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【OCAT上海馆｜作品介绍】陶辉《唯一具体的人》

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当前展览“自由联接 —— 2020 OCAT x KADIST 青年媒体艺术家展览” 共计展出37件作品，其中6件为OCAT上海馆委托新作。“作品介绍”系列将在展期内，以展厅陈列顺序依次为大家推送每一件作品的介绍。完整参观本次展览所需时间约8小时，请合理安排观展行程。

陶辉参展作品

《观光客》 🔗

《唯一具体的人》 👈

《南方戏剧史A幕》

《多余的》

【OCAT上海馆｜作品介绍】陶辉《唯一具体的人》 OCAT上海馆作品陶辉 OCAT 上海馆当前青年媒体艺术家其中 OCAT上海馆崇真艺客

星标为《唯一具体的人》在本次展览所处位置

《唯一具体的人》静帧

图片致谢艺术家、马凌画廊（香港，上海）和施博尔画廊（柏林）

唯一具体的人

2018

全息风扇，彩色，有声，尺寸可变

10分36秒

作品由艺术家、马凌画廊（香港，上海）、施博尔画廊（柏林）提供

The Tangible Ones

Holographic Fan Projection (color, sound)

Dimensions Variable

10'36"

Courtesy of the artist, Edouard Malingue Gallery (Hong Kong, Shanghai) and Esther Schipper (Berlin)

在《唯一具体的人》中，陶辉创作了一段虚构的情节: 一个法国女人和一个中国女人，对着空气喃喃地诉说着对爱人的思念和生活中的琐事。影片伴随着旋律，念白和吟唱让投影的人物形象变得立体而丰富。陶辉借由戏剧中角色的对应与归属关系的模棱两可，在犹如魂魄一般的影像特质中呈现了一个由影片与媒像建构的超真实世界。人物独白与哼唱在影像段随机的结合，构建出一个开放的叙事关系，将全片并未出现的远方情人对应在观者自身的记忆中而存在。

In The Tangible Ones, Tao Hui created a fictional narrative in which two young women, a French and a Chinese, try to deliver their thoughts of someone by telling their stories alone to the open air. A melody playing along with the singing and storytelling throughout the video portrays the characters and their time in the vivid descriptions of day-to-day experiences and the soliloquy of wondering. Tao probes the relationship between the media landscape and the social body and reflects on the fraught ethics of belonging in a hyper-mediatized reality. The random association between the subjective audio and the visual fragments creates a narrative structure that is not only postmodern, but also an open-ended demonstration of Tao’s subversive thinking in the linear narrative of video art, the overlapping of time and space thus become a way to portray our alienating experience of reality.

展场图

艺术家简介

陶辉

1987年出生于重庆云阳，现生活、工作于北京。陶辉于2010年毕业于四川美术学院油画系，获学士学位。陶辉习惯用录像装置等创作语言来表达群体经验，关注点往往是社会身份、性别地位、种族问题、文化危机等课题。作品的灵感常出自他的笔记,戏剧化地重现着想象场景中人物的生命状态,尤其是现代人的边缘化心理。陶辉擅长以隐喻的方式映照当今社会的文化心理和美学需求。他创造的场景多为荒诞而夸张的,人物的存在如塔罗牌般具有隐喻特质,时常表露出的“错位感”呈现了中国城市化进程中的身份和文化危机。

TAO Hui (b.1987, Chongqing, China) currently lives and works in Beijing. He graduated from Sichuan Fine Arts Institute with a BFA in Oil Painting in 2010. Tao Hui is interested in his culture and traditional art and folk culture have became main factors in his works. He believes that fairy tales could ease people’s intensive mind. Working with various mediums including graphic arts, painting, video, objects and installation, Tao Hui uses technological procedures and elements from Chinese tradition to question the tenets of globalization, virtual relationships and hegemonic thinking. Visceral and provocative, yet enlightening, Tao Hui’s works force the viewers to confront their own cultural history, way of living and social identity.

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