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卡迈勒 · 梅隆赫画廊展出 | 丹尼尔 · 布伦与菲利普 · 帕雷诺联手推出场域特定及动态创作

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卡迈勒 · 梅隆赫画廊展出 | 丹尼尔 · 布伦与菲利普 · 帕雷诺联手推出场域特定及动态创作丹尼尔布伦菲利普帕雷诺场域动态卡迈勒梅隆赫画廊现场崇真艺客

展览现场 / 丹尼尔 · 布伦 & 菲利普 · 帕雷诺，“同步，场域特定及动态创作” / 卡迈勒 · 梅隆赫画廊（5 rue du Pont de Lodi），巴黎，2020
© Daniel Buren, Adagp
© Philippe Parreno
Photo. archives kamel mennour
Courtesy the artists and kamel mennour, Paris/London

卡迈勒 · 梅隆赫画廊

巴黎新空间揭幕展

丹尼尔 · 布伦 & 菲利普 · 帕雷诺

同步

场域特定及动态创作

2020.12.05-2021.02.27

地址：5 rue du Pont de Lodi 75006 Paris

卡迈勒 · 梅隆赫很荣幸举办两位享誉国际的重量级法国艺术家丹尼尔 · 布伦和菲利普 · 帕雷诺的首个联展，以庆祝画廊巴黎新空间的开幕。展览于每周二至周六，11时至19时开放。

丹尼尔 · 布伦在特定场域生活与创作。

菲利普 · 帕雷诺在巴黎生活与创作。

量子物理告诉我们，对数字而言成立的事实，对物体不一定也是如此。一个物体加另一个物体并非总是等于两个物体。

若展出也意味着——向另一人——自我展示，艺术家们在此决定共同现身。

这其中既有聚合之意，也蕴含了共创（sympoesis）的概念：将两个共同构建的创作聚合起来并相互连接，由此生成某种自动的体系。

展览关注事物出现和消失的方式，这也是对幽灵或任何自我显现的形式的定义。中世纪负责抄写经书的修道士们在抄书时若读到某句话感到似曾相识，会用“幽灵”来形容这种感觉，“幽灵”意即再次浮现于眼前的文字。它意味着不确定、未完成的，当然还有重新创造之物。这些近似物体之物，其存在也是未完成态的。幽灵们不仅出没于这个世界，还在持续改变着它。对此我们无可逃避。任何物体，若不能展示于众，也不会存在；它回应的是一种新的叙述，或新的编排，在一种新的仪式中出现。

展览中，事物、空间和我们的介入行为三者之间的边界被悬置了。创作成形之地，例如在此是画廊空间，完全成为了作品本身的一部分，后者始终在地点及其艺术转化之间来回。

这其中的拓扑学问题便如同制造伏打电池（galvanic cell）时的难题，即需要在一个有限的容积中提高电解质的比例。我们无法一眼便看尽整个空间，而需穿行其中。因而，更确切地说，这是一次线性的游走在黎曼式（Riemannian）空间中的折叠。

一种形式是如何出现的？类似这样的事物如何得以出现？探索艺术可能性所需的条件就意味着谈论在某种形式“之前的存在”，其在场性。需要有呼吸般的节奏感，因为有了气息变化，形式才能成形，地点才能确立。所有出现继而消失的事物，力求脱离自己的身体，从而成为事件而非物体：这便是它令人沉迷之处。

空间按照某一形式的节奏而开合与关闭，并且该形式也尽力存在，引人注目，自我展示。这空间本身便在经历着向人们展露自我的时刻。这个空间是随机性的，因而充满偶然，在其中明暗闪烁，事件起伏。在这里一切都是呼吸和运动，而这里从来就不是一处真正的地点，因为它在不断地自我形成及形变中。回答关于某一形式出现的问题，在某种程度上也就等于在谈论节奏。

所有展览创作因而同时也是一种气息流动的运作，一种呼吸的作用。

——菲利普 · 帕雷诺

Winter Calendar

冬季月历

卡迈勒 · 梅隆赫和画廊团队很高兴在圣诞节及新年将来临之前，

推出一个新的日常艺术体验，与大家一同为迎接2021年的到来开始倒计时……

在整个12月，请在Instagram平台上关注我们的账号@kamelmennourwintercalendar

我们每日都在推送精选作品和艺术家设想的特别内容以及各种惊喜等！

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New Space

Daniel Buren - Philippe Parreno

Simultanément

Travaux in situ et en mouvement

5, rue du Pont de Lodi, Paris 6

05/12/2020 - 27/02/2021

To celebrate the opening of a new gallery space at number 5 Rue du Pont de Lodi in Paris, Kamel Mennour is pleased to present the first joint exhibition of two major French and international artists: Daniel Buren and Philippe Parreno.

The exhibition is on show from Tuesday to Saturday from 11 am to 7 pm.

Daniel Buren lives and works in situ.

Philippe Parreno lives and works in Paris.

Quantum physics tells us that what is true for numbers is not necessarily true for objects. One object plus another object do not always equal two objects.

If exhibiting is also a matter of exhibiting oneself—to another—the artists here have decided to appear together.

There is an underlying notion of assembly, of sympoesis: two assembled works that have been elaborated together, connected one to the other, to produce something relating to automation.

The exhibition investigates the way things appear and disappear, which is the definition of a ghost or indeed any form that manifests itself. When medieval scribes remembered having already read a sentence they were in the midst of transcribing, they called this feeling a ghost. The ghost was this rereading. It represents the uncertain, the unfinished, but also the reinvented. Such quasi-objects have an unfinished existence. The world is not only haunted by ghosts, it is constantly transformed by them. There’s no way to escape them. No object exists without its exhibition; it responds to a new story or a new dramatisation, it appears in a new ritual.

There is a suspension of the borders between things, space, and our interventions. The place in which a work develops, in this case a gallery space, becomes an integral part of the work itself, which is situated in a constant back-and-forth between the site and its artistic transformation.

The same topological problem presents itself if one wants to produce an effective galvanic cell, which requires raising the percentage of electrolytes in a restricted volume. It is not possible to see a space in a single instant, it has to be traversed. It is more a matter of a linear voyage that folds in upon itself in Riemannian space.

How does a form appear? How is it possible for something like that to appear? To investigate the conditions of possibility of art means talking about the ‘ex-istence’ of a form, of its presence. It has to breathe, for there must be breath if the form is to take form and the place to take place. This is the ecstatic dimension of everything that appears and disappears, that flees from its own body to become an event rather than an object.

The space opens and closes to the rhythm of a form that is also trying to exist, to appear within a gaze, to manifest itself. A space undergoing the time of its own unveiling. A stochastic space, one given up to chance, made up of glimmers and events. Everything is breath and movement in this place that is never really a place, since it is endlessly forming and deforming itself. To answer the question posed by the apparition of a form in a sense means talking about rhythm.

Every exhibition becomes by the same token an articulation of the breath, a labour of breathing.

— Philippe Parreno

kamel mennour

Winter Calendar

Kamel Mennour and his team are pleased to celebrate the holiday season by offering you a new daily experience as a countdown to 2021...

During the whole month of December, follow us on @kamelmennourwintercalendar’s Instagram account! Everyday discover artworks, special content prepared by our artists and some surprises!