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星空间｜张晖『画什么都是一样的』展览回顾

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关于女人系列

“我画的等大女人体像是一个真实的人但又不是，既现实又虚幻。我尽可能在技法、色彩和背景上简化，当她们明确为欲望符号的同时也就摆脱了庸俗的目光。”

About the Women Series

My life-size female nudes are at once real and fantastical. I try my best to simplify technique, color and the background, clarifying them as symbols of desire enables them to break free from the vulgar gaze.

张晖 Zhang Hui / 站立的女子之十九 Standing Women No.19 / 布面丙烯 Acrylic on canvas / 200×150cm / 2020

张晖 Zhang Hui / 坐着的女子之一 Seated Woman No.1 / 布面丙烯 Acrylic on canvas / 45×38cm / 2020

张晖 Zhang Hui / 站立的女子之二十三 Standing Women No. 23 / 布面丙烯 Acrylic on canvas / 45×38cm / 2020

关于城市系列

“我画城市，开始主要画走在路上看到的；后来住在高层公寓有了更高的视角，场景更大、楼房也更多更远；现在我经常从半山遥望城市，貌似上帝视角。我关注具有典型特征的建筑，它们自觉不自觉的附带着各自的时间性和地域性，也附带着人的历史和记忆。绘画的过程对我来说也很治愈，像是行禅，一笔笔盖楼房、建小区，有成就感。”

About the City Series

When I paint the city, I started out painting mainly what I saw on the street; later when I started living in a high-rise apartment I had a higher perspective, with scenes becoming larger and the other buildings appearing farther away. Now I often view the cityscape from far away on the mountainside, as if from God’s perspective. I pay attention to architecture with typical characteristics that both knowingly and unwittingly has its distinct temporality and regionality. The process of painting is very cathartic for me, like practicing Zen: constructing buildings and neighborhoods brushstroke by brushstroke gives me a sense of accomplishment.

张晖 Zhang Hui / 楼房，城市，⻩色有光芒的太阳 Buildings, City and the Yellow Beaming City / 布面丙烯 Acrylic on canvas / 65×80cm×2 / 2020

张晖 Zhang Hui / 窗外 2019.8a The Window View 2019.8a / 布⾯丙烯 Acrylic on canvas / 30×23cm / 2019

关于叶子系列

“我画叶子，着迷于色彩的变化、感性和不确定性。这是个抽象的信息。希望能像巴赫的音乐通过渐近的，重复又变化的赋格，使心灵得以寄托。”

About the Leaves Series

When I paint leaves, I am enthralled by the changes, sensibility and uncertainty of their colors. It’s an abstract message. Like Bach’s music, I hope that my work can be a gradually repeating and morphing fugue that gives sustenance to the soul.

张晖 Zhang Hui / 枝叶 2018-2020 Leaves and Branches 2018-2020 / 布面丙烯 Acrylic on canvas / 200×150cm / 2020

星空间｜张晖『画什么都是一样的』展览回顾星空间StarGallery 崇真艺客

张晖 Zhang Hui / 叶子 2020.02 The Leaves 2020.02 / 布面丙烯 Acrylic on canvas / 100×80cm / 2020

星空间｜张晖『画什么都是一样的』展览回顾星空间StarGallery 崇真艺客

张晖 Zhang Hui / 叶子 2020.03 The Leaves 2020.03 / 布面丙烯 Acrylic on canvas / 95×75cm / 2020

星空间｜张晖『画什么都是一样的』展览回顾星空间StarGallery 崇真艺客

张晖 Zhang Hui / 叶⼦ 2019.3a The Leaves 2019.3a / 布⾯丙烯 Acrylic on canvas / 81×61cm / 2019

关于荧光色

“荧光色在传统绘画里是没有的，前些年荧光色会被严肃的画家所排斥；近年来荧光色更多的在绘画中出现，而我使用荧光色与绘画的严肃性与否无关。荧光色的明度确实很具个性，让画面亮度大为提升，视觉上更具加炫目，和电子设备所提供的观看经验也更具关联，是当代视觉环境的特殊产物。”

About Fluorescent Colors

Fluorescent colors don’t exist in the tradition of painting, with serious painters going so far as to reject them in the past. Recently fluorescent colors have re-appeared in painting, but my use of them in my work has nothing to do with whether the painting in question is considered serious or not. The brightness of fluorescent colors truly has personality, greatly increasing the intensity of a painting while being visually dazzling. Intimately connected to visual experiences enabled by electronic equipment, fluorescent colors are a unique product of the contemporary visual environment.

星空间｜张晖『画什么都是一样的』展览回顾星空间StarGallery 崇真艺客