【+3画廊展讯】野望——陈荣辉个展
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野望——陈荣辉个展
主办：三影堂+3画廊
艺术家：陈荣辉
策展人：张涵露
展期：2020年9月26日至11月8日
开幕式：2020年9月26日 15:00
地点：三影堂摄影艺术中心
北京市朝阳区草场地155号A
陈荣辉出生于浙江丽水，他的摄影视界随着他的足迹，从县城来到城市，留连国际大都会，再抵达衰败的地域，完成一次有关野心的周期。这种野心或许与“发展”相连，其巨大而无声，在中国的土地上投下一道阴影；摄影是光的书写，陈荣辉的镜头在这暗影中描刻出一些次要或微小的征状：被污染的河流、被遗弃的故乡、一座又一座游乐园、恢弘的山寨建筑、收缩的城市、野火、难融化的冰、疲惫的青年……选自《Petrochemical China》系列 From Petrochemical China series此次个展“野望”主要展出三个系列作品。《Petrochemical China》拍摄了江浙一带被工业废墟和城市化入侵的乡村地景，对于大多数城市居住者来说这些地方至多是高铁上一晃而过的风景。野心在加速。在《摩登上海&脱缰的世界》中，艺术家将夸张的游乐设施及人造景观和都市青年的居家肖像并列：外部内部、静和动、社会与人，在视觉和观念上辩证交织，互文见义。选自《脱缰的世界》From Runaway World series《空城计》系列是陈荣辉创作周期最长、最为投入的作品：连续四年的冬天，他造访冰封的黑土地，记录东北地区如今经济和人口都在萎缩的旧工业城市及仍居住在那里的人。艺术家不止步于一种轻易而就的景观复刻或废墟美学，他通过快手平台认识本地的年轻人，并且与他们一起拍摄大画幅肖像。大部分关于东北的文艺表现专注于其压缩了太多荣耀和伤痛的过去，而陈荣辉将镜头对准当下的人，试探这个地区可能呈现出的未来面貌。选自《空城计》系列 From Freezing Land series陈荣辉是记者出身，他从《圣诞工厂》这个获奖系列开启一趟旅程，从纪实的新闻摄影迈向通过深挖摄影媒介本体来进行的自主艺术表达。此次展览体现了这一探索进程，也是艺术家2019年赴美深造前的创作的一次阶段性回顾。在超媒介化的今天，摄影如何对信息过载和视觉饱和的现实保持敏感，并同时能够承载现实中不同人和事件相遇时的具体性和复杂性——陈荣辉的思考和创作轨迹提供了一条独到的路径。
选自《圣诞工厂》系列 From Christmas Factory series
陈荣辉，摄影师，现工作生活于上海和纽黑文。他的作品主要关注中国的城市化，探讨个体经验与城市化、工业化中的关系。已经出版了同名图录《陈荣辉》，属于中国当代摄影师合集中的一本。同时陈荣辉曾获得世界新闻摄影大赛、第六届BarTur Award摄影奖、2018年度三影堂摄影奖ALPA奖、侯登科纪实摄影奖等众多国内外知名摄影奖项。·《纽约时报》| 茫然而疏离：那些格格不入的东北年轻人
·《DAZED》| 陈荣辉：一直“在路上”
· 艺术家专访 | 陈荣辉镜头里的东北与网红经济
张涵露是一名写作者、策展人和编辑，于芝加哥艺术学院修毕艺术历史、理论和评论硕士学位。她参与策划的展览包括“展览的噩梦（下）：双向剧场”（上海当代艺术博物馆）、“都市折叠”（北京央美术馆）、“偷单车的人”（香港Para Site艺术空间）、“Cosmopolis #1.5: 延展智慧”（成都）和“Cosmopolis #2: 重新思考人类”（巴黎蓬皮杜中心）、“那看见万物的、知道万物的，就是万物”（画廊周北京2020）。文章发表于ARTFORUM、瑞象视点、LEAP、Flash Art及art-agenda等媒体。她是44剧场的成员。
Land of Ambition: Ronghui Chen Solo ExhibitionOrganizer: Three Shadows +3 GalleryDuration: 26th Sep - 8th Nov, 2020Opening: 26th Sep, 2020 15:00Location: Three Shadows Photography Art Centre155A Caochangdi, Chaoyang District, BeijingRonghui Chen was born in Lishui, Zhejiang Province. His photographic vision has followed his footsteps from counties to cities, lingering in metropolises, and reaching decaying regions, and that completes a full circle about certain ambition. This ambition at stake, silent but immense, perhaps relevant to “development”, casts a broad shadow on the land that is called China. Etymologically, photography is the writing with light, and in this shadowy obscurity, Ronghui Chen's lens turns to subtle and neglected symptoms of ambition: polluted rivers, abandoned hometowns, one amusement park after another, grandiose shanzhai architectures, shrinking cities, melting ice, wildfire, weary youngsters...选自《Petrochemical China》系列 From Petrochemical China seriesThe solo exhibition "Land of Ambition" mainly presents three series of works by Ronghui Chen. Petrochemical China captures rural landscapes in Jiangsu and Zhejiang invaded by industrial ruins and urbanization. For most city dwellers, those places are just scenery passing in a flash on high-speed trains. Ambition is accelerating. In the project Modern Shanghai & Runaway World, the artist juxtaposes flamboyant amusement facilities and man-made spectacles with indoor portraits of urban youths. Various visual and conceptual perspectives, exteriority and interiority still and moving, social and human, intercontextualize within the frames.选自《脱缰的世界》From Runaway World seriesFreezing Land is by far the artist’s most devoted project. For four consecutive winters, Chen visited the frozen Northeast to document the old industrial cities where the economy and population are decreasing and the people still living there. The artist is not drawn to spectacle-remaking or aesthetics of ruins, approaches commonly found in works with similar subject matter. Instead, he contacts local youngsters through Kwai, a live streaming platform popular in the region, and invites them to take large-format portraits. Through portraiture-making, the artist attempts to take a glimpse of what future might look like in a region where too many glories and trauma are hastily packed in the past.