开幕现场 | 陆平原个展“有情世界”在宝龙美术馆开幕

 陆平原个展：有情世界

Lu Pingyuan Solo Exhibition: 

Imperishable Affection 

展期 | Exhibition Period

2020.11.6-2020.12.13

参展艺术家 | Participating Artist

陆平原 Lu Pingyuan

地址 | Address

上海宝龙美术馆五号厅

上海市闵行区漕宝路3055号 

Hall 5, Powerlong Museum

No. 3055, Caobao Road, Minhang District, Shanghai

 展览现场 |  Exhibition View 

 开幕现场 | Opening Reception 

 部分展出作品 | Selected Exhibited Works 

陆平原，《护身符.201001》，2020，金属配件、树脂，300 x200 x 25 cm

Lu Pingyuan, Amulet.201001, 2020, Metal accessories, resin, 300 x 200 x 25 cm

没顶画廊艺术家陆平原最新个展“有情世界”于2020年11月5日在上海宝龙美术馆五号厅开幕，展览将持续至12月13日。     

拟人的面孔在生活中随处可见；它们无辜的笑脸承载着人类的情感寄托，也在不觉间袒露出个体与周遭世界的想象关系与相处机制。

陆平原持续关注人类赋予物品“生命”这一现象。他从零食造型、商品包装、中成药剂、幼教科普等诸多视觉谱系中撷取与人体尤为相关的现成“生命体”，探讨了人们对于这些形象轻易产生共情的社会心理。丰子恺曾在画作《有情世界》中表述“有生即有情”的人文关怀，倡导人们怀具对生灵独有的敬畏目光看待周遭万物；陆平原敏锐地捕捉到这种目光在当代语境中的重现，并通过赋予这些无辜的客体形象或坚实的物体表面、或隽永恒常的象征意义，进一步将谈论引向某种关于生命形态的意识与焦虑。

本次展出的全新作品涵盖了陆平原独特的故事创作、雕塑与综合装置，以及近期开始关注的音乐题材，追溯了人造与天然“生命”在社会文化语境中的交混、衍生与流变。艺术家将此次展览视为一次向身体内部窥探的体验——在这里，骨骼盆腔变为盛装声乐的器皿，邀请观众共同聆听来自身体内部的声音。

MadeIn Gallery artist Lu Pingyuan's latest solo exhibition "Imperishable Affection" opened on November 5 2020, at hall 5 Powerlong Museum, Shanghai. The exhibition will last until December 13.

Anthropomorphic faces can be seen everywhere. These innocent smiling faces carry human emotional sustenance, also unconsciously reveal the imaginary relationship and the mechanism of communication between the individual and the surrounding world.

Lu Pingyuan continues to pay attention to the phenomenon that humans animating objects. He extracts the characteristics of "living objects" particularly related to the human body from various visual systems such as snacks, commodity packaging, Chinese medicine, and preschool science education, which explores the social psychology of people's empathy for these images. Feng Zikai once expressed his humanistic care of“with life comes compassion”in his painting Imperishable Affection, encouraging people to appreciate everything around them with awe and the unique respect for living things. Motivated by this vision, Lu Pingyuan captures its representation in contemporary art context. By giving these innocent object images solid surfaces or timeless symbolic meanings, he further leads the discussion into certain consciousness and anxiety concerning with life form.

The exhibition includes the works of Lu’s unique story-telling, sculptures and installations, as well as works in musical form which he recently pays attention to, tracing back to the blending, derivation and rheology of natural and artificial“life forms”in social and cultural contexts. Lu takes this exhibition as an introspectation of the body, where bones and pelvic become vessels for music, inviting the audience to listen to the sound from inside the body.

 关于陆平原 | About Lu Pingyuan 

1984年出生于中国浙江，生活工作于上海。陆平原的创作涉及多种媒介，包括文本，装置，影像，绘画等，他擅长用“故事”这一独特的媒介进行艺术创作，撰写了大量与艺术有关的奇幻短篇作品。陆平原利用了“故事”拓宽了艺术作品在现实世界中存在的状态，延展了艺术本身的精神内在。

