


艺术家个案研究展:仇晓飞
PartⅠ 赤
2020.9.12-10.21
Part Ⅱ 托洛茨基基长成了一棵树
2020.10.31-2021.1.9
开幕 9.12 15:00
艺术总监:楠楠
策划:常旭阳
特约研究员:胡昊
空间设计:梁琛
开放时间:周二-周六 11:00-17:00
地址:新世纪当代艺术基金会丨北京朝阳区798艺术区797东街A05

新世纪当代艺术基金会即将呈现艺术家仇晓飞的个案研究展,在为时四个月的展期中,采用两种截然不同的展览结构和叙述方式,来呈现仇晓飞的最新创作,以及他在过去近二十年的绘画道路上是如何以一种螺旋式的轨迹反复探索,追寻绘画的意义。
仇晓飞的创作端点经常源于个人家庭记忆和日常经验,但却从不停滞于这些浅近的图景,而是从思维和意识的更深处探究表象之下的暗流。
在展览的第一个阶段(2020年9月12日-10月21日),以聚焦式的方式呈现仇晓飞的最新画作《赤》。在一场突如其来的改变所有人生活的漩涡之中,艺术家对人与世界的处境之体会变幻为色彩和形象,在其中,生长与死亡、绚烂与残酷,冲突感在画面上蔓延。这种冲突感同样可感于明亮的展厅与昏暗破旧的过道之间。
在展览的第二个阶段(2020年10月31日-2021年1月9日),多组来自艺术家不同时期的作品,以非线性的混合相连的方式展出,试图揭示出艺术家创作道路上包含了前行和回望的不断超越自我的工作。
对于仇晓飞来说,客观世界和精神世界、真实世界和想象世界的关系在不断地转换和交融,而绘画是理解世界甚至创造我们还无法理解的世界的途径。
仇晓飞
1977年出生于黑龙江哈尔滨,1998年毕业于中央美术学院附中,2002年毕业于中央美术学院油画系。仇晓飞的创作媒介主要是绘画,也包括和绘画有关的装置和雕塑,以独特的方式将观念与形式连接。仇晓飞的作品在国内外多个重要美术馆及机构展出,如上海民生现代美术馆、尤伦斯当代艺术中心、英国泰特利物浦美术馆、瑞士伯尔尼美术博物馆、荷兰格罗宁根博物馆、德国ZKM美术馆等。重要个展包括“渐隐”(2018 ,韩国首尔佩斯画廊);“双摆”(2016,美国纽约佩斯画廊);“南柯解酲”(2014,佩斯北京);“反复”(2013,上海民生美术馆);“登楼已去梯”(2010,北京博而励画廊);“黑龙江盒”(2006,中央美术学院美术馆)。
An artist’s case-study exhibition
Qiu Xiaofei
Part Ⅰ: RED
2020.9.12-10.21
Part Ⅱ: Trotskyky grew into a tree
2020.10.31- 2021.1.9
Opening 9.12 15:00
Director: Nan Nan
Curator: Chang Xuyang
Contributing Researcher: Hu Hao
Exhibition Design: Liang Chen
Opening Hours: Tue.-Sat. 11:00-17:00
Add: No. A05, 797 East Road, 798 Art Zone, Chaoyang District, Beijing
The New Century Art Foundation will present a case-study exhibition of artist Qiu Xiaofei. Over the four months during of this exhibition, we have adopted two different types of exhibition structures and narratives to present Qiu Xiaofei’s recent works and a spiraling path he has taken over the last two decades of painting practice exploring and pursuing the meaning of the medium.
Qiu Xiaofei’s practice, often inspired by memories of his family and everyday experience yet unhinged by these immediate images, explores the stream of consciousness and thoughts beneath these phenomena.
The first chapter of the exhibition (September 12 – October 21, 2020) focuses on Qiu Xiaofei’s most recent painting, Red. With this sudden advent of an event that has spun everyone's life into the vortex, the artist's senses of the people and the condition of the world transform into colors and forms, in which life and death, the splendid and cruel, and tension extend throughout his canvas. Such tension is equally apparent in the bright exhibition space and the dim old corridor.
The second chapter of this exhibition (October 31 – January 9, 2021) will sample works from different phases of the artist's practice in a non-linear fashion, aiming to reveal the artist's forward-thinking and revisits one's practice as means of evolving in one's practice.
For Qiu Xiaofei, the objective and intellectual worlds, the real and the imaginary, continue to transform and integrate, and painting is the path through which we understand or even create the world we have yet fathomed.
Qiu Xiaofei
Qiu Xiaofei was born in Haerbin in 1977. He graduated from the Subsidiary School of the Central Academy of Fine Arts in 1998 and received a BFA in oil painting from the Central Academy of Fine Arts in 2002.
Qiu Xiaofei’s artistic practice mainly focuses on painting, as well as installation and sculpture connected to painting, connecting concepts and aesthetics in unique ways.
His works have been a constant presence at art museum and institutional exhibitions around the world, including at the Shanghai Minsheng Art Museum, Ullens Center for Contemporary Art, Tate Liverpool in Britain, Kunstmuseum Bern in Switzerland, the Groninger Museum and the Museum Boijmans Van Beuningen in the Netherlands, the ZKM Center for Art and Media Karlsruhe in Germany.
His important Solo Exhibitions: 2018 “Fade Out” at Pace Gallery in South Korea; 2016 “Double Pendulum”at Pace Gallery, New York, USA; 2014 “Apollo Bangs Dionysus” at Pace Beijing, Beijing, China; 2013 “Repetition” at Minsheng Art Museum, Shanghai, China; 2010 “Point of No Return” at Boers-Li gallery, Beijing, China; 2006 “Heilongjiang Box” at Art Museum of Central Academy of Fine Arts, Beijing, China, etc.

关于新世纪当代艺术基金会
作为国内最早在民政局登记注册的当代艺术基金会之一,新世纪致力于通过与艺术家,收藏家及学者进行长期而深度的合作,以研究型展览、学术讲座、讨论会等形式,希望对中国当代艺术中鲜活而重要的现象及课题展开及时的呈现、梳理和讨论,支持中国艺术家创作,推动本土当代艺术收藏。
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