开幕现场 | “图像感到了不安”@没顶画廊

陈英，1982年出生于黑龙江省齐齐哈尔市，2010年毕业于中央戏剧学院舞台设计专业，现生活工作于北京。陈英的绘画呈现出对于抽象的迷恋和探求，以其标志性的几何图形为特征，步步开拓，从由图形再造的抽象化景像，持续推进，层层抽离，逐渐强化图形，图饰，图像和色彩，结构，质感之间相互作用，相互衍生和相互牵制的关系；艺术家将日常的情绪，审美，趣味有意识的压缩和混搭在作品里，不做过多的界定，同时将更具陌生化的图形进行具体化的描绘，使画面呈现出真实与虚构，沉思与偶发，交错与分散的丰富而微妙的空间运动，从而达成更复杂的观看，拓展出抽象画面更多的可能性。

陈英展览包括: “陈英个展”，金杜艺术中心，北京，2019；“极限混合” 2019广州空港双年展，广州，2019；“有痕可迹”，Condo Shanghai，没顶画廊，上海，2018；“现 像——陈英个展” ，没顶画廊，上海，2017；“思考本质不如消费形状”，没顶画廊，上海，2017；“力的能见度”，J GALLERY，上海，中国，2017。

Chen Ying (b.1982, China), currently lives and works in Beijing. He was born in 1982 in Qiqihar, Heilongjiang Province in China and majored in Scenography graduating from the Central Academy of Drama in 2010. Chen Ying’s paintings show his fascination for and exploration of abstraction, symbolised in iconic geometric forms, from the abstract scenery of shape reinvention, growing and receding into vision, to the gradual intensification in the relationship of forms, decoration and images. The artist integrates his daily life with aesthetics and amusement intentionally without limitation. He depicts more unfamiliar shapes specifically, presenting them in ample and subtle spaces. The works move between reality and imagination, meditation and incident and result in a complex viewing experience opening up the possibility for further abstract exploration.

His most recent exhibitions include: “Chen Ying Solo Exhibition”, KWM artcenter, Beijing, 2019; "Extreme Mix”, Guangzhou Airport Biennale, Guangzhou, China, 2019; “Traceable”, Madein Gallery x Carlos/Ishikawa@CONDO Shanghai 2018, MadeIn Gallery, Shanghai, 2018; “Reality & Regeneration-CHEN Ying Solo Exhibition, MadeIn Gallery, Shanghai, 2017; “Form Consumption Over Substance Reflection”, MadeIn Gallery, Shanghai, 2017.

苏予昕，1991年生于台湾，2016年于英国伦敦大学斯莱德美术学院研究所毕业。目前创作于台北，上海之间。苏予昕的绘画与其他媒介实践专注于捕获视觉，语言和神经感知之间的联系。通过绘画对图像和影像进行捕捉，她的作品更倾向于抓住生活中模糊的感知和时刻的复杂交织。与其越过，她倾向与绘画本身的限制一起工作，让平面的画布制造空 ; 或让静止的图像去收纳时间。在具象与非具象间摆荡的图像中，她通过绘画的行动，去调查现实生活中人们对于一对象物（风景、物件）的经验，如何回过头来，改变我们制造其图像与再现的方法，抑或相反地，观者阅读一图像的方式，是否参与了在真实中如何体验的可能。苏予昕的绘画是静物，图表，风景，信息碎片和记忆以多声道、多时区、多屏幕的印象混合输出。在这个事物投射出来的印象比事物本身更丰富的时代，其绘画欲描述的是一多元感知杂揉的平行印象主义。

近期参加过的重要展览包括：个人项目“几乎没有记忆”，没顶画廊，上海，2020；“用色拼字”，关渡美术馆，台北，2019；“此地有狮”， 798艺术中心，北京，2019；“野根茎”亚洲艺术双年展，台湾美术馆，台中，2018；“违章建筑III- 特区”，长征空间，北京，2018；“平面震颤”，长征空间，北京，2016；“未来岛屿”，萨奇美术馆，伦敦，2016；“Refuse: Refuge: Re-fuse”, The Koppel Project, 伦敦，2016；独立出版计划，伦敦大学，伦敦，2016；等。