选自《空城计》系列 From Freezing Land seriesRonghui Chen was a journalist by training. He embarked on a creative journey since the award-winning photojournalist series Christmas Factory, moving from documentary photography to autonomous artistic expression by digging deep into ontological aspects of the photographic medium. This exhibition manifests this exploratory process and is a short term retrospective of the artist's practice before he went pursue further studies in the US in 2019. In today's hyper-mediated world, how photography can remain sensitive to a reality characterized by information overload and visual saturation, while also being able to address the specificities and complexities of real-life encounters with people and events, Ronghui Chen's thinking process and creative trajectory have provided a unique and insightful approach.选自《空城计》系列 From Freezing Land seriesYale MFA Photography 2021Ronghui Chen is a Chinese photographer and storyteller based in Shanghai/ New haven, whose work focuses on China’s urbanization. Known for his interest in the issues arising from the position of the individual within the urbanization and industrialization of China, Chen published his first collection of photographs named Chen Ronghui, now part of China’s Contemporary Photography Catalog. He was won a number of awards including World Press Photo; BarTur Photo Award; 2018 Three Shadows Photography Award & AlPA special prize and Hou Dengke Documentary Photography Award.Hanlu Zhang is a writer, curator, and editor. She received her MA in Art History, Theory and Criticism from the School of the Art Institute of Chicago. She has curated or co-curated “Through the Parlour” at No Longer Empty (New York), “Nightmare of Exhibitions II: Two-way Theater” at Power Station of Art (Shanghai), “Rebel Cities” at Yang Art Museum (Beijing), “Bicycle Thieves” at Para Site (Hong Kong), “Those who see and know all, are all and can be all.” at Gallery Weekend Beijing, "Cosmopolis #1.5: Enlarged Intelligence” and “Cosmopolis #2: rethinking the human” with Centre Pompidou (Chengdu & Paris). She writes for ARTFORUM, LEAP, Flash Art, and art-agenda. Hanlu is a member of Theater 44.三影堂+3画廊是三影堂摄影艺术中心旗下独立运营的一个艺术空间，创立于2012年4月。+3画廊致力于连接中国摄影过去、现在和未来的通道，连接中国本土与世界的通道，并推动高水准的摄影艺术创作及艺术收藏在中国的健康发展。+3画廊以推介中国最具代表性、最具成长性的摄影艺术家及其作品为首要目标，同时有计划地推介国外重要摄影艺术家及其作品，通过与国内外优秀艺术家、艺术机构、画廊和顶尖博览会合作，促进摄影艺术在本土的传播与发展，增强中国摄影在世界其它地域的呈现。+3画廊将以国际化的商业运营模式和专业化的贴心服务，为艺术家和收藏家建立一个互通共享平台，真诚与大家携手并进、共同成长。
Three Shadows +3 Gallery aims to provide a professional model for promoting and guiding China’s homegrown artists, and offer opportunities to the public to better understand and recognize the excellent photography produced in China. To this end, +3 Gallery aims to foster the further development of informed collecting of photography in China. The future of Chinese photography is bright, but more can be done to support its healthy development. The time is ripe for a space like Three Shadows +3 Gallery, where appreciation for art photography and original prints stands at the fore. The gallery provides professional artwork and market management to both artists and collectors in its endeavor to strengthen Chinese photography overall.
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