术博物馆馆长，索菲·玛卡里乌从卢浮宫东方艺术馆开始了她的职业生涯。毕业于卢浮宫学院艺术史专业，索菲·玛卡里乌随后取得法国社会科学高等研究院(EHESS)历史专业硕士学位，并在法国国立东方语言文化学院学习，研究古阿拉伯语。2001年，她受到卢浮宫馆长亨利·洛伊莱特的委任，构建卢浮宫伊斯兰艺术馆。2012年，由玛卡利欧精心策划并担任总监的伊斯兰艺术馆向公众开放，时任法国总统弗朗索瓦·奥朗德出席开展典礼。作为跨文化交流的专家，她发表了大量关于文化传播的著作。2013年，她被任命为法国吉美亚洲艺术博物馆的馆长。玛卡利欧被授予法国艺术与文学骑士勋章及法国国家荣誉勋章。
中森康文博士是英国泰特现代美术馆国际艺术部（摄影）资深策展人，他致力于策划和呈现摄影主题的展览，不断丰富泰特现代美术馆的摄影收藏。目前，他参与策划了“扎内勒·穆霍利”个展，该展将于2020年晚些时候与观众见面。在此之前，他曾任职明尼·阿波利斯艺术学院摄影和新媒体系负责人，并与莱斯利·休伊特、螺旋桨小组、欧默·法斯特、畠山直哉和阿马尔·坎瓦共同举办过展览。从2008年到2016年，他在休斯顿美术馆任职摄影策展人，2010年策划了展览“石元泰博摄影：日本建筑中的传统与创造”并出版了同名展览画册，获得2011年度Alfred H. Barr Jr.奖，2015年策划了展览“为了即将到来的新世界：日本艺术和摄影中的实验，1968-1979”。
中国摄影艺术家荣荣与日本摄影艺术家映里自2000年开始合作。他们的摄影作品在展现两人共同创造的独特、感性世界外，也表达了对传统手工照片和暗房技术进行持续探索及拓展的坚持。荣荣&映里备受关注的作品，如《富士山》《自然》《六里屯》和《妻有物语》等，将人与生存环境、人与自然的关系是作为主题，也是对从死亡和废墟到重生和超越的视觉叙事的充满诗意的沉思。2007年，荣荣&映里在北京草场地国际艺术区创办了三影堂摄影艺术中心，这是中国第一个由艺术家自资创立的摄影艺术中心，同时也是一个开放互动的国际性交流平台。2008年起，荣荣&映里启动了“三影堂摄影奖(TSPA)”活动，旨在鼓励并挖掘中国最具潜力的摄影艺术家。2015年，荣荣&映里创办的三影堂摄影艺术中心与法国阿尔勒摄影节合作主办了集美·阿尔勒国际摄影季。2016年，荣荣&映里获得世界摄影组织颁发的索尼世界摄影奖“摄影杰出贡献奖”，以表彰他们为亚洲乃至世界摄影界带来的贡献。
策展人、艺术评论家、南京艺术学院美术馆副馆长。兼任《画刊》学术顾问、广州影像三年展特邀专家。曾担任ArtMo艺术澳门策展人、四川美术学院油画系年展评委、CIFF（中国独立影像展）选片人等。策划了多个国际现当代大师展览，如《重整：德国艺术立场》、《肖恩·斯库利：抵抗与坚持》、《魔灯犹在：英格玛·伯格曼影响的艺术和时尚》《乔-彼得·威金中国首展》、《立体主义先驱乔治·布拉克展》等，也不遗余力关注与推广中国当代艺术与青年艺术的发展。迄今，其策划的重要展览近40 个，巡回至伦敦、不莱梅、慕尼黑、香港、北京、上海、三亚、广州等地。于中国美术学院、上海K11艺术中心、上海西岸艺术中心、广州美术学院、OCAT美术馆等多个院校和机构举办学术讲座30余场。于国内外重要媒体与刊物，如《三联生活周刊》、中国国家博物馆官网、中央美术学院艺讯网、加拿大《寰球华报》、《TANC艺术新闻》等，发表研究和评论文章40 多篇，30 余万字。
