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【大未來林舍畫廊|藝術家News】賴九岑|2020台灣美術雙年展—禽獸不如

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2020 台灣美術雙年展禽獸不如

2020 Taiwan BiennialSubzoology


展期 Dates|2020.10.17 - 2021.02.28

開幕 Reception|2020.10.17 18:30

地點 Venue|國立臺灣美術館 National Taiwan Museum of Fine Arts




賴九岑受邀參與「國立臺灣美術館」舉辦的第七屆《2020台灣美術雙年展—禽獸不如》。 

在後疫情時代,本屆台雙展提出「禽獸不如」(Subzoology)之命題,本屆雙年展藉由七個子題切入,試圖從動物與人之間病毒的傳播與變異,藉由佛教「六道輪迴」之「畜生道」為切入點,以「金剛經」所列十種生物樣態,反思人類對自然生物的長期掠奪與宰制,重新思考人類如何面對有情眾生,以呼應並延展近年來全球雙年展聚焦於「人類世」的生態環境議題。

【大未來林舍畫廊|藝術家News】賴九岑|2020台灣美術雙年展—禽獸不如  大未来林舍画廊 未來林舍畫廊|藝術家News 賴九岑|2020台灣美術雙年展 台灣美術雙 年展 Taiwan Sub zoology 展期 Dates 開幕 崇真艺客
彩虹下的最後審判 Last Judgment under the Rainbow
壓克力顏料‧綜合媒材‧畫布 Acrylic, mixed media on canvas
2006-2007, 340x1620 cm
照片擷取自2020台灣美術雙年展官網
Photo taken from the official website of the 2020 Taiwan Biennale

賴九岑所分屬的〈第六品 獸倣者/獸形人〉在此指的是人類將動物的特有能力轉化為容易識別的符號,建構高識別度的「部族/城邦/國家/企業」形象,塑造尊貴、高超、凝聚之力,被擬人化的生物進一步挾其天賦異稟,在虛擬世界扮演起拯救人類乃至於化解地球浩劫的英雄。事實上,這些被挪用的動物形象從來就乏人在乎其真實感受,被迫沈默、消音主因是人類缺乏「同體大悲」之慈悲心,應從生物角度思考「生而為人」的終極意義,這些具有獸性的「獸形人」不但出現在各文化區的遠古神話故事中被神格化,進行各種「武裝/威嚇/脅迫」搭配「律法/獎勵/利誘」之平衡統治。人類將自己羈押在世間法的「我執」中,以「妄」當「真」,孰不知宛若剝開層層洋蔥才發現一無所有,徒黯然淚下矣!(文章節錄自國美館策展論述)

賴九岑,1970出生於臺灣九份,國立臺北藝術大學美術創作碩士。曾獲2016何鴻燊博士基金會藝術獎項、2003臺北美術獎首獎、2002第四屆帝門藝評徵文獎優選、2000第一屆郭柏川美術創作獎首獎、1999第二屆東華扶輪美術獎首獎、1996第四屆巴黎大獎競賽獎首獎。其作品獲多所國際藝術機構收藏,包括龍美術館、臺北市立美術館、國立臺灣美術館。

【大未來林舍畫廊|藝術家News】賴九岑|2020台灣美術雙年展—禽獸不如  大未来林舍画廊 未來林舍畫廊|藝術家News 賴九岑|2020台灣美術雙年展 台灣美術雙 年展 Taiwan Sub zoology 展期 Dates 開幕 崇真艺客

大金剛與小美女的日常 The Big Kong and The Little Beauty's Daily Life

壓克力顏料‧畫布 Acrylic on canvas

2020, 190x140 cm


Lai Chiu-Chen was invited to participate in the 7th "2020 Taiwan Biennial: Subzoology" organized by "National Taiwan Museum of Fine Arts"
 
Treating "Subzoology" as its theme and the "Buddhist path of reincarnation into animals" as its entry point, along with its reference to the ten types of sentient beings in the Diamond Sutra, the 2020 Taiwan Biennial seeks to cogitate upon the long-term human plunderage and dominance over natural creatures as well as to reflect on how humans can co-exist with other sentient beings in the post-pandemic era from the angle of the mutation of viruses and their transmission between humans and animals, insofar as to echo and extend the ecological and environmental issues in the Anthropocene that have come under the spotlight at many international biennials.
 
Lai Chiu-Chen's category "The Sixth Genre: Beast Mimic/Torured Beastnoid" refers to that beast mimic refers to that the human imitate animals their inherent abilities and transform them into intelligible symbols, thereby creating readable images of tribes/city states/countries/enterprises. They gradually develop respectable, excellent and coherent powers by civilizing themselves. Relying on their special gifts, these anthropomorphic creatures serve as the virtual heroes who save humankind and prevent the earth from apocalypse. Yet, nobody cares about how these appropriated animals feel, animals are silenced mainly because humans lack compassion. We can see the apotheosis of these convicts in ancient myths are happy to appropriate the images to strike a balance between arms/intimidation/coercion and laws/rewards/ promises. Such is the ultimate cause of human be prisoned and suffering in the jail built by them. They mistake delusion for reality. Only after they peel away the layers of disguises will they be aware of the fact that they possess nothing at all, and they can do nothing but shed silent tears! (The article is excerpted from the curatorial statement. )
 
Lai Chiu-Chen 1970 born in Chiufen, Taiwan, graduated from M.F.A., Taipei National University of Arts, Taiwan, has won many awards, including Dr. Stanley Ho Foundation Art Award in 2016, First Prize of Taipei Arts Award in 2003, Honorable Mention of 4th DEOA Art Criticism Award in 2002, First Prize from 1st Year of Kuo Po-Chuan Fine Arts Award in 2000, First Prize from 2nd Year of Tunghua Rotary Club Fine Arts Award in 1999, and First Prize from The 4th Annual Grand Award of Prix de Paris in 1996. His works were collected by several significant art museums, including Long Museum, Taipei Fine Arts Museum, and National Taiwan Museum of Fine Arts.


2020 台灣美術雙年展官網
2020 Taiwan Biennial Official Website
https://taiwanbiennial.ntmofa.gov.tw/index.php?page=Home


賴九岑所屬〈第六品 獸倣者/獸形人〉簡介
Introduction of Lai Chiu-Chen’s category “TheSixth Genre: Beast Mimic/Torured Beastnoid”
https://taiwanbiennial.ntmofa.gov.tw/index.php?page=Artists#category6




【大未來林舍畫廊|藝術家News】賴九岑|2020台灣美術雙年展—禽獸不如  大未来林舍画廊 未來林舍畫廊|藝術家News 賴九岑|2020台灣美術雙年展 台灣美術雙 年展 Taiwan Sub zoology 展期 Dates 開幕 崇真艺客

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