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亚洲艺术家 | 广东美术馆 “本之末 - 杭春晖的艺术实践”

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展名/ Title: 本之末 - 杭春晖的艺术实践The Incidental of the Fundamental - Hang Chunhui's Art Practice艺术家/ Artist: 杭春晖 Hang Chunhui
策展人/ Curator: 吴洪亮 Wu Hongliang

艺术总监/ Art Director: 王绍强 Wang Shaoqiang
主办单位/ Host:

广东美术馆 Guangdong Museum of Art

展览时间/ Duration:
2020.8.9 (Sun.) - 8.23 (Sun.)开幕式/ Opening Ceremony: 2020.8.9 (Sun.) 15:30展览地点/ Venue: 广东美术馆(5/6/8/9展厅)No.5/6/8/9 Exhibition Galleries of Guangdong Museum of Art

广州市二沙岛烟雨路38号

No.38, Yanyu Road, Ersha Island, Guangzhou



亚洲艺术中心合作代理艺术家杭春晖即将于广东美术馆举办个展“本之末 - 杭春晖的艺术实践”,此次展览由吴洪亮策划,王绍强担任艺术总监,梳理艺术家杭春晖近15年来的创作,涵盖多种语言形式在内的五十余件艺术作品

“本之末”并非是对本与末问题的概念性解读,而是关注艺术家在两者之间游走与脱缰前行的内在逻辑。

杭春晖作为21世纪中国新一代艺术家群体里的一个非典型人物,其创作的发展轨迹颇有意味。他常被划入某些圈子,又仿佛身在其外,这正是其艺术的特殊性。水墨、雕塑、设计、美术学作为他创作的底色,使其成为一个思维缜密而又大胆践行的艺术家。从他早期工笔作品到最近的材料实验与社会学探求,彼此看似隔阂,其实却有着一条脉络清晰的内在线索。因此,本次展览不是作品的时间性罗列,而是以考古学的方法,以举证的手段来呈现一个艺术家创作的个人途径,引导观众走入艺术家思考模式的一次空间尝试。

创作实践与展览架构的结合,使艺术形式的本质与表现方式的外化,以及活跃的精微之末与冷静的上帝视角之间,催化出值得玩味的博弈与多维的感受。




  参展作品 · Artworks  



▲ 造型与时间 2020-3 

    Form & Time 2020-3

    综合材料

    Mixed Media

    66x56.5cm  2020



▲ 彩虹 2020-1 
    Rainbow 2020-1 
    纸本设色
    Ink and Color on Paper
    83x157cm  2020


肌理研究 2019-4 
    Texture Analysis 2019-4 
    纸本设色
    Ink and Color on Paper
    50x50cm  2019


▲ 确定与不确定的再现 2019-5
    In-Definite Reproduction 2019-5 
    综合材料
    Mixed Media
    80x100cm  2019


▲ 空间叙事 - 向贾德致敬
    Spatial Narrative(Homage to Judd)
    综合材料
    Mixed Media
    301x106.5x9cm  2019


▲ 被形式遮蔽的信息 - No.23
    Message Obscured by Form - No.23
    综合材料
    Mixed Media
    37x118cm  2018


▲ 黑珍珠 - No.18
    Black Pearl - No.18
    纸本设色、木刻浮雕
    Ink and Color on Paper,Wood Engraving
    70x50cm  2018


▲ 透明色系列 - You Sure
    Transparent Color - You Sure
    纸本设色
    Ink and Color on Paper
    150x240cm  2018


▲ 王的加冕
     King's Coronation
     纸本设色,玻璃钢浮雕
     Ink and Color on Paper, FRP Relief 
     142x88cm  2015



▲ 王的阴谋 - 庄公克段之一
     King's Conspiracy (Selected from the Story of Zhuanggong)
     纸本设色
     Ink and Color on Paper
     236x139cm  2011


▲ 人生若只如初见

    Life If Only As First

    纸本设色

    Ink and Color on Paper

    49x38cm  2007

 






