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新展预告 | 驻地工作坊第24期：马雯怡 “旋转木马”

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新展预告 | 驻地工作坊第24期：马雯怡 “旋转木马” 崇真艺客

华侨城盒子美术馆驻地工作坊第二十四期

旋转木马

艺术家：马雯怡

2021.01.01 - 2021.01.14

主办单位：华侨城盒子美术馆

统筹：广州美术学院油画系策划组

项目总监：周力

策展人：邓芷婷

工作团队：郭燕何金芳邓子军袁泽强邓芷婷陈思佳曾芸林婉婷

地址：华侨城盒子美术馆，佛山市顺德区顺峰山公园（南门）

The 24th Workshop Project, OCT Boxes Art Museum

Merry-go-round

Artist: Ma Wenyi

Jan. 01, 2021 - Jan. 14, 2021

Organizer: OCT Boxes Art Museum

Coordinator: Oil Painting Department Curatorial Group of Guangzhou Academy of Fine Arts

Project Director: Zhou Li

Curator: Deng Zhiting

Work Team: Guo Yan, He Jinfang, Deng Zijun, Yuan Zeqiang, Deng Zhiting, Chen Sijia, Zeng Yun, Lin Wanting

Address: OCT Boxes Art Museum, Shunfeng Mountain Park(South Gate), Shunde District, Foshan City.

● 前言 ●

旋转木马诠释着追逐又在等待的生活状态，即使不断地在奔跑，却依然在原地打转且无法触及。它承载了欲望无法被弥合的矛盾以及无意识控制的沉重。

本次展览是艺术家马雯怡首次个人艺术项目，浓缩化地展示她最新的艺术探索。展览呈现的四个作品以气球为载体，源于马雯怡对橡胶类材质有着特殊的偏爱，通过并置、拉伸、缩放等手段编织了一种日常事物之间的全新关系。而在构建这种物体间的对话关系时，更是艺术家自我解码、再编码的过程。

影像《旋转木马》系列和装置《墩柱》里，气球作为承载物被注入气体、液体、沙子，其不可预知的张力所营造的紧张性，是艺术家个体反抗目的性创作的最终源泉。“无为”的创作，表达对生活不断做减法的态度。《旋转木马》系列作品里不同状态下的气球看似在“相遇”，但画面边缘线突显，预示着在不同空间下永远无法触及。

在影像《白》，白气球被人为操纵呈现出紧绷，反弹，交织的形态，但又模糊了谁才是控制/被控制一方。在这场收与放，或破裂，或受伤的博弈当中，最终导向了平静与虚无。

在某种角度上说，马雯怡是自我的实验者，用气球之“物”，打开了行动与虚无、时间与空间的张力。在未知中，保持怀疑与批判，对周遭的角力，对自我的叩问，或许这就是她带给我们的思考与启发。

邓芷婷/文

● Foreword ●

The merry-go-round suggests a state of life which is chasing and waiting. Even if the model horse is constantly moving in a revolving machine, it still spins round and round and never reach the former horse. It implies the ambivalence caused by our unsatisfied desires and a sense of powerlessness form being unconsciously controlled.

As Ma Wenyi's first solo exhibition, she shows her lastest artistic exploration. There are four works in this exhibition utilizing balloons as the carrier, it stems from Ma Wenyi's special preference for rubber materials, weaving a new pattern of objects within everyday life through her artistic practices such as juxtaposition, stretching, and scaling. When constructing this kind of dialogue between different objects, it is also a process of decoding and re-coding of her ego.

Whilst in the video work Merry-go-round and the installation work Bollards, as containers, these balloons are injected with gas, liquid, and sand. The extreme intense randomness caused by these unpredictable materials is the artist’s ultimate source of distinguishing from the mainstreamed, the intentionally designed or well-considered artistic creations. Wenyi’s works, letting things take their own course, reflects her attitude of ‘less is more’ towards life. In the series of works Merry-go-round, the balloons in different states seemingly encounter each other, but the edge of each video screen denies their interactions, indicating that they will never meet in the same spaces.

In her video work White, the white balloons are artificially manipulated to present a tight, bounced, and intertwined form, but it also blurs who is authentically controlling or being controlled. In this gambling of retraction and release, which might be injured or rupture, it eventually leads towards peace and nothingness.

From a certain perspective, Ma Wenyi is a radial experimenter who utilizes balloons to explore the subtle tensions between action and inaction, time and space. Keeping questing what we see as the familiar surrounding us, and gazing the abyss of the unknown, is what Wenyi’s works would like to inspire us.

