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展览推荐丨朱建忠个展

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展览推荐丨朱建忠个展朱建忠个展程序 ART LOOP 798艺术节系列 Exhibition展期丨Duration 开幕式 Reception 崇真艺客

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展览——“朱建忠个展”

798艺术节系列展览

朱建忠个展

Zhu Jianzhong Solo Exhibition

展期丨Duration

2020.12.26—2021.3.6

开幕式接待丨Opening Reception

2020.12.26

15:00—17:00

展览地址丨Venue

東京画廊+BTAP

北京798艺术区陶瓷三街E02

E02 Ceramic 3rd St.798 Art zone, Beijing

東京画廊＋BTAP非常荣幸的宣布，于2020年12月26日至2021年3月6日在北京空间推出艺术家朱建忠个展。这是继東京画廊＋BTAP2016年举办朱建忠个展“青山归远”之后，第三次为其举办个展。

Tokyo Gallery +BTAP is delighted to announce a new solo exhibition by artist Zhu Jianzhong, set to be held at our Beijing space from December 26, 2020, through March 6, 2021. This is Zhu Jianzhong’s 3rd solo-exhibition at Tokyo Gallery +BTAP, after having first graced us with his debut solo show Return to Faraway Mountains in 2016.

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朱建忠Zhu Jian Zhong，虚空为四邻之二，2018

纸本水墨 Ink on paper，200x400 cm

東京画廊＋BTAP

本次展览将展出朱建忠近期创作的十余件作品，艺术家仍然以水墨创作为主，在材料上也进行了新的尝试和探索，部分作品加入了丙烯。除了延续以往以松杉为主体的创作，朱建忠的新作品很多选择用几何构图对原有画面进行“破坏”，这也是艺术家对东西方时空观念的思考，如果整个画面是一个宇宙，那几何构图的出现就如同宇宙的一粒灰尘，是艺术家心中时空切片的呈现。

This exhibition will showcase over ten of Zhu Jianzhong’s latest additions to an oeuvre still centred around monochrome ink wash (shuǐmò) painting. Yet, in terms of materials used, the artist has taken his experiments and explorations a step further by introducing acrylic paint in a number of works. Apart from depictions of Japanese cedars – his tried and tested subject matter – Zhu Jianzhong’s newer works opt for the use of geometric composition to ‘disrupt’ the images on the canvas. This approach stems from his reflections on oriental and western conceptions of time and space. If we take the canvas to be a cosmos, the use of geometrical composition is like a speck of dust in that cosmos; the painterly rendition of a slice of space-time, through the mind’s eye of the artist.

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朱建忠Zhu Jian Zhong，愿，2020

纸本水墨 Ink on paper，46x69 cm

東京画廊＋BTAP

朱建忠的作品用水墨语言，以及对其他材料的尝试，将空和留白在画面上激活了起来，空并不是没有，是由空填满的空。留白也不是空白，是天地之气的存在。艺术家一以贯之的对“无”进行探索，并将自身对“无”的理解在画面呈现了出来，这对艺术家是一种修行，对观者也是一种感知力的考验。

Besides his usual visual lexicon of ink wash, Zhu Jianzhong also tries his hand at other materials, which he uses to highlight the voids and blank spaces in his tableaus. Here, voids by no means spell absence. Instead, emptiness permeates the voids with its gaseous presence. Blank spaces are not so much desolate and hollow as they are intimations of the existence of earth and sky. Zhu Jianzhong consistently engages in the exploration of ‘nothingness’, and translates his understanding of that ‘nothingness’ onto the canvas. This serves as a form of spiritual cultivation for the artist, while also putting the viewer’s perceptive ability to the test.

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