关于艺术家
About Artist




杭春晖,1976年生于安徽,2005年毕业于中央美术学院,获硕士学位;2011年毕业于中国艺术研究院,获博士学位。现生活及工作于北京。
 
重要个展:本之末 - 杭春晖的艺术实践 (广东美术馆,广州,2020“不确定的修饰 - 杭春晖个展”(亚洲艺术中心,北京,2019)、“齐物 - 杭春晖个展”(亚洲艺术中心,台北,2018)、“不分明 - 杭春晖2017”(亚洲艺术中心,北京,2017)、“绘事物语 - 日常”(大象艺术空间馆,台中,2016)、“绘事物语 - 杭春晖2015个展”(新绎空间,北京,2015)、“杭春晖个人作品展”(Hazlitt's画廊,纽约,2015)。 
 
重要群展:“墙面 - 作为现代主义绘画的边界”(威狮国际艺术中心,福州,2019)、“春生夏长 - 中国当代水墨艺术邀请展”(壹美美术馆,北京,2019)、“‘水墨新进’展(第一回)”(武汉美术馆,武汉,2019)、“中国新水墨作品展 1978-2018”(北京民生现代美术馆,北京,2018)、“隐蔽的物”(亚洲艺术中心,北京,2018)、“第四届苏州·金鸡湖双年展‘自 - 沧浪亭’当代艺术邀请展”(金鸡湖美术馆,苏州,2018)、“中国当代水墨·柒舍精粹展”(南海亚洲艺术空间,悉尼,2017)、“工·在当代 - 2016·第十届中国工笔画作品展”(中国美术馆,北京,2016)、“第三届当代水墨空间: 变相 - 水墨的维度”(广东美术馆,广州,2016)、“绘事后素 - 中国当代艺术展”(英国皇家美术学院美术馆,肯辛顿,2016)、“世间 - 中国当代艺术展”(阿德莱德艺术节中心,阿德莱德,2016)、“新工笔:中国当代水墨展”(大都会州立大学视觉艺术中心,丹佛,2015)、“第五届J.C雅各布森肖像艺术展”(腓特烈堡国家历史博物馆,哥本哈根,2015)、“水墨SHUIMO,世纪变革与艺术新路”(民生现代美术馆,北京,2015)、“工笔新语 - 2014新工笔画邀请展”(江苏省美术馆,南京,2014)、“新水活墨 - 现代水墨展”(香港海事博物馆,香港,2014)、“艺术家的理想 - 柒舍雅集水墨群展”(今日美术馆,北京,2014)、“格物致知 - 中国工笔画当代表述2013”(中国美术馆,北京,2013)、“三矾九染 - 新工笔艺术提名展”(上海美术馆,上海,2012)。

获奖: 第十三届中国艺术权利榜年度100位最具影响力艺术人物,2020”“第十一届中国艺术权力榜年度艺术成长奖,2018”、“第五届J.C雅各布森肖像奖国际评审奖,2015”、“时代美术馆年度艺术家奖,2015”、“第二届全国工笔重彩小幅作品展丹青奖,2009”。

Hang Chunhui was born in Anhui province in 1976. He graduated from Central Academy of Fine Arts in Beijing with a Master’s degree in 2005, PhD. in Contemporary Ink and Water Figure Painting at Chinese National Academy of Arts in 2011. He is currently working and living in Beijing.

Selected Solo Exhibitions: The Incidental of the Fundamental - Hang Chunhui's Art Practice” (Guangdong Museum of Art, Guangzhou, 2020), "Indefinite Rhetoric - Hang Chunhui Solo Exhibition" (Asia Art Center, Beijing, 2019), "Intertextuality - Hang Chunhui Solo Exhibition" (Asia Art Center, Taipei, 2018), "Ambiguity - Hang Chunhui 2017" (Asia Art Center, Beijing, 2017), "Material and Style - Daily Life" (Da Xiang Art Space, Taichung, 2016), "Material and Style - Hang Chunhui 2015" (Ovation Art Space, Beijing, 2015), "Hang Chunhui Solo Exhibition" (Hazlitt’s Gallery, New York, 2015)
 
