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【OCAT上海馆｜作品介绍】李爽《只想在你枕边长眠》

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当前展览“自由联接 —— 2020 OCAT x KADIST 青年媒体艺术家展览” 共计展出37件作品，其中6件为OCAT上海馆委托新作。“作品介绍”系列将在展期内，以展厅陈列顺序依次为大家推送每一件作品的介绍。完整参观本次展览所需时间约8小时，请合理安排观展行程。

李爽参展作品

《和我结婚，拿中国国籍》🔗

《T》🔗

《只想在你枕边长眠》👈

《S.O.A.》🔗（委托新作，于7月30日发布）

星标为《只想在你枕边长眠》在本次展览所处位置

《只想在你枕边长眠》静帧，

图片致谢艺术家及Peres Projects（柏林）

只想在你枕边长眠

2018-2019

三通道同步高清录像装置，彩色，有声，

金属，铁丝网

25分27秒

音乐Eli Osheyack

作品由艺术家和Peres Projects （柏林）提供

由比利安娜· 思瑞克和广东时代美术馆为2019年展览“慢进？我们如何共处”委托创作

I Want to Sleep More but by Your Side

2018-2019

Three-Channel HD Video Installation in Synchrony (color, sound) , Metal, Mesh Wire

25'27"

Music by Eli Osheyack

Courtesy of the artist and Peres Projects (Berlin)

Commissioned by Biljana Ciric and Guangdong Times Museum for the the exhibition Modes of Encounter: An Inquiry in 2019

这件作品从黄马甲及其意象出发——中国义乌生产，流通全球，甚至成为了法国一场运动的标志。

作品随着一个法国母亲和黄马甲工厂的年轻男孩的网恋故事推进，旨在讨论当下全球化和资本主义阶段下，人际间电子化的关系和欲望，电子媒介风景和物质现实的互相影响，以及两者之间的裂痕。

The work departs from one commodity and its imagery – neon yellow vests. Produced in Yiwu, China, it circulates around the world and have happened to become the symbol of a movement in France.

With the narrative of an online relationship between a French mother and a young Chinese boy working at a yellow vest factory unfolding, the work aims to discuss digitalized relationships and desires, as well as the interdependence between digital landscape, and the physical infrastructure and logistic systems that support it, and more importantly, the cracks in between.

展场图

艺术家简介

李爽

1990年出生于武夷山。她2014年于纽约大学传媒研究专业取得硕士学位。她的作品置身于各种全球性流通系统中，受到不同在地性和不平衡信息流启发，以行为、互动网站、雕塑、影像装置等不同形式研究组成当代电子风景的各种媒介。在她的实践中，媒介与使用者之间，以及媒介相互之间的互动，占据重要的位置；各种不同形态的亲密性是贯穿艺术家创作的动机 - 她研究不同形式的科技怎样将人联系在一起，以及他们所形成的管控身体和欲望的新自由主义机制。然而她的关注点不仅限于视觉的电子风景，还包括支撑他们运行的基础设施和物流系统等物质生命；以及，两者之间的裂痕。

LI Shuang (b.1990, Wuyi Mountains, China) currently lives and works in Yiwu. She received her MA in media studies from New York University in 2014. Her work is situated in globalized communication systems and is inspired by various localities and uneven information flows, as her practice studies various mediums composing the contemporary digital landscape. Encompassing performance, interactive websites, sculpture, and moving image installations the interaction between the medium and its users as well as amongst the mediums themselves is crucial to Li’s practice. These diverse forms of intimacy form a motif that runs through the artist’s practice, as she explores how various forms of technology bring us into contact, and how they form part of a neoliberal apparatus that regulates the body and desire. Yet her focus is not limited to the virtual, but also includes the material lives of digital landscapes, such as the infrastructural and logistical systems that support it, and more importantly, the cracks in between.

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