郑闻受邀担任本届三影堂摄影奖初选评委之一。
· 何博，艺术创作者，《中国摄影》杂志编辑
· 荷大齐，《芭莎艺术》专题编辑总监
· 裴刚，雅昌艺术网画廊频道主编
· 王家北，《凤凰艺术》副主编
· 王艺迪，Artnet亚洲区商务拓展总监
· 邬树楠，《数码摄影》杂志副主编，新媒体主编
· 张朝贝，Hi艺术资深编辑
邸晋军——《故国》
邸晋军，1978年出生于中国山西。先后毕业于北京电影学院摄影学院图片摄影专业和中央美术学院设计学院摄影系（硕士）。媒体工作十余年，曾供职于《生活》杂志、《新京报》，担任图片总监、首席摄影记者。中国内地最早使用湿法火棉胶黑玻璃板工艺用于艺术创作的实践者，目前生活和工作在北京。2020年度（第十二届）三影堂摄影奖
媒体关注奖
张北辰，出生于中国山东。于2016年获得山东艺术学院摄影系学士学位，并于2019年获得美国马里兰艺术学院摄影与电子媒介艺术硕士学位。他作品的主要媒介和工作方法是基于叙事结构研究和制作隐藏历史揭示的散文电影以及田野调查。最近，他也同时对多种媒介进行广泛的探索，使用音频，装置，摄影书籍等媒介去研究与调查文物与亚洲殖民历史的关系，以及影像人类学。他的作品是通过个人叙事，构架出一种隐喻和诗意的视觉体验，通过对考古学和人类学，历史，艺术跨学科的研究，以自身的思想重新来审视和构建一种诗意的视觉语言。张北辰的作品曾在中国和国外展出，现居住，工作于美国纽约。
入围艺术家
白杉、迟磊、邸晋军、郭备华、欢岛、姜川、金晶、柳川隶、王春帅、王雪翰、吴梦媛、吴昭晨、徐枫、杨国华、俞嘉悦、张北辰、赵智、周强、周怡君、朱修仁支持：浙江摄影出版社、
法国驻华大使馆文化处、
北京日本文化中心（日本国际交流基金会）
2020年度（第十二届）三影堂摄影奖作品展画册
👇🏻
Three Shadows Photography Award 2020: Results Announced!Due to the pandemic, the judging for the Three Shadows Photography Award was conducted online. The international jury and the 20 finalists held a video conference lasting two and a half hours, then the members of the jury engaged in nearly three hours of deep, intense discussion before finally deciding that the Three Shadows Photography Award will have no winner this year and the grand prize of 80,000 RMB (pre-tax) will be evenly divided between all 20 finalists. Di Jinjun received the Luo Bonian Photographer Award and a 10,000 RMB cash prize (pre-tax). Zhang Beichen won the Media Award.
