≡ 特罗拉马 Tromarama
Solaris, 2020
维多利亚州国立美术馆三年展展览现场，2020
Installation view at NGV Triennale, 2020
图片由维多利亚州国立美术馆提供，摄影：Tom Ross
Image courtesy of National Gallery of Victoria. Photo by Tom Ross.
正在展出 Current Exhibition
群展 Group Exhibition
“维多利亚州国立美术馆三年展”
"NGV Triennial 2020"
特罗拉马 Tromarama
展期 Duration: 2020.12.19-2021.4.18
地址 Address: 澳大利亚墨尔本维多利亚州国立美术馆NGV国际馆
NGV International, National Gallery of Victoria, St Kilda Road, Melbourne, Australia
(Scroll down for English version)
维多利亚州国立美术馆三年展是一场大规模的国际当代艺术、设计和建筑展览，探讨了与我们这个时代最息息相关的一些全球性话题，包括隔离、对未来的思索和表达。三年展汇聚了来自全球超过30个国家和地区的100多位艺术家和设计师，并将展示他们的86个艺术项目。艺术家组合特罗拉马的新作《Solaris》（2020）正在三年展中展出。
≡ 特罗拉马 Tromarama
Solaris, 2020
维多利亚州国立美术馆三年展展览现场，2020
Installation view at NGV Triennale, 2020
图片由维多利亚州国立美术馆提供，摄影：Tom Ross
Image courtesy of National Gallery of Victoria. Photo by Tom Ross.
呈现在19世纪画廊中的《Solaris》（2020）在一个壁画大小的LED幕布上放映了一个壮观、发光的生态系统，其中盛产水母。影片是用视频游戏平台常用的电脑程序制作的，它以数字方式模拟了一个独特的海洋环境——位于印度尼西亚加里曼丹海岸的一个形成于11000多年前的由盐和雨水组成的内陆水体。水域中没有这些水母的捕食者，使它们能够在温暖的水域中茁壮成长，它们的进化方式各不相同，为科学界提供了一个研究气候变化对海洋系统潜在影响的活体实验室。
根据湖泊的实时天气数据，模拟世界中的元素会对天气变化做出反应。风速会使摄像机在起伏的地形上移动，温度读数会影响水母的大小和数量，云层和紫外线读数会改变环境的颜色。这件作品位于一个房间内，两侧是类似大小的描绘了与19世纪相关的主题和大型事件的大件艺术品。这件当代艺术作品为观众提供了一个可以说是目前影响地球最重要事件之一的虚拟预测。
——译自维多利亚州国立美术馆提供文字
≡ 特罗拉马 Tromarama
Solaris, 2020
维多利亚州国立美术馆三年展展览现场，2020
Installation view at NGV Triennale, 2020
图片由维多利亚州国立美术馆提供，摄影：Tom Ross
Image courtesy of National Gallery of Victoria. Photo by Tom Ross.
The NGV Triennial is a large-scale exhibition of international contemporary art, design and architecture that explores some of the most globally relevant and pressing issues of our time, including isolation, representation and speculation on the future. The NGV Triennial features 86 projects by more than 100 artists, designers and collectives from more than 30 countries. On view is Tromarama's ‘Solaris’ (2020).
≡ 特罗拉马 Tromarama
Solaris, 2020
维多利亚州国立美术馆三年展展览现场，2020
Installation view at NGV Triennale, 2020
图片由维多利亚州国立美术馆提供，摄影：Tom Ross
Image courtesy of National Gallery of Victoria. Photo by Tom Ross
Presented in the 19th Century galleries 'Solaris' (2020) is a mural-sized LED curtain screening a spectacular, luminous ecosystem populated with blooms of jellyfish. Created with a computer program commonly used in video game platforms, the screening presents a digital simulation of a unique marine environment – a landlocked body of salt and rainwater formed over 11,000 years ago, located off the coast of Kalimantan, Indonesia. Predator-free and able to thrive in warm waters, these jellyfish species have evolved differently, providing scientific communities with a living laboratory for studying the potential effects climate change may have on marine systems.
Drawing from real-time weather data from the lake, elements in the simulated world respond to weather changes – wind speed moves the camera across the undulating terrain, temperature readings affect the size and number of jellyfish, and cloud cover and UV readings alter the colour palette of the environment. Situated in a room flanked by similarly large-scale artworks depicting subjects and large-scale events relevant to the 19th century, this contemporary work provides viewers with a virtual forecast of what is arguably one of the most significant events currently affecting the planet today.
- Text from National Gallery of Victoria
结合数字时代中超现实这一概念，特罗拉马不断探索现实和虚拟世界之间的相互联系。自 2006 年印尼万隆成立至今，三名成员菲比·贝比罗斯（Febie Babyrose），赫伯特·汉斯（Herbert Hans）和路迪·哈图瑁拉（Ruddy Hatumena）创作出涵盖视频、装置、电脑编程和公众活动等反映数字媒体影响对当下社会环境认知的各类作品。将语言、文本、机智、序列和交互融入其多样的实践中，特罗拉马以一种全球的认知方式对印尼的政治和文化环境作出深刻思考。特罗拉马被视为印尼最具潜力的艺术家团体之一，他们的作品于世界不同的地方展出。特罗拉马曾于温温哥华亚洲当代艺术国际中心（2017）、利物浦双年展周边项目（2016）、阿姆斯特丹市立博物馆（2015）、墨尔本维多利亚州国立美术馆（2015）、日本森美术馆（2010）等地举行个展。大型联展包括墨尔本维多利亚州国立美术馆（2020）、澳大利亚国家美术馆（2019）、马尼拉当代艺术设计博物馆（2018）、新加坡美术馆（2017）、光州双年展（2016）、法兰克福艺术协会（2015）、阿德莱德Samstag美术馆（2014）、第七届亚太当代艺术三年展（布里斯本昆士兰艺术馆及新现代美术馆）（2012）等。
图片由艺术家和马凌画廊提供
Image courtesy of the Artist
and Edouard Malingue Gallery
Engaging with the notion of hyperreality in the digital age, Tromarama explores the interrelationship between the virtual and the physical world. Initiating as a collective in 2006 in Bandung, Indonesia, Febie Babyrose, Ruddy Hatumena and Herbert Hans create works that combine video, installation, computer programming and public participation depicting the influence of digital media on society’s perception of its surroundings. Channelling language, text, wit, sequence as well as interaction through their varied practice, Tromarama reflect on the cornerstones of Indonesia’s political and cultural environment, a form of perceptive engagement that applies globally. Tromarama are widely considered one of Indonesia’s most exciting rising talents and have been exhibited around the world. They have held solo exhibitions at Centre A, Vancouver (2017), Liverpool Biennial Fringe, Liverpool (2016), Stedelijk Museum, Amsterdam (2015), National Gallery of Victoria, Melbourne (2015), and Mori Art Museum, Tokyo (2010) among other locations. Their group exhibitions include National Gallery of Victoria, Melbourne (2020), National Gallery of Australia, Canberra (2019), the Museum of Contemporary Art and Design (MCAD) Manila (2018), Singapore Art Museum, Singapore (2017), Gwangju Biennale, Gwangju (2016), Frankfurter Kunstverein, Frankfurt (2015), Samstag Museum of Art, Adelaide (2014), and the 7th Asia Pacifc Triennial of Contemporary Art, Brisbane (2012).
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