他的作品已在国内外广泛展出，近期参加的展览包括，个展：“有情世界”，宝龙美术馆，上海，中国，2020；“科拉”，chi K11美术馆，上海，中国，2019；“箱中奇遇”，爱马仕之家，上海，中国，2018；“迷之童年”，万和昊艺术酒店，上海，中国，2018；“成长的烦恼”，没顶画廊，上海，中国，2017；“宝藏”，星汇当代美术馆，重庆，中国，2017；“詹姆斯•斯坦利-第七世德比伯爵”，曼切斯特华人艺术中心，曼切斯特，英国，2016；“河原温”，没顶画廊，上海，中国，2016；“惊奇地发现”，没顶画廊，上海，中国，2015；“胶囊”，Gallery Box，哥德堡，瑞典，2011；“自律的呼吸”，M50创意空间，上海，中国，2010；等；群展：“上海广场”，上海广场，上海，中国，2020；“野蛮院线”，TX淮海，上海，中国，2020；“恶是”，蜂巢当代艺术中心，北京，中国，2020；“艺术还在：一场闭关期间的展览”，木木美术馆，北京，中国，2020；“野生大都会”，宝龙美术馆，上海，中国，2019；“降临：发明风景，制作大地”，前哨当代艺术中心，上海，中国，2019；“极限混合 ——2019广州空港双年展”，广州，中国，2019；“敢当：当代神石注疏”，UCCA沙丘美术馆，北戴河，中国，2019；“仙境边缘——泰国双年展2018”，甲米省，泰国，2018；“艺术家在此”，余德耀美术馆，上海，中国，2018；“城市无界”——2018中国·上海静安国际雕塑展”，上海静安雕塑公园，上海，中国，2018；“这里是上海”，利物浦邱纳德大楼，利物浦，英国，2018；“长征计划：违章建筑三——特区”，长征空间，北京，中国，2018；“*㔷埋儿童节”，Para Site×香港歌德学院，香港，中国，2018；“动漫美学双年展—叙事曲”，上海当代艺术馆，上海，中国，2018；“PLAY”，没顶画廊，上海，中国，2018；“中国 2185”，赛迪HQ画廊，伦敦，英国，2017；“第十一届上海双年展”，当代艺术博物馆，上海，中国，2016；“第九届利物浦双年展”，利物浦，英国，2016；“无序之美”，卡斯雕塑基金会，英国，2016；“山中美术馆”，四方美术馆，南京，中国，2016；“第三届乌拉尔当代艺术工业双年展”，乌拉尔，俄罗斯，2015；等。陆平原也是第四届三亚艺术季“华宇青年奖”的入围艺术家；第一届保时捷青年艺术家大奖入围艺术家。

Lu Pingyuan was born in 1984 in Zhejiang province, China, lives and works in Shanghai. Lu Pingyuan‘s artworks involves a variety of media, including texts, installations, videos, paintings and others. For a few years, Lu Pingyuan concentrated his practice on the writing of “stories” as a unique type of media for art creation. These short “stories” significantly broaden the artworks’ state of existence in the real world, extend the inherent spirit of art itself. His works have been exhibited extensively in both national and international museums and biennales.

Recent solo exhibitions include: “Imperishable Affection”, Powerlong Museum, Shanghai, China, 2020; “KOLA”, chi K11 Art Museum, Shanghai, China, 2019; “La Malle aux Trésors”, Mansion de Hermès, Shanghai, China, 2018; “Lost Child”, ONEHOME Art Hotel, Shanghai, China; “HOME ALONe”, MadeIn Gallery, Shanghai, 2017; “Hidden Treasure”, The Galaxy Museum of Contemporary Art, Chongqing, China, 2017; “James Stanley-The Seventh Earl of Derby”, Center for Chinese Contemporary Art, United Kingdom, 2016; “ON KAWARA”, MadeIn Gallery, Shanghai, 2016; “Unexpected Discoveries”, MadeIn Gallery, Shanghai, 2015; “Time Capsule”, Gallery Box, Gothenburg, Sweden, 2011.He participated in numerous group shows among which are “Shanghai Plaza”, Shanghai Plaza, Shanghai, China, 2020; “Wild Cinema”, TX Huaihai, Shanghai, 2020; “Being of Evils”, Hive Center for Contemporary Art (Beijing), Beijing, China, 2020; “A Hypothetical Show For A Closed Museum”, M Woods, Beijing, China, 2020; “Wild Metropolis”, Powerlong Museum, Shanghai, China, 2019; “Advent: Inventing Landscape, Producing the Earth”, Qianshao Contemporary Art Center, Shanghai, China, 2019; “Extreme Mix-Guangzhou Airport Biennale”, Guangzhou, China, 2019; “Land of the Lustrous”, UCCA Dune, Beidaihe, China, 2019;  “Edge of the Wonderland-Thailand Art Biennale”, Krabi, Thailand, 2018; “Artist is Present”, Yuz Museum, Shanghai, China, 2018; “City Unbounded-China·Shanghai Jing’an International Sculpture Project”, Jing’an Sculpture Park, Shanghai, China, 2018; “This is Shanghai”, Cunard Building, Liverpool, UK, 2018; “Long March Project: Building Code Violations III - Special Economic Zone”, Long March Space, Beijing, China, 2018; “Arts in Urban Cultures”, Taikoo Li Sanlitun, Beijing, China, 2018; “*underground-children-festival”, Para Site x Goethe-Institut Hong Kong, Hong Kong, China, 2018; “Animamix Biennale—Ballade”, Museum of Contemporary Art Shanghai, Shanghai, China; “PLAY”, MadeIn Gallery, Shanghai, China; “11th Shanghai Biennale”, Power Station of Art, Shanghai, China, 2016; “9th Liverpool Biennale”, Liverpool, England, 2016; “A Beautiful Disorder”, Cass Sculpture Foundation, England, 2016; “Mountain Sites: Views of Laoshan”, Si Fang Art Museum, Nanjing, China, 2016; “3rd Ural Industrial Biennial of Contemporary Art”, Ural, Russia, 2015 etc. Lu Pingyuan was nominated for the 4th Art Sanya “Huayu Youth Award” and the 1st Porsche “Young Chinese Artist of the Year”.

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