(左右滑动查看更多 Slide for more)
≡ 特罗拉马 Tromarama
独白 Soliloquy, 2018
灯具、软件、社交媒体、#kinship
Lamps, software, social media, #kinship
“今晚一定要梦到这蓝色”展览现场
Installation view at ‘Must Dream About Blue Tonight’
四方当代美术馆，南京，2020
Sifang Art Museum, Nanjing, 2020
图片由四方当代美术馆提供
Image Courtesy of Sifang Art Museum
正在展出 Current Exhibition
群展 Group Exhibition
“今晚一定要梦到这蓝色”
"Must Dream About Blue Tonight"
特罗拉马 Tromarama
展期 Duration: 2020.7.25-10.18
地址 Address: 四方当代美术馆
中国江苏省南京市浦口区珍七路9号
Sifang Art Museum
No. 9 Zhenqi Road, Pukou District, Nanjing, Jiangsu, China
(Scroll down for English version)
特罗拉马的作品《独白》（2018）正在南京四方当代美术馆的馆藏新展“今晚一定要梦到这蓝色”中展出。
≡ 特罗拉马 Tromarama
独白 Soliloquy, 2018
灯具、软件、社交媒体、#kinship
Lamps, software, social media, #kinship
“今晚一定要梦到这蓝色”展览现场
Installation view at ‘Must Dream About Blue Tonight’
四方当代美术馆，南京，2020
Sifang Art Museum, Nanjing, 2020
图片由四方当代美术馆提供
Image Courtesy of Sifang Art Museum
新展标题“今晚一定要梦到这蓝色”引自瑞士艺术家米利亚姆·卡恩的同名参展作品（原德文标题为unbedingt dieses blau heute nacht gträumt）。展览从馆藏的四百余件作品中遴选出近20件与“物”有关的作品，期待观众在观看这些“物”的同时，尝试感受艺术家倾注其中的情感和观念，体会“物与我”的关联，从而让展览中的作品与个体在2020年迄今为止一系列冲击性事件中的感情、立场、态度里产生投射。而在美术馆户外的草坪上，四方当代美术馆长期户外公共艺术计划的一部分也将公开呈现。
——文字来源于四方当代美术馆
≡ 特罗拉马 Tromarama
独白 Soliloquy, 2018
灯具、软件、社交媒体、#kinship
Lamps, software, social media, #kinship
“今晚一定要梦到这蓝色”展览现场
Installation view at ‘Must Dream About Blue Tonight’
四方当代美术馆，南京，2020
Sifang Art Museum, Nanjing, 2020
图片由四方当代美术馆提供
Image Courtesy of Sifang Art Museum
《独白》（Soliloquy，2018年） 由来自二手市场的96盏家用灯具和一个特制软件构成。展厅内灯光闪烁不断，由软件来收集推特上出现的“#kinship”即带有“亲属关系”标签的话题，转换成二进制码，通过电脑程序控制灯光的闪烁。社交媒体中的“＃hashtag”（“＃主题标签”）扮演着中心角色，它是虚拟世界和现实世界之间的桥梁，也是人们思想的汇集。通过作品，特罗拉马向我们说出了人与科技、尤其是和互联网之间的爱恨情仇。科技发展让我们的身体得到延伸，同时也使我们日渐受制于科技，甚至使人际关系发生了根本性的变质，使真实和虚构的边界变得模糊难分。我们与科技的关系将永远处于阈限的状态，永远处于两个稳定状态之间的那个过渡阶段。
Soliloquy (2018), for instance, collates user activity on Twitter to reconfigure 96 lamps sourced from a flea market: each time the hashtag “#kinship” is used the tweet is converted into a binary code, prompting the lamps to flicker. At the heart of social media is the creation of an inclusive narrative through the use of hashtags, each keyword weaving its iteration into the larger fabric of our collective conscious. Channeling man’s ambivalence towards technology, Tromarama's work puts into context the incorporation of technology into our bodies and minds, and explores how this interaction – increasingly tending towards one side – restructures our existential experience vis-à-vis shifting interpersonal relationships, one that is loaded with associations and representations that are, if anything, liminal.