Selected Group Exhibitions: "Spring Sprouting & Summer Booming - China Contemporary Ink Art Invitational Exhibition" (One Art Museum, Beijing, 2019), "New Trend of Chinese Ink Painting Creation (the First Exhibition)" (Wuhan Art Museum, Wuhan, 2019), "New Ink Art in China 1978-2018" (Beijing Minsheng Art Museum, Beijing, 2018), "The Hidden Matter" (Asia Art Center, Beijing, 2018), "Suzhou Jinji Lake Biennale - From the Canglang Pavilion" (Suzhou Jinji Lake Art Museum, Suzhou, 2018), "Chinese Contemporary Ink · Masterpieces of Qishe Ya - Ji" (541 Art Space, Sydney, 2017), "Hue Art in the Contemporary Era - The 10th National Exhibition of Chinese Hue Art Paintings 2016" (National Art Museum of China, Beijing, 2016), "The Third Exhibition of Contemporary Ink Works: Disguised Form - Ink Paintings' Dimension" (Guangdong Museum of Art, Guangzhou, 2016), "In Ink - Contemporary Chinese Ink Art" (Royal College of Art Gallery, Kensington, 2016), "Stories of the Life: Contemporary Chinese Art Exhibition" (Adelaide Festival Centre, Adelaide, 2016), "A New Fine Line: Contemporary Ink Painting From China" (Center for Visual Art of Metropolitan State University of Denver, Denver, 2015), "The 5th Brewer J.C. Jacobsen's Portrait Award Exhibition" (Frederiksborg Slot, Copenhagen, 2015), "Shuimo - Meet Revolution, The New Silk Road" (Beijing Minsheng Art Museum, Beijing, 2015), "A New Account of Meticulous Paintings - 2014 New Meticulous Painting Invitational Exhibition" (Jiangsu Art Museum, Nanjing, 2014), "Devotion To Ink - Contemporary Ink Show" (Hong Kong Maritime Museum, Hong Kong, 2014), "Artist's Ideals - Qishe Arts Ink Painting Exhibition" (Today Art Museum, Beijing, 2014), "Philosophical Interpretations of Painting - The Exhibition of Contemporary Chinese Gongbi Painting" (National Art Museum of China, Beijing, 2013), "Multi - layered: 2012 Contemporary Traditional Chinese Elaborate - Style Painting Nomination Exhibition" (Shanghai Art Museum, Shanghai, 2012).

Awards:"The 13th Art Power 100 · Annual Influential Characters of Art, 2020", "The 11th Art Power 100 · Annual Growth Period of Art, 2018", "The 5th Brewer J.C. Jacobsen's Portrait Award International Assessment Award, 2015", "Times Art Museum Annual Artist Award, 2015", "The Second National Exhibition of Collaborate - Style Gorgeous - Color Paintings Painters Award, 2009".



关于美术馆
About Museum



广东美术馆是按现代多功能目标规划建设的造型艺术博物馆,是一个不以营利为目的、为社会和社会发展服务、向公众开放的文化事业机构,于1997年11月28日落成开馆。2011年6月29日起免费对外开放,同年被评为首批国家重点美术馆。总建筑面积22000平方米,共设有12个展厅,展区面积8000平方米,户外雕塑展示区面积5000平方米。其总体设计和布局体现出与美术馆功能性质的统一性。


广东美术馆具有包括收藏、研究、陈列展览、教育、交流、服务六大功能。从功能的总体把握上讲,可分为三大部分:一是学术功能形象,二是教育功能形象,三是休闲功能形象。广东美术馆努力打造并体现出公益性文化机构的功能特性:一是学术功能形象,以开放性的国际视野和严谨的美术史态度开展工作,在多元的学术氛围中确立起具有影响力的学术主张;二是教育功能形象,通过视觉艺术、展示方式以及互动手段渗透于观众的参与行为之中,使其潜移默化获得美育熏陶;三是休闲功能形象,通过优美的环境和典雅的艺术气氛,以及所提供的服务项目,营造一个愉悦轻松的文化休闲场所。


