
Risquons-Tout
2020.09.12 - 2021.01.10
@ WIELS
天线空间荣幸地宣布艺术家伊茯苓王韬程参加由位于比利时布鲁塞尔的WIELS所举办的大型群展"Risquons-Tout"。展览已于9月12日开幕,将持续至2021年1月10日。
Antenna Space is pleased to announce artist Evelyn Taocheng Wang's participation in the group exhibition Risquons-Tout, organized by WIELS at Brussels, Belgian. The exhibition opened on September 12, and it will last until January 10, 2021.

展览现场 Exhibition view, Risquons-Tout, WIELSPhoto by Philippe de Gobert
展览标题“Risquons-Tout”取自法国和比利时边境一个小村庄的名称,英文直译是"Risk all”,即冒险、不顾风险尝试所有可能。借助这个名称,展览意图向算法与人工智能对人们生活中的风险规避这一现象和在新科技的带领下未来社会发展的必然趋势提出新的思考。当数据分析与算法将“未知”变为“可预测”,将我们每个人封闭于社交网络中被设计好、被计算好的边界中,那我们的个人主观性、批判性,以及思考火花的多元性又将会被泯灭几分?
WIELS集合了来自国际上不同国家的38位艺术家,展示了包括绘画、影像、表演等丰富多样的艺术媒介,意图突破既定边界和安全区,拥抱不确定性,并进一步探索边境、边界之间灰色地带下每时每刻正在发生着的融合与变化。

Oil, dust and dirty, acrylic on linen canvas, 120 x 100 cmOil on linen canvas, 120 x 100 cm
展览现场 Exhibition view, Risquons-Tout, WIELSPhoto by Philippe de GobertThe title of the exhibition, "Risquons-Tout," was taken from the name of a hamlet at the border of France and Belgian, which can be directly translated as "Risk all," meaning going on an adventure or trying out all options, no matter all costs. Having borrowed this phrase, the exhibition aims to examine the phenomenon of using algorithm and smart intelligence to calculate possibilities and risks in daily life, and to raise questions regarding the future path of social development led by new technology. When data analysis and algorithm transformed "the uncertain" into "the predictable" and trapped everyone within the pre-designed and pre-calculated boundaries of social media, would people's individuality, subjectivity, critical thinking, and diverse thoughts disappear one day?
WIELS gathered 38 artists from different countries and presented their paintings, video works, performance and many other artworks on vaiours mediums. The exhibition hopes to overcome boundaries, break through safe zones, embrace uncertainties, and further explore the dynamic mixing, changes, and transformations occured at the gray areas in-between borders and boundaries.

