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【OCAT上海馆｜作品介绍】王拓《烟火》

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当前展览“自由联接 —— 2020 OCAT x KADIST 青年媒体艺术家展览” 共计展出37件作品，其中6件为OCAT上海馆委托新作。“作品介绍”系列将在展期内，以展厅陈列顺序依次为大家推送每一件作品的介绍。完整参观本次展览所需时间约8小时，请合理安排观展行程。

王拓参展作品

《敬佛请上三炷香》 🔗

《三位一体（上篇）》🔗

《烟火》👈

《痴迷录》

《扭曲词场》

《疲惫书 – 引文》（委托新作，将于8月9日发布）

【OCAT上海馆｜作品介绍】王拓《烟火》 OCAT上海馆作品王拓烟火 OCAT 上海馆当前青年媒体艺术家其中崇真艺客

星标为《烟火》在本次展览所处位置

《烟火》静帧，图片致谢艺术家及空白空间北京

烟火

2018

单通道高清录像，彩色，有声

31分18秒

作品由艺术家和空白空间北京提供

Smoke And Fire

2018

Single-Channel HD Video (color, sound)

31'18"

Courtesy of the artist and White Space Beijing

王拓在《烟火》中让我们看到一个同时存在于两重交错现实中的农民工形象。一边，这位农民工正在一个时空感异常模糊的电影道具仓库中，通过阅读志怪与传奇，将自我投射进一个个文本中，并在现实亦或是他的幻想中进行着一次次的“演练”；另一边，艺术家对这位在东北某小城的打工者进行了样本式的观察，记录下他的日常、情感与返乡之路。真实的记录慢慢变成了对一起中国近期发生并被广泛讨论的社会暴力事件的戏剧化的“重新排演”。在这个有关复仇的叙述中，疗愈长久沉积的创伤仿佛变成了一场需要等待的仪式。艺术家通过这场身体式的“反扑”，暗示出一种社会性身份与内在身份之间的撕裂，以及个体病症与庞然现实之间的潜在矛盾。

In Smoke and Fire, Wang Tuo portrays the image of a migrant worker who exists simultaneously in both worlds of a two-part intertwined reality. In one world, this migrant worker is in a warehouse of movie props with an extremely vague sense of time and space. By reading tales of the miraculous and the legendary, he is projecting himself into multiple texts, "practicing" it again and again in reality orin his imagination. In the other world, the artist is conducting a sample observation of this migrant worker in a small town in Northeast China— recording his daily life, his emotions, and his journey back home. The documentation has slowly turned into a dramatic "rehearsal" of a recent violent incident in China that has been widely discussed. In this narrative on revenge, healingthe deep-seated wound seems to have become a ritual that needs to wait. Through these embodied corporeal "counterattacks", the artist implies a rupture between social and internal identities,as well as the latent contradiction between the individual trauma and the monstrous yet powerless reality.

展场图

艺术家简介

王拓

1984年出生于长春，现生活、工作于北京。王拓2014年毕业于波士顿大学视觉学术学院，获得绘画系美术硕士学位。王拓的艺术实践以影像、行为、绘画为主并涉及多种媒介，通过在预设情境下对他人真实生存经验以及文献行为化的介入，来揭示当代人类境遇与精神遗产之间不稳定的关系。他的作品中经常基于对已有的文献（如文学、电影、戏剧、美术史）的引用，来建立一个多重叙事的情节迷宫，在那里，有关当代社会的戏剧化的、幽默而荒诞的成分被展示出来。王拓的实践也同时探讨了人造观念和意识形态是如何从其历史背景中生发而出，并与持续变化的社会状况相适应的主题。

WANG Tuo (b.1984, Changchun, China) currently lives and works in Beijing. In 2014, he graduated from the School of Visual Art at Boston University with an MFA in Painting. Wang Tuo employs various mediums and a process that combines interviews, reality shows, and the theatre of absurd to construct a maze of melodrama. Through his performative manipulation on the individuals’ lived experiences and interventions into intellectual legacies such as literature, film, theatre and art history, Wang’s practice attempts to examine the unreliable relationship between the contemporary human status, myth and cultural archive. In the self-referential environments that he constructs, dramatic, often humorous as well as absurd aspects of the concept of society are exposed. Wang’s practice also seeks to develop a discourse on how present ideology is derived from its historical context, and continues to adapt to changing conditions.

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