广东美术馆以“中国近现代沿海美术,海外华人美术,中国当代美术”作为学术研究和收藏的方向,围绕立足本土、关注国内、加强国际交流的思路,强调“沿海性”与“当代性”。广东美术馆坚持以自觉自主的学术意识,以开放、多元的学术态度,既注重对现代美术的研究和展示,也重视对当代艺术的关注,把历史与当下、本土与国际的文化精神以艺术的方式呈现给广大观众。在艺术形式及种类上,注重传统形式如水墨画、油画、版画、雕塑等在当代语境中的发展和转换,同时又关注到装置、影像等新形式,使藏品能够在一定程度上反映当代艺术的发展现状和总体特点。


Opened on November 28, 1997, Guangdong Museum of Art is a modern multi-functional  museum of plastic art, which is non-profit cultural institution open to the public and serving the society and social development. From June 29, 2011, it has been free to visit. In the same year, it was named as a national key museum of art.Guangdong Museum of Art covers a total area of 22,000 square meters. The exhibition area consists of 12 exhibition halls with a total area of 8,000 square meters and 5,000 square meters of outdoor sculpture display area, where can stage large-scale exhibitions or different themes exhibition, respectively or simultaneously.


Guangdong Museum of Art has six functions, including collection, display and exhibition, education, communication, the functions can be divided into three purposes: (1) academic purpose, (2) education purpose, and (3) leisure purpose. Guangdong Museum of Art endeavors to create and reflect the characteristics of a public-welfare cultural institution: First, the academic purpose. It launches its work with an open international horizon and prudent attitude toward the art history and establishes its academic propositions with influence in the diversified academic context. Second, the education purpose. It permeates into the participation of audiences through visual art, exhibition method and interactive means so that the audience may be influenced by the artistic education. Third, the leisure purpose. It creates a pleasant and relaxed cultural and leisure venue through the beautiful environment and elegant artistic atmosphere, as well as the services provided.


Guangdong Museum of Art takes "Chinese modern and contemporary coastal art, overseas Chinese art and Chinese contemporary art" as the direction of academic research and collection, strengthens international exchange by centering around the the idea of "taking root in local soil, concerning domestic art, and strengthening international exchange", emphasize the "coastal nature" and "contemporary nature". Guangdong Museum of Art presents the historic and current domestic and international cultural spirit to the vast of audiences in the form of art, by adhering to the conscious and independent academic consciousness, with an open and diversified academic attitude. It focuses on not only the research on and demonstration of modern fine art, but also the concern with modern art. In the forms and types of art, it pays attention to the development and transformation of traditional forms such as ink painting, oil painting, printmaking and sculpture in the modern context, while concerning itself with new forms such as installations and video, so that collections, to a certain extent, reflect the development status and overall characteristics of the contemporary art.



    


-艺术家重要个展回顾-  


齐物 - 杭春晖个展Intertextuality-Hang Chunhui Solo Exhibition 

2018


不分明 - 杭春晖个展 Ambiguity-Hang Chunhui Solo Exhibition 

2017



相关阅读

* 亚洲评论 |“不确定的修饰-杭春晖个展”入围雅昌月度(2019年7月)画廊影响力榜单

* 亚洲展讯 | 不确定的修饰 - 杭春晖个展

亚洲现场 | “不确定的修饰 - 杭春晖个展”于亚洲艺术中心开幕,以视幻觉构筑感性视觉空间

亚洲讲堂 | 杭春晖:从绘画的客观性谈当代艺术

* 亚洲展讯 | 齐物 - 杭春晖个展

* 隐蔽的物 | 杭春晖 绘画的“再客观”

* 亚洲展评 | “不分明 - 杭春晖个展”举行,有意“模糊”绘画与雕塑的边界

* 杭春晖作品《确定与不确定的再现》系列

* 杭春晖作品《无界》系列

* 杭春晖作品《空间叙事(向贾德致敬)》

* 杭春晖作品《被形式遮蔽的信息》系列




 



 正在展出  Current Exhibitions


亚洲艺术中心(上海)《复奏 —— 小清水渐与原口典之》


亚洲艺术中心(北京)《李玉双同名个展》


亚洲艺术中心(台北一馆)《空间的动态 | 法贾希迪个展》


松美术馆(北京) 《2020 - 松美术馆邀请展》



 

 最新消息  Lastest News


亚洲艺术中心全新旗舰空间2020年底于台北正式开幕 



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