正在展出 | 宋拓个展“宋拓的画：1999-2020”
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北京公社正在展出宋拓个展《宋拓的画：1999-2020》。任性而随意，是宋拓一贯风格。在他多年艺术实践中，调侃和解构主义背后一直贯穿着严肃气节和缜密逻辑。展览延续了近年来艺术家对绘画本质的感悟、研究和反思，通过实践案例和选集回应了“人为何而画”的问题。宋拓称自己为一名“业余画家”，其绘画作品均是在任不同“文职”期间的随性创作。此次展出的一系列纸本作品囊括了他包括学生时代（1999-2011）、职业艺术家（2011-2017）、美术馆馆长（2018）和时尚企业管理者（2019-2020）等业态身份状态期间所作。宋拓将文人画传统中"文人、士大夫"（"literati"）的概念偷换成"文职人"（“office man”），强调其在当代语境里职业官僚、管理、商务行政的社会属性。
宋拓个展期间，作品在北京公社微信公众号每周公开3-5幅，直到展览结束宋拓的纸上实践一直在试图去除文人画语境里的“东方主义色彩”。他常年坚持不使用笔墨纸砚，以最日常生活化、数字化书写工具来进行创作。啫喱笔和马克笔等符合他成长和受教育时期手写经验的办公用品消除了传统书法的“提”和“按”波磔，达到印刷体和屏幕阅读的线性效果。无论是书法、诗还是绘画，宋拓都摒弃传统造型和符号元素，看似无意识的松弛状态下的创作不刻意强调学术性、“文艺感”和市场性，与新国画框架之下所谓的“求新求异”背道相驰。纸本作为媒介，其自律地、自成一派的艺术语言，使它成为自己的最终形式。
宋拓个展期间，北京公社微信公众号当日公开的作品，会同步在展厅展出
2020年全球特殊的形势和心理发酵引发了艺术家对传统作品发表形式的思考。“阅读”作为一种复兴之物被他重新引入自己的创作。这次展览从呈现形式上设置了一种“阅读式”的体验，给传统实体空间赋予了一层“纸阅”的观感。从早期的书法作品开始，啫喱笔强化了文字的字体尺度思考和可读性，也促成了纸本和电子屏幕的同步观赏性。本次展览将以每周公开三到五幅作品的形式，通过社交媒体平台以多种媒介全方位地呈现创作的背景和思路。而在北京公社的空间内，观众可以同步欣赏当天公布的原作。宋拓1988年出生于广东，2010年毕业于广州美术学院教育系，现工作生活于广州和深圳。宋拓曾参与第八届深圳雕塑双年展、第六届“Home
Works: A Forum on Cultural Practices”（Ashkal
Alwan，黎巴嫩贝鲁特）和2018纽约新美术馆三年展，并在中央美术学院美术馆、尤伦斯当代艺术中心、广东时代美术馆、瑞士伯尔尼美术馆、荷兰马斯特里赫特Marres当代艺术中心、柏林时代艺术中心、杜塞尔多夫Julia
Stoschek收藏基金会、北京泰康空间、德国威斯巴登拿骚艺术协会、韩国光州亚洲文化中心、英国CASS雕塑基金会、瑞士保罗·克利美术馆、奥地利布雷根茨美术馆、香港Para/Site、瑞典隆德美术馆、阿联酋沙迦艺术基金会、南京艺术学院美术馆等机构参加过群展。2020年，宋拓被葡萄牙波尔图市立美术馆提名PCS
Art Prize。
女人体练习 _ Drawing of Female Body（2007） 啫喱笔作于纸上 _ gel pen on paperpaper size: 37.5 x 38.5 cmBeijing
Commune is pleased to announce that Song Ta's solo exhibition "Song Ta's
Drawings: 1999-2020" will open on July 30, 2020. Rebellion and
recklessness run through Song Ta’s artistic creation. Behind his seeming
ridicule and deconstructionism are actually serious integrity and
meticulous logic. The exhibition continues the artist's contemplation,
research and reflection on the essence of drawing in recent years, and
attempts to address the question of "why do people draw" through his
practice.Song
Ta identifies himself as an "amateur painter", and his drawings are
casual creations during his various "civilian positions". The series of
works on paper on view range from his time as a student (1999-2011), a
professional artist (2011-2017), an art museum curator (2018) and a
fashion business owner (2019-2020). Here, he replaces the concept of
"literati" in the literati painting tradition with "office man", a
self-coined term that emphasizes on his social attributes of
professional bureaucracy, business management and administration in the
contemporary context.
啫喱笔作于纸上 _ gel pen on paperpaper size: 78.6 x 109.5 cm
Song
Ta's practice on paper strives to remove the "Orientalism" embedded in
the literati painting canon. He insists on not using brush, ink, rice
paper and inkstone, and instead returns to the everyday and digital
writing tools. Office supplies such as gel pens and markers that fit his
writing experience eliminate the "lifting" and "pressing" strokes in
traditional calligraphy and achieve the linear effect of printed
letters. In calligraphy, poetry and drawing, Song Ta abandons all
stereotypical compositons and symbolic elements. Working in a seemingly
casual manner, he deliberately eschews any academic, "literary" and,
"artistic" judgment as well as the marketability. He also opposes the
idea of always seeking novelty and difference that is deeply-rooted in
New Chinese Paintin. As a medium, drawing’s self-disciplined and
self-contained artistic language makes it its own final form.The
global corona virus crisis and the psychological aftermath in 2020 led
the artist to ruminate on the conventional presentation of art.
"Reading" is reintroduced into his creation as a kind of revitation of
the genre. This exhibition sets up a "reading" experience from the
presentation form, giving the traditional physical space a layer of
"paper reading" look and feel. From his early calligraphy works, gel
pens help to strengthen the font scale thinking and readability of the
text, while also contributing to the simultaneity of viewing on paper
and electronic screens. During the exhibition, three to five pieces of
work will be revealed each week through the gallery’s social media
platforms, in which the context and ideas behind the works will be
presented in a more comprehensive way. In the gallery space, the
audience can also enjoy the original works revealed that day.Song
Ta (b. Guangdong, 1988) graduated from the Education Department of
Guangzhou Academy of Fine Arts in 2010. He currently lives and works in
Guangzhou and Shenzhen. Song Ta participated in the 8th Shenzhen
Sculpture Biennale, the 6th "Home Works: A Forum on Cultural Practices"
(Ashkal Alwan, Beirut, Lebanon), and the 2018 New Museum Triennial. He
also participated in group shows at Central Academy of Fine Arts Art
Museum; Ullens Center for Contemporary Art; Times Art Museum, Guangdong;
Kunsthalle Bern, Switzerland; Marres Contemporary Art Center,
Maastricht, Netherlands; Times Art Center, Berlin; Julia Stoschek
Collection Foundation, Düsseldorf; Taikang Space, Beijing; Nassau Art
Association, Wiesbaden, Germany; Gwangju Asian Cultural Center, South
Korea; CASS Sculpture Foundation, UK; Paul Klee Art Museum, Switzerland;
Kunsthaus Bregenz, Austria; Para/Site, Hong Kong; Kunsthall Lund,
Sweden; UAE The Art Foundation, Sharjah; Nanjing University of the Arts
Art Museum and other institutions. In 2020, Song Ta was nominated for
the PCS Art Prize by the Municipal Art Museum of Porto, Portugal.
官方网站：www.beijingcommune.comInstagram: beijingcommune
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