Su Yu-Xin (b. 1991) was born in Taipei. She holds a MFA in Fine Arts from Slade School of FineArt UCL, andworks between Shanghai and Taipei. Her painting and other practices focuse ontherelationships between visual language and other sensorial perceptions. Rather than painting fromimages or photography, Su’s work often tends to explore thecomplexity of a moment or a vagueperception in life. Su usespainting to construct a delicate alternation of horizons, which varyingdistances elicit different paces of observation. The colourful layered surface and multi-perspectives in her works generate a dynamic visionwithin each painting.

Su’s paintings study how different rhythms, and fundamentally, the fluidityof human experiencecan operate and be stored inside a still imagery. In herpractice, landscape is an in-between place,a traditional frontality inpainting, which allows the artist to switch between figuration andabstraction,investigating the concept of new landscape - a mixture of still-life, graphs, digitalcalendar, fragments of text and memory. The landscape she is depictingis a field of hybrid visionand a contemporary impressionism that was neverseen before this age.

Her recent exhibitions include: Solo Project “Almost No Memory”, MadeIn Gallery, Shanghai,2020; “A Hue to Spell”, KuanduMuseum of Fine Arts, Taipei, 2019; “hic sunt leones”, 798 ArtCentre, Beijing,2019; “Taiwan Biennial-Wild Rhizome”, National Taiwan Museum of FineArts,Taichung, 2018; “Building Code Violation III, Special Economic Zone”, LongMarch Space,Beijing, 2018; “A World in a Grain of Sand: Mapping Shapes andSites for Social DeometriesAtlantis Fosun Foundation”, Sanya, 2018; “Trembling Surfaces”, Long March space, Beijing,2016; “FutureIsland”, Saatchi Gallery, London, 2016; “Refuse: Refuge: Re-fuse”, The KoppelProject, London, 2016; “Small pressproject”, University of College London, London, 2016; etc.SuYu-Xin was shortlisted for the 8th Huayu Youth Award.

王梓全，1993年出生于辽宁沈阳，2017年毕业于中央美术学院雕塑系，2019年硕士毕业于英国皇家艺术学院，现生活工作于杭州与上海之间。王梓全的创作来自于对互联网及虚拟世界独特的观察和理解，探索虚拟和现实的阈值，并用三维软件模仿真实世界中的荒谬。他通过叙事性的计算机影像，在虚拟和真实空间进行复制和粘贴。

近期展览包括：“练武术还是迪斯科？”，無同空间，长沙，湖南，中国，2020；“幻象颗粒”，没顶画廊，上海，中国，2020；“青年艺术100”，嘉德艺术中心，北京，中国，2019；“Fragmentation”，The Coningsby Gallery，伦敦，英国，2019；“Material Statement”，Dyson Gallery，英国皇家艺术学院，伦敦，英国，2019；等；并于2020年入围英国Ashurst新锐艺术家奖项。

Wang Ziquan, born in Shenyang, Liaoning in 1993, currently lives and works betweenHangzhou andShanghai. He graduated from the Central Academy of Fine Arts witha B.A. degree in sculpture in 2017and from the Royal College of Art with anM.A. degree in 2019. Wang’s practice is rooted in his uniqueobservation andunderstanding of the Internet and the virtual world, exploring the thresholdvaluesbetween virtuality and reality, and using 3D software to imitate theabsurdity in the physical world. Byusing narrative computer images, he copiesand pastes between virtual and real spaces.

Recent exhibitions includes: "Kung Fu or Disco?", Wooton Gallery, Changsha, Hunan, China, 2020;Shanghai “Illusive Particles”, MadeInGallery, Shanghai, China, 2020; “Art Nova 100” , Guardian ArtCenter,Beijing, China, 2019; “Fragmentation”, The Coningsby Gallery, London, UnitedKingdom, 2019;“Material Statement”, Dyson Gallery, Royal College of Art,London, United Kingdom, 2019 and etc.; WangZiquan wasshortlisted for the Ashurst Emerging Artist Prize in 2020.