≡ 赖志盛 | 个展“绕梁” | 台湾金马宾馆当代美术馆

赖志盛(1971年生于中国台湾)在空间或风景中进行细腻的干预性艺术实践——绷紧的线索，收集水珠的小孔，或是破墙而出的树木等。其创作以装置及雕塑等多种媒介探索了张力、日常生活及个人经验。赖志盛关注细节，常在特定空间的不同元素之间创造新关系，直接与观众的身体及存在感知相沟通，作品带有一种轻松、富有玩乐意味的极少主义倾向。在1990年代，赖志盛是观念艺术团体“国家氧”成员之一；他在事业早期于在台北周边地区废弃建筑中展出的作品往往与看似无效的劳作实践有关。其作品因此特定创作语境而带有一系列显著的特点：富有环境或空间亲近性，带有强烈拓展性，也带有一种与观众好奇心直接对话的抒情细腻感。赖志盛频繁于全球举办展览，曾于观察社，广州（2018）、诚品画廊，台北（2015）等机构举办个展，曾参加爱知三年展（2016）、里昂双年展（2015）、OCAT当代艺术中心，深圳（2014）及海沃美术馆，伦敦（2012）等机构的大型展览。

图片由艺术家和马凌画廊提供

Image courtesy of the Artist

and Edouard Malingue Gallery

Delicate interventions in space and the landscape - a pulled thread, a hole gathering droplets of water, a tree emerging from the walls. Lai Chih-Sheng (b. 1971, Taiwan, China) pursues a practice that plays with tension, the everyday and personal encounters across multiple mediums in particular installation and sculpture. There is a playful minimalism in the way he observes detail and creates relationships between different parts of a room, engaging the viewer’s sense of body and presence. During the 1990s Lai Chih-Sheng was a member of the conceptual art group National Oxygen, presenting his early work in disused structures around the periphery of Taipei, which often involved seemingly futile labour. As such, there are certain pervading traits throughout his work: an affinity to environment and space, a sense of expanse, a lyrical delicacy that engages our curiosity. Lai Chih-Sheng has exhibited internationally including solo exhibitions at Observations Society, Guangzhou (2018), Eslite Gallery, Taipei (2015) and participated in group exhibitions at Aichi Triennale (2016), Lyon Biennial (2015), OCT Contemporary Art Terminal, Shenzhen (2014) and Hayward Gallery (2012).