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林明弘 Michael Lin | 公共艺术《RGB》入选Architizer A+ Awards建筑大奖

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图片由 Henriquez Partners Architects 提供, 由 Ed White Photographics 拍摄

Courtesy of Henriquez Partners Architects, Shot by Ed White Photographics

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林明弘 Michael Lin

🏆 奖项 Awards

x 加拿大建筑事务所 Henriquez Partners Architects

= 全球最大建筑竞赛 Architizer A+ Awards

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BANK 非常荣幸与大家分享艺术家林明弘与加拿大建筑事务所 Henriquez Partners Architects 合作的中央长老教会（Central Presbyterian Church）项目进入全球最大的建筑竞赛之一 Architizer A+ Awards第八届最终五名决选名单，与与全球优秀建筑艺术作品一同角逐首奖。

BANK is very excited to share that artist Michael Lin’s design work RGB, cooperated with Henriquez Partners Architects has been selected in the final round in Architizer A+ Awards, the world’s largest awards program for architecture and building products.

位于加拿大温哥华的中央长老教会坐拥162,000平方英尺的土地面积，却没有足够的资金改建有著九十年历史的教堂，教会经多次评估，决定与房地产公司共同作为教堂的开发商重新规划与建设该栋建筑，并交由Henriquez Partners Architects进行设计。建筑一楼建置社区便利设施，二楼规划为礼拜堂，五至七楼为非营利的社会住宅，八至二十二楼层则由房地产公司租赁经营。该建筑包容了居民的精神信仰需求与市场功能，公众福祉和商业模式在新颖的合作模式中得以共存。

Central Presbyterian Church is a new mixed-use building for a vital community organization that has served Vancouver’s West End for 90 years. A 14,000 ft² facade treatment wraps the first three floors of the building with ceramic-fritted glass of red, blue and green crosses. From the second-floor sanctuary’s interior, the small crosses create a three-dimensional, shadowed “pointillism” effect: as natural light passes through the facade and into the space, thousands of the cross symbol are refracted onto the floors, walls and ceilings of the 300-seat, wood-finished sanctuary.

Henriquez Partners Architects 特别邀请林明弘为礼拜堂进行公共艺术创作，他的作品《RGB》回归光的红、绿和蓝色之三色构成，对应圣经中的三位一体（Trinity），将万个红、蓝、绿色的小十字架洒在四面环绕教堂的玻璃帷幕上，当阳光穿透，十字架的阴影在礼拜堂的地板、天花板及三百个座位上投映出点描派的效果。《RGB》保留教会对「自然光」、「超越性」和「内在性」的向往，净化了信仰者的心灵，其高度穿透性的视野让教堂与周遭环境融为一体，并结合社区活动突破礼拜空间的传统印象和功能，让教堂成为居民生活的起点。

Titled RGB, the artist Michael Lin selected the facade’s 3 colours because their combination creates “spiritual” white light, achieving a client request for a sacred space of natural light, “transcendence” and “immanence.” The worship space also preserves and relocates the stained-glass cross from the CPC’s former sanctuary, symbolizing the church’s continuity and identity. Featuring thousands of small crosses, the façade treatment is perceived as three solid colours when viewed from the building’s exterior. The glass transparency also reduces the architecture’s monumentality and integrates the building into its contextual surroundings.

The 23-storey, 162,000 ft² mixed-use building is in constant use from 6 am-7 pm, seven days a week, and features a program of community amenity spaces (ground floor), sanctuary (2nd floor), non-market social housing (5-7th floor) and market rental housing (8-22nd floor). The project was the result of Henriquez Partners orchestrating a novel, cooperative arrangement between the client and the developer. Being “land rich, but cash poor,” the CPC opted to act as its own “developer” alongside Bosa Properties by funding the rezoning process and constructing a new building with the profits from the project’s market rental units. The collaboration allowed CPC to develop the project without a large mortgage and preserved their financial autonomy, thus maintaining the church’s meaningful community role.

*以上图片由 Henriquez Partners Architects 提供,

由 Ed White Photographics 拍摄

Courtesy of Henriquez Partners Architects, Shot by Ed White Photographics

🌟 为艺术家林明弘投票

Vote for Michael Lin

🔗 投票地址 Voting Adress：

https://vote.architizer.com/PublicVoting#/2020/architecture/concepts-plus/architecture-art

⌚️ 截止时间 Deadline：

7月31日, 31 July

🍹 投票福利 Benefit for voting:

Please send us your proof of vote to our WeChat, BANK will choose 3 lucky straw and treat you a cocktail!

请将您为艺术家林明弘投票页面发给我们微信后台，

BANK将随机抽取3名幸运儿送出鸡尾酒一杯。

更多关于艺术家

More about the artist

Michael Lin is an artist living and working in Taipei and Brussels. Lin turns away from painting as an object of contemplation toward painting as a bounded, physical space, that one can settle into and inhabit. Lin orchestrates monumental painting installations that re-conceptualize and reconfigure public spaces. Using patterns and designs appropriated from local textiles his works have been exhibited in major institutions and Biennials around the world. He has also had solo presenatations at PS1, NY 2005; The Vancouver Art Gallery, 2010, Towada Art Center, 2011, Rockbund Art Museum 2012, The High Museum 2015, Museum Contemporary Art and Design, Manila 2016. Latest show is currently on view on Museo Jumex, Mexico City. Transforming the institutional architecture of the public museum, his unconventional paintings invite visitors to reconsider their usual perception of those spaces, and to become an integral part of the work, giving meaning to its potential as an area for interaction, encounter, and re-creation.

林明弘是一位生活和工作在台北和布鲁塞尔的艺术家。他不再将绘画作为一种沉思的对象，而是将绘画作为一个有界的、可以居住的物理空间。他精心策划了不朽的绘画装置，以便重新构思和配置公共空间。他的使用当地纺织品的图案和设计的作品在世界各地的主要机构和双年展上展出。2005年，他还在纽约PS1举办过个人作品展; 温哥华美术馆，2010年，和田艺术中心，2011年，外滩美术馆2012年，上海美术馆2015年，马尼拉当代艺术与设计博物馆，2016年。最新的个人展览，2020年在墨西哥的 Jumex 美术馆举办。他的非传统绘画改变了公共博物馆的制度架构，邀请观者重新思考他们对这些空间的惯常看法，并成为作品的一个组成部分，赋予其作为互动、相遇和再创造区域的潜力以意义。

- 正在展出/ Current Show-