【展讯】“必要的冗余：胡庆雁作品展”将于12月23日在广东美术馆7号空间开幕

展览将展出艺术家《空立方》系列、《左耳进右耳出》系列、《一堆泥巴的故事》等系列作品，它们在有序与无序、有界与无界之间获得平衡的同时，也彰显了一种可持续发展的姿态。由此，胡庆雁经由自身亲力亲为的身体行动，把材料对象转化为人与自然互相关联所再现、折射乃至重构的哲学思辩，从而生成作品的精神性意义。

Works from different series including Empty Cube, Go in One Ear and Out The Other, Narrative by a Pile of Clay would be presented in this exhibition. As they find balance between order and disorder, boundaries and boundlessness, they also manifest a posture of sustainable development. In this way, Hu Qingyan's intimate, physical actions transform material objects into philosophical thinking that represents, reflects and even reconstructs the interconnecting links between people and nature, thus generating the spiritual meaning of the works.

部分参展作品

Selected Works

《空立方》，2019 - 2020，青石，4件，106 × 130 × 100 cm, 110 × 130 × 110 cm, 104 × 120 × 96 cm, 109 × 126 × 105 cm
Empty Cube, 2019 - 2020, bluestones, 4 pieces: 106 × 130 × 100 cm, 110 × 130 × 110 cm, 104 × 120 × 96 cm, 109 × 126 × 105 cm

《左耳进右耳出No.3》，2017，碳钢，空气，210 × 180 × 176 cm
Go in One Ear and out The Other No. 3, 2017, carbon steel, air, 210 × 180 × 176 cm

Necessary Redundancy — Hu Qingyan Solo Exhibition

About the Artist

胡庆雁，1982年生于中国山东潍坊，毕业于广州美术学院和中央美术学院雕塑系，工作、生活在北京。近期个展包括“空洞的，多余的”，麦勒画廊，中国北京（2018）；“空壳”，麦勒画廊，瑞士卢塞恩（2016）；“永垂不朽”，麦勒画廊，中国北京（2015）。群展包括：“金汤：北京当代·艺术展 2020”，Chao艺术中心，中国北京（2020）；“静安国际雕塑展”，静安雕塑公园，中国上海（2020）；“浮云的根——此岸：OCAT南京公共艺术计划·2019”，南京华侨城，中国南京；“天天向上·2019年度提名展”，筑中美术馆，中国北京；“相遇亚洲——多元化的青年艺术视觉”，四川美术学院美术馆，中国重庆（2018）；“雕塑四十年·第一回展（2008–2017）”，深圳当代艺术与城市规划馆，中国深圳（2017）；“另一种选择：第三届今日文献展”，今日美术馆，中国北京（2016）；“Shut up and paint”，维多利亚国家美术馆，澳大利亚墨尔本（2016）；“中国当代艺术年鉴展 2015”，北京民生现代美术馆，中国北京（2016）；“M+希克藏品：中国当代艺术四十年”，太古坊ArtisTree，中国香港（2016）；“文化碰撞——穿越东北亚”，香港艺术中心，中国香港（2015）；“中华廿八人”，卢贝尔家族收藏／当代艺术基金会，美国迈阿密（2013）；“构建桥梁——中国当代艺术”，沃尔夫斯堡，瑞士Ermatingen（2013）。他的作品被包括维多利亚国家美术馆、M+视觉文化博物馆、卢贝尔家族收藏、今日美术馆、K11艺术基金会在内的美术馆和公共机构收藏。

Hu Qingyan was born in 1982 in Weifang, Shandong Province, China and studied sculpture at the Guangzhou Academy of Fine Arts in Guangzhou and the Central Academy of Fine Arts in Beijing. He lives and works in Beijing. His recent solo exhibitions include Absent & Superfluous, Galerie Urs Meile, Beijing, China (2018); 空壳 Hollow Husk, Galerie Urs Meile, Lucerne, Switzerland (2016); Eternal Glory, Galerie Urs Meile, Beijing, China (2015). A selection of his most recent group shows include: Golden Flow, Beijing Contemporary Art Expo 2020, CHAO Art Center, Beijing, China (2020); Jing’an International Sculpture Project, Jing’an sculpture Park, Shanghai, China (2020); Roots of Clouds Adrift, OCAT Nanjing Public Art Project 2019, OCAT Nanjing Qixia Exhibition Site, Nanjing, China (2019); Progress Every Day, Annual Nomination Exhibition 2019, Zhu Zhong Art Museum, Beijing, China (2019); Encounter Asia – Multi-vision of Youth, Museum of Sichuan Fine Arts Institute, Tank Loft, Chongqing Contemporary Art Center, Chongqing, China (2018); Forty Years of Sculpture • Part 1 (2008-2017), Museum of Contemporary Art & Planning Exhibition, Shenzhen, China (2017); The 3rd Today’s Documents – BRIC-á-brac: The Jumble of Growth, Today Art Museum, Beijing, China (2016); Shut up and paint, National Gallery of Victoria, Melbourne, Australia (2016); The Exhibition of Annual of Contemporary Art of China, Beijing Minsheng Art Museum, Beijing, China (2016); M + Sigg Collection: Four Decades of Chinese Contemporary Art, Artis Tree, Hong Kong, China (2016); Familiar Otherness: Art Across Northeast Asia, Hong Kong Arts Center, Hong Kong, China (2015); 28 Chinese, Rubell Family Collection / Contemporary Arts Foundation, Miami, USA (2013); Building Bridges – Zeitgenössische Kunst aus China, Wolfsberg, Ermatingen, Switzerland (2013). His works can be found in the collection of many museums and institutions including National Gallery of Victoria in Melbourne, M+ Sigg Collection, Rubell Family Collection, Today Art Museum, and K11 Art Foundation.