≡ 特罗拉马 Tromarama
独白 Soliloquy, 2018
灯具、软件、社交媒体、#kinship
Lamps, software, social media, #kinship
“今晚一定要梦到这蓝色”展览现场
Installation view at ‘Must Dream About Blue Tonight’
四方当代美术馆，南京，2020
Sifang Art Museum, Nanjing, 2020
图片由四方当代美术馆提供
Image Courtesy of Sifang Art Museum
Tromarama's Soliloquy (2018) is exhibited at Sifang Art Museum's new collection exhibition "Must Dream About Blue Tonight".
≡ 特罗拉马 Tromarama
独白 Soliloquy, 2018
灯具、软件、社交媒体、#kinship
Lamps, software, social media, #kinship
“今晚一定要梦到这蓝色”展览现场
Installation view at ‘Must Dream About Blue Tonight’
四方当代美术馆，南京，2020
Sifang Art Museum, Nanjing, 2020
图片由四方当代美术馆提供
Image Courtesy of Sifang Art Museum
This exhibition borrows its title from a featured painting by Swiss artist Miriam Cahn (original German title unbedingt dieses blau heute nacht gträumt), of whom we will present a special exhibition in November 2020. The theme of “artists’ objects” is seen throughout as viewers are brought on to contemplate the emotional connections between objects and artists, as well as their own projected views and attitudes that have arisen from the tumultuous events of 2020 thus far.
- Text from Sifang Art Museum
≡ 特罗拉马 Tromarama
独白 Soliloquy, 2018
灯具、软件、社交媒体、#kinship
Lamps, software, social media, #kinship
“今晚一定要梦到这蓝色”展览现场
Installation view at ‘Must Dream About Blue Tonight’
四方当代美术馆，南京，2020
Sifang Art Museum, Nanjing, 2020
图片由四方当代美术馆提供
Image Courtesy of Sifang Art Museum
印尼万隆艺术团体由菲比·贝比罗斯、赫伯特·汉斯和路迪·哈图瑁拉三人于2006年于共同创立。其创作结合录像、装置、电脑编程和公众参与，围绕“超现实”主导的数码时代梳理虚拟与物质世界的互动，以及社交网络对社会的深远影响。特罗拉马曾于利物浦双年展周边项目、阿姆斯特丹市立博物馆、墨尔本维多利亚州国立美术馆、日本森美术馆等地举行个展。大型联展包括马尼拉当代艺术设计博物馆、光州双年展、法兰克福艺术协会、阿德莱德Samstag美术馆、第七届亚太当代艺术三年展（布里斯本昆士兰艺术馆及新现代美术馆）、新加坡美术馆等。
图片由艺术家和马凌画廊提供
Image courtesy of the Artist
and Edouard Malingue Gallery
Tromarama is Bandung based artist collective founded in 2006 by Febie Babyrose, Herbert Hans and Ruddy Hatumena. Engaging with the notion of hyperreality in the digital age, their projects explore the interrelationship between the virtual and the physical world. Their works combine video, installations, computer programming and public participation depicting the influence of digital media on the society’s perception towards their surroundings. They have held solo exhibitions at the Liverpool Biennial Fringe; Stedelijk Museum, Amsterdam; National Gallery of Victoria, Melbourne; and Mori Art Museum, Japan among other locations. Their group exhibitions include the Museum of Contemporary Art and Design (MCAD) Manila, Gwangju Biennale, Frankfurter Kunstverein; Samstag Museum of Art, Adelaide; APT 7 QAGOMA, Brisbane; and the Singapore Art Museum.
{{newsData.good_count}}
{{newsData.transfer_count}}
分享