This online judging was moderated by Three Shadows Photography Art Centre Deputy Director Yan Qi. Three Shadows Photography Art Centre co-founder RongRong spoke first, saying, “To begin, we must thank our jury members. Since the founding of the Three Shadows Photography Award, this is the first time we have conducted the artist meetings and judging online. We must also thank all of the participating artists for their support. We wish you the best of luck. Finally, we should thank the Three Shadows team, who have been preparing for the award since last year. Through winter, spring, and summer, everyone has put in so much sweat and hard work.”Yasufumi Nakamori, Senior Curator of International Art (Photography) at the Tate Modern, said that he was honored to participate in the international jury for this year’s Three Shadows Photography Award. He had very much looked forward to visiting the Three Shadows Photography Art Centre, and that he admired founders RongRong & inri and the staff for organizing such an important international prize for over a decade. Due to the pandemic, there was no way to interact with the artists face-to-face, and although the finalists’ works made a deep impression and there were five or six remarkable bodies of work, it would have been exceedingly difficult to select an award winner.Critic and curator Fei Dawei said that, after intense discussion, the judges collectively made the decision to not name a winner and to divide the prize money evenly to support and celebrate the artistic endeavors of all the finalists. This came out of serious consideration for the Three Shadows Photography Award, and the desire to protect and respect past winners, all of the participating artists, and even future artists.Zheng Wen believes that, from a scholarly perspective, the suspension of this edition of the Three Shadows Photography Award reflects some universal issues across photography in recent years. Many works have great strengths in certain areas or as personal narratives, but photography as a highly concentrated symbolic vehicle for information about our times, as a mode of deeper analysis of the current pictorial mechanisms and the society of spectacle, and even as a way of conveying the intensity of artists’ thinking about the development of the medium can be taken further.In her statement, inri noted that every vote by the jury members was seriously considered, not simply for the present edition of the award, but also for the creative directions of future young artists and the development of Chinese photography. This is the first time that the Three Shadows Photography Award has not named a winner. In the twelfth edition, we have returned to our origins, and we need to consider how we will develop in the future.The works from this year’s TSPA will be exhibited in Three Shadows’ Beijing space until July 12, then the show will travel to Three Shadows Xiamen Photography Art Centre. See you then!· International Jury Introduction ·Fei Dawei was part of the first generation of contemporary art curators and critics. He participated in ‘85 New Wave and was the first Chinese critic to intorduce Chinese contemporary art on the international stage.Born in Shanghai in 1954, he graduated from the Department of Art History at the Central Academy of Fine Arts in 1985 and became a lecturer at the academy upon his graduation. In 1986, he was invited by the French Ministry of Culture to lecture in France. From 1987 to 1989, in collaboration with the Centre Pompidou in France, he participated the curatorial of the exhibition "Magiciens de la Terre.” He moved to France in 1989 and continued his work as an independent scholar and curator. Post-1990, he has helmed many overseas exhibitions such as "Chine demain pour Hier " “Exceptional Passage“, “In-Between Limits”，"Promenade in Asia", “Tentation”, “All Under Heaven” and “The Monk and the Demon”, etc. From 2002 to 2008, Fei Dawei was the director of The Guy and Myriam Ullens Foundation and was the founding director of the Ullens Center for Contemporary Art in Beijing, established a collection of nearly 2000 contemporary Chinese artworks. In 2018 he co-curated the exhibition “A Beautiful Elsewhere.” He is currently a member of the Academic Committee of the OCAT and rotating chairman of the Academic Committee of the Power Station of Art (Shanghai). He is a member of the Collection Committee of the Fondation Cartier pour l'art contemporain.Now serving as the director of the Musée Guimet in Paris, Sophie Makariou began her career at the Musée du Louvre in the Département des Antiquités Orientales (Department of Near Eastern Antiquities).A graduate of the École du Louvre in Art History and the École des Hautes Études en Sciences Sociales (EHESS) in History (M2), Makariou also studied at the Institut National des Langues et Civilisations Orientales (National Institute for Oriental Languages and Civilisations) with a focus in classical Arabic. In 2001 she was appointed by the President of the Musée du Louvre, Henri Loyrette, to prefigure an Islamic arts department. As Director of the Département des Arts de l’Islam, she orchestrated its creation, which culminated in its inauguration by the President of the French Republic in 2012. A specialist in cultural interactions between civilizations, she has published numerous studies on the theme of exchange, and was appointed President of the Musée National des Arts Asiatiques-Guimet in 2013.She is Chevalier of Arts and Letters and of the Ordre National du Mérite (National Order of Merit).Yasufumi Nakamori Ph.D, is Senior Curator of International Art (Photography) at Tate Modern in London. His work includes programming exhibitions and displays involving photography and further building Tate’s photography collection. Currently, he’s co-curating an exhibition by the South African artist Zanele Muholi that will open later this year. Before Tate, Nakamori headed the Department of Photography and New Media at the Minneapolis Institute of Art and staged exhibitions with Leslie Hewitt, The Propeller Group, Omer Fast, Naoya Hatakeyama, and Amar Kanwar. From 2008 to 2016, he served as Curator of Photography at the Museum of Fine Arts, Houston, where he helmed the exhibition “Katsura: Picturing Modernism in Japanese Architecture, Photographs by Ishimoto Yasuhiro” (2010), which received the 2011 Alfred H.Barr Jr. Award for Smaller Exhibitions and was accompanied by a catalogue of the same name. He also curated the show “For a New World to Come: Experiments in Japanese Art and Photography, 1968–1979”(2015).