By Deng Zhiting

●

马雯怡

Ma Wenyi

2016年获广州美术学院油画系本科学位

2020年获伯明翰城市大学当代艺术中国项目硕士学位

现研究生就读于广州美术学院油画系

个人网站：

https://1063971518.wixsite.com/mawenyi

参展经历：

2020年

“不可避免”（Unavoidable），伯明翰艺术学院，伯明翰，英国；

“CCVA马雯怡否缺展”，中国视觉艺术中心线上平台，伯明翰，英国；

“夜校活动之‘墩柱计划’”（Night School Event, “Bollard Project”），伯明翰艺术学院，伯明翰，英国；

2019

“墩柱计划”，英国Ikon美术馆，伯明翰，英国；

“门神艺术节”，嘻嘻礼巷，深圳，中国；

2018

“对流”，广东紫泥堂艺术中心，广州，中国；

2015

“决不能敷衍生活：马雯怡、张瑶双人展”，新松园展厅，广州，中国；

“‘源头·惑水’当代艺术群展”，广州289艺术空间，广州，中国；

“‘走进美丽汕尾，彩绘山海湖城’汕尾采风作品展”，大学城美术馆，广州，中国；

2013

“象·外”，E7艺术空间，广州，中国；

“2012级油画系作品展”，新松园展厅，广州，中国；

获奖经历：

2020

Gertrude Aston Bowater奖学金, 伯明翰城市大学, 伯明翰，英国；

2019

国家留学基金委艺术类人才特别培养计划奖学金，北京，中国；

2015

李自健励志奖学金一等奖，广州美术学院，广州，中国；

“走进美丽汕尾，海绘山海湖城”汕尾采风油画作品优秀奖，大学城美术馆，广州，中国；

出版物:

“Learning and Teaching Ludically: Playful practice in the ADM faculty and beyond”, 伯明翰城市大学, Carla Hamer and Ally Standing, eds. (独立出版物, 2020): 60 - 61.

Education:

Currently Studying at Guangzhou Academy of Fine Arts for Master’s Degree.

2020 - Birmingham City University, Master’s Degree, Contemporary Arts China.

2016 - Guangzhou Academy of Fine Arts .B.A., Oil Painting Department.

Artist Website:

https://1063971518.wixsite.com/mawenyi

Group Exhibitions:

2020 - Birmingham School of Art, “Unavoiable”, Birmingham, UK.

2020 - CCVA Wechat platform, “Ma Wenyi: Virtual exhibition”, Birmingham, UK.

2020 - School Night, “Bollard Project”, Birmingham, UK.

2019 - IKON Gallery, “Bollard Project”, Birmingham, UK.

2019 - Xixi Lixiang Art Space, “Door-God Art Festival”, Shenzhen, China.

2018 - Guangdong Zinitang Art Centre, “Convection”, Guangzhou, China.

2015 - 289 Art Space, “Yuantou•Huoshui” Contemporary Art Exhibition, Guangzhou, China.

2015 - Xinsongyuan Art Space, “MA,WENYI & Uncle ZHANG: Mustn’t Tackle Life Casually”, Guangzhou, China.

2015 - Ucity Art Museum of GAFA, “Oil Paintings in ShanWei”, Guangzhou, China.

2013 - E7 Art Space, “Outside the Image”, Guangzhou, China.

2013 - Xinsongyuan Art Space, “Oil Painting Exhibition”, Guangzhou, China.

Honors and Awards:

2020 - Gertrude Aston Bowater Bursary, Birmingham City Universiity, UK.

2019 - China Scholarship Council Sponsored Chinese Citizens. China Scholarship Council, Beijing, China.

2016 - Excellent Graduate of GAFA. Guangzhou, China.

2016 - The E∙LAND Excellent Graduate Creation Award. Guangzhou, China.

2015 - Li Zijiang Scholarship, First Place, GAFA, Guangzhou, China.

2015 - Oil Competition in Shan Wei, Third Place, Ucity Art Museum, Guangzhou, China.

Publications:

“Learning and Teaching Ludically: Playful practice in the ADM faculty and beyond”, Birmingham City University, Carla Hamer and Ally Standing, eds. (An independent publication, 2020): 60 - 61.

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华侨城盒子美术馆

华侨城盒子美术馆是由广东华侨城全资建设，广州美术学院油画系策划组运营管理的非营利公益性机构。华侨城盒子美术馆由范勃担任馆长，周力担任艺术总监，刘可担任执行馆长，正式开馆日期为2017年9月28日。美术馆坐落在顺德区顺峰山公园内，包括四个标准的室内展厅和室外公共展览空间。美术馆致力于整合地区及国际资源，呈现出国际化高水准的艺术样态；并依托美术学院研究与教学平台、顺德当地的传统特点和现代化发展，将艺术展示、公共交流和本地文化结合在一起，促进本土的、社会的、国际的艺术实践与文化产生。

OCT Boxes Art Museum

OCT Boxes Art Museum is builted and financed by the OCT Group, a non-profit public benefit organization operated and managed by The Oil Painting Department Curatorial Group of Guangzhou Academy of Fine Arts. OCT Boxes Art Museum has invited Fan Bo to serve as Museum Director, Zhou Li to serve as Artistic Director, and Liu Ke to serve as Executive Museum Director. Official opening day is on September 28, 2017. The museum located in the shunfeng mountain park in shunde district, its consists of four standard indoor exhibition halls and outdoor public exhibition Spaces. The museum strives to integrate regional and international resources, manifesting in a high-standard of artistic temperament, relying on the Guangzhou Academy of Fine Arts as both research and educational platform. The museum combines Shunde local specialties with modern development, uniting art exhibition, and public discourse with local culture. Its also promotes local, social and international art praxis as well as cultural production.

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新展预告 | 驻地工作坊第24期：马雯怡 “旋转木马” 崇真艺客