值此新春佳节之际，亚洲艺术中心向您致以新春的祝福，祝您在新的一年里顺心如意、阖家安康。 Asia Art Center wishes you happiness, health and success in this new year!
亚洲艺术中心（北京）将于2021年2月8日至2月21日闭馆休假，2月22日（周一）恢复开放；亚洲艺术中心（上海）将于2021年2月8日至2月17日闭馆休假，2月18日（周四）恢复开放；亚洲艺术中心（台北）将于2021年2月9日至2月16日闭馆休假，2月17日（周三）恢复开放。Asia Art Center (Beijing) will be closed from Feb 8th - Feb 21st, 2021, and reopen to the public on Feb 22th (Mon), 2021. Asia Art Center (Shanghai) will be closed from Feb 8th - Feb 17th, 2021, and reopen to the public on Feb 18th (Thur), 2021. Asia Art Center (Taipei) will be closed from Feb 9th - Feb 16th, 2021, and reopen to the public on Feb 17th (Wed), 2021. 2020展览回顾 Exhibitions Review in 20202020年亚洲艺术中心共举办9档展览，其中北京馆5档，上海馆2档，台北一馆及二馆共2档，并参与策划1场美术馆展览，共参加9档艺术博览会。
In 2020, Asia Art Center held nine art exhibitions in total, five of which in Beijing, two in Shanghai, the other two of which were exhibited in the venue of Taipei I and II. Asia Art Center co-curated with an art museum with the final display of art exhibitions. In addition, Asia Art center participated in art fairs nine times in 2020.In 2020, Asia Art Center (Beijing) held five art exhibitions.
2020.5.16 - 8.9
Li Yushuang Solo Exhibition
"Li Yushuang Solo Exhibition" presents the latest works and early masterpieces of artist Li Yushuang. Curated by Fang Zhiling, this exhibition comprehensively combs the results of Li Yushuang's artistic exploration for more than 60 years, thus for this time it will display more than 30 works including oil painting, ink painting, sketch, manuscript and other forms.
As an 85-year-old artist of the older generation, Li Yushuang is one of the few artists in the art world who regards sketching outdoors as a part of life and insists on taking nature as the subject. The background of science and engineering knowledge has prompted him to integrate perspectives of natural science while sketching, thereby forming a unique set of observation methods and painting systems, which is as Li Yushuang called "light coding method". With a sight of detached secularity, he observes at the mountains and rivers of the world. His landscape showcases a natural charm of Chinese ink painting, which seems innocent while self-contained, with both changing colors of light and shadow as well as flexible and dynamic brushstrokes.
2020.8.15 - 11.1
Winning Cards - Artworks by Chen Shuxia
Asia Art Center is honored to announce that the new exhibition entitled "Winning Cards – Artworks of Chen Shuxia" will be held from August 15 to October 11, 2020, with an opening reception at 3:00 pm on August 22. As a retrospective presentation of artist Chen Shuxia's artistic creation in recent years, it systematically displays her different creative states in different periods, outlining her spiritual journey by moment. Starting from "primary colors" in the 1990s, to "virtual and real", to "within a landscape", and to the recent representative stages of "being-there" and"the edge", Chen Shuxia constantly changed methods of visual expression. Her subject matter constructs a unique individual narrative, which examines the self while examining the society through identity. After the past exhibition entitled "The Edge" held in Meilun Art Museum, Changsha in 2019, this approaching solo exhibition incisively and vividly presents in a systematic context with 52 works, including 11 latest art creations from "Winning Cards" series.
2020.10.17 - 11.15
A Retrospective Exhibition of HARAGUCHI Noriyuki
2020年9月，日本“物派”（Mono-ha）代表艺术家原口典之（HARAGUCHI Noriyuki）怅然离世。亚洲艺术中心（台北二馆）于2019年5月举办了原口典之在台湾的首次个展“物，及其动势”。亚洲艺术中心（上海）于2020年5月举办了“物派”代表艺术家原口典之和小清水渐（KOSHIMIZU Susumu）双个展“复奏”。今日，亚洲艺术中心（北京）特别策划展出原口典之纪念回顾展，以此纪念他探究“物”于历史洪流中不断演变的思考，以及人类应如何透过“物”反观自身与时下世界的关联。以终为始，回看原口典之艺术创作中对身体、历史、生命、社会、时间等多维度的思与行。
In September 2020, one of the "Mono-ha" representative artists HARAGUCHI Noriyuki departed from us. Last year, we organized HARAGUCHI Noriyuki’s debut solo exhibition "Substance and Motion: HARAGUCHI Noriyuki Taiwan Premiere Exhibition" in Taipei at Asia Art Center (Taipei II). And in May 2020 Asia Art Center (Shanghai) exhibited "Polychord - KOSHIMIZU Susumu & HARAGUCHI Noriyuki". In this time, Asia Art Center (Beijing) especially presents "Retrospective exhibition of HARAGUCHI Noriyuki" in order to commemorate his exploration regards the ever-changing interpretations of matter throughout civilized history, and how we as humans can truthfully engage with the current world through matter. Beginning with the end in mind, we can look back on the multi-perspective thinking and behavior of HARAGUCHI Noriyuki’s artistic ideas on body, history, life, society, and time.
2020.11.6 - 12.20
Boundless Sky - New Ink Paintings of Wang Jieyin
作为40年代出生于上海的老一辈艺术家，王劼音的艺术创作始终根植于中国传统艺术的脉络。他游刃于版画、油画、水墨等多种绘画形式语言之间，同时又以朴素的精神、书写性的绘画实验、为中国水墨绘画注入了更新的力量，并将古老的视觉经验重新塑造于新的审美意象之内。本次展览由夏可君担任策展人，展出王劼音作品共三十余件，均为艺术家依据亚洲艺术中心空间所特别创作的全新的水墨作品。“天空之后——王劼音水墨新作展”，是继2