RongRong (China) and inri (Japan) have been working together since 2000. Their works reflect the intimate world that they have created together and push the boundaries of traditional black-and-white darkroom techniques. Their critically acclaimed series of works, such as Mt. Fuji (2001), Liulitun (1996-2003), and Tsumari Story (2012-2014), reflect their shared life and surroundings, delving into the rapidly changing world around them.In 2007, RongRong & inri established the Three Shadows Photography Art Centre in the Beijing arts district Caochangdi. In 2008, they launched the annual Three Shadows Photography Award, a prize aimed at discovering and encouraging China's most promising young photographers. In 2010, they started a collaboration with the Arles International Photography Festival in France (Les Rencontres d'Arles) and co-produced the Caochangdi Photo Spring Festival in Beijing for three years - from 2010 to 2012. They have continued this collaboration at Three Shadows' Xiamen location, where since 2015 they have co-hosted the Jimei x Arles International Photo Festival. RongRong&inri received the Outstanding Contribution to Photography prize at the 2016 Sony World Photography Awards, recognized for both their careers as artists and their significant impact on Asian photography.The Deputy Director of the Art Museum of Nanjing University of Arts (AMNUA) and head of the museum’s Academic Department, Zheng Wen is a curator of contemporary art. His responsibilities include planning and curating exhibitions, academic research, collections management, and administrative management of the museum. Mr. Zheng has curated upwards of 40 exhibitions, several of which subsequently traveled to cities such as London, Bremen, Munich, Hong Kong, Paris, Shanghai, Beijing, and Guangzhou. Zheng has led a documentary crew in the production of five films. In addition, he has partaken in over 30 academic seminars in colleges and museums in Nanjing, Japan, Suzhou, Sichuan, and Shanghai, among other places.Zheng Wen was invited to be one of the juries of the primary election.Artist, Editor of Chinese Photography MagazineFeature Director of BBART MagazineGalleries-Channel Editor-in-Chief of ArtronDeputy Editor-in-Chief of Phoenix ArtDirector of Business Development, Asia, ArtnetDeputy Editor-in-Chief of CHIP FOTO-VIDEO2020 The 12th Three Shadows Photography Award
vacancy
2020 The 12th Three Shadows Photography Award
Luo Bonian Photographer Award(supported by Luo Bonian’s family and Three Shadows +3 Gallery)Di Jinjun was born in Shanxi Province in 1978. He graduated from the Beijing Film Academy and received a bachelor’s degree in photography in 2003. In 2017, he graduated from the Department of Photography of the Central Academy of Fine Arts with a master's degree. He has worked for the magazine Life and currently works for Beijing News as photographer and picture editor. He is the first photographer to use the collodion wet plate technique in China. He currently lives and works in Beijing.2020 The 12th Three Shadows Photography Award
Media Award
Zhang Beichen
11,565km
Zhang Beichen was born in Shandong Province. He received his BA from the Photography Department of the Shandong University of Arts in 2016and his MFA in America from the Maryland Institute College of Art in 2019. He researches the structures of narration to unveil hidden histories, framing most of his works through essay films and field-based research. Recently, he has also worked with a broad range of media, using audio, installation, and artbooks to query and investigate the relationship between artifacts and Asia’scolonial history, raising questions about the complexity of historical documentaries and visual anthropology. His work is a set of a visual experiences, metaphorical, poetic, and research-based but grounded in personal narrative. He has exhibited in China and abroad, and he now lives and works inNew York City.Organizer: Three Shadows Photography Art CentreFriendly Supporter: Chengdu Contemporary Image MuseumSupporters: Zhejiang Photography Publishing,
{{flexible[0].text}}
{{newsData.good_count}}
{{newsData.transfer_count}}
分享