This is an exhibition based on "algorithm" to explore the different forms of "painting". The works on display are based on the logic in computer software (body model material addition forming the image world). At the same time, they also practice how to combine the "unexpected" produced by perceptual experience and practice with the "algorithm" as the creative subject under the logic of "algorithm" to form paintings. What is the texture and feeling of "between" produced in the middle It fascinates me. The material of the work can be divided into three types: 1. Traditional art image; 2. Realistic shooting; 3. Network image. What these three types of images have in common is that they are homogenized in my computer's folder, and they all come from the "past". So I think of them as "electrical relics.".
13 of them are printed with this kind of works. The layout of the exhibition is also based on this kind of layout. In a software named skrtchup, the layout of the space is based on the wireframe of the plan. Pull the wireframe to form a convex space, and push the wireframe to form a concave space. The design of the exhibition hall simulates the logic of this kind of space. The wireframe in the exhibition hall represents a kind of "initial" state, which can also be a kind of "ruins" state after being pushed down. Time has no directivity here. The audience can make up the initial or completed state of the relic through their imagination.
(text: Lin Zong)
近期展览：“约翰摩尔绘画奖” 上海 民生银行美术馆 群展（2020）;“临时关系”，北京 妙有艺术 个展（2019）;“2018中国当代艺术年鉴展” 北京 民生美术馆 群展（2019）；“重塑”，北京 妙有艺术 个展（2018）；“鳌头凤岭”，上海 亦安画廊 个展（2018）。
Lin Zong, born in Fujian in 1984, graduated from the school of fine arts of Fujian Normal University in 2006. Now he is a professional artist and lives in Shanghai.
Recent exhibitions: "John Moore painting Award" Shanghai Minsheng Bank Art Gallery group exhibition (2020), "temporary relationship", Beijing Miaoyu art solo exhibition (2019), "2018 China Contemporary Art Yearbook Exhibition", Beijing Minsheng Art Gallery group exhibition (2019), "remodeling", Beijing Miaoyu art solo exhibition (2018), "top Fengling", Shanghai Yian Gallery solo exhibition (2018).