展览现场 Exhibition view, Risquons-Tout, WIELS, 2020Photo by Philippe de Gobert参展艺术家 | Artists
Ed Atkins, Neïl Beloufa, Manon de Boer & Latifa Laâbissi, Peter Buggenhout, CATPC / Irene Kanga, Julien Creuzet, Shezad Dawood, Jean D.L., Lise Duclaux, Esther Ferrer, Jef Geys, Manuel Graf, Kati Heck, Lubaina Himid & Magda Stawarska-Beavan, Heide Hinrichs, Isaac Julien, Melike Kara, Anne-Mie Van Kerckhoven, Suchan Kinoshita, Tarek Lakhrissi, Ghislaine Leung, Bernd Lohaus, Christian Nyampeta, Sophie Nys, Lydia Ourahmane & Alex Ayed, Panamarenko, Laure Prouvost, Sina Seifee, Philippe Van Snick, Mounira Al Solh, Monika Stricker, Sturtevant, Joëlle Tuerlinckx, Nora Turato, Evelyn Taocheng Wang.
伊茯苓王韬程 (Evelyn Taocheng Wang),1981年出生于中国成都。2006年毕业于南京师范大学,2012年毕业于法兰克福Städelschule美术学院,现工作和生活于荷兰鹿特丹。2012年至2014年,作为驻地艺术家参与阿姆斯特丹的De Ateliers驻地计划。
近期展览:ABN Armo Art Prize, Hermintage博物馆,阿姆斯特丹(2020,个展);Sour Gnossiennes,Abteiberg博物馆,门兴格拉德巴赫,德国(2020,个展);Risquons-Tout,WIELS,布鲁塞尔,比利时(2020);Global(e) Resistance,蓬皮杜中心,巴黎(2020);“传播优雅”,FRAC Champagne-Ardenne,法国(2019, 个展);下午无血,卡洛斯/石川,伦敦(2019, 个展);“既不是黑/红/黄,也不是女人”,Times Arts Center,柏林(2019);“在我的房间里”,天线空间,上海(2019);“他害怕什么?”,KW当代艺术学院,柏林(2018, 个展);“他害怕什么?”,Company,纽约(2018, 个展);Hollandse Nieuwe,阿姆斯特丹市立博物馆,阿姆斯特丹(2018);“女性悲剧的四季”,Galerie Fons Welters, 阿姆斯特丹 (2017, 个展);“对于一个尴尬的人来说,总是很难避免尴尬的事情”,卡洛斯/石川,伦敦(2017, 个展);皱纹热浪,Chateau Shatto,洛杉矶(2017, 个展);“无常的寓言”,荷兰弗朗斯·哈尔斯博物馆| 哈伦哈勒姆博物馆,荷兰(2017, 个展);It's Get Better V,ICA,伦敦(2017);公共项目,卡塞尔文献展,卡塞尔(2017);“野蛮人和哲学家:黄金时代的中国形象”,弗朗斯·哈尔斯博物馆,荷兰(2016);惠特尼美术馆美国艺术独立研究项目,The Kitchen,纽约(2016)等。
Evelyn Taocheng Wang was born in Chengdu in 1981. She graduated from Nanjing Normal University in 2006, and graduated from HBK Städelschule in 2014. Lives and works in Rotterdam, Netherlands. From 2012 to 2014, Evelyn Taocheng Wang attended De Ateliers in Amsterdam.Recent exhibitions: ABN Armo Art Prize, Hermitage Museum, Amsterdam (2020, solo); Sour Gnossiennes, Museum Abteiberg, Mönchengladbach, Germany (2020, solo); Risquons-Tout, WIELS, Brussels (2020); Global(e) Resistance, Centre Pompidou, Paris (2020); Spreading Elegance, FRAC Champagne-Ardenne, Reims (2019, solo); No Blood in the Afternoon, Carlos/Ishikawa, London (2019, solo); Neither Black/Red/Yellow Nor Woman, Times Arts Center, Berlin (2019); In my room, Antenna Spacae, Shanghai (2019); What is he afraid of?, KW Institute for Contemporary Art, Berlin (2018, solo); What is he afraid of?, Company, New York (2018, solo); Hollandse Nieuwe, Stedelijk Museum, Amsterdam (2018); Four Season of Women Tragedy, Galerie Fons Welters, Amsterdam (2017, solo); For An Embarrassed Person It is Always Very Difficult To Avoid Embarrassing Things, Carlos/Ishikawa, London (2017, solo); Heatweave Wrinkle, Chateau Shatto, Los Angeles (2017, solo); Allegory of Transience, Frans Hals Museum | De Hallen Haarlem, Haarlem (2017, solo); It's Get Better V, ICA, London (2017); Public Programme, Documenta, Kassel (2017); Barbarians & Philosophers: Images of China in the Golden Age, Frans Hals Museum, Netherlands (2016); Whitney Museum of American Art Independent Study Program, The Kitchen, New York (2016).

11:00-18:30 (Tuesday to Saturday)Closed on Sunday(appointment only) and MondayE-mail: info@antenna-space.comWeb: www.antenna-space.com202, Building 17, No.50 Moganshan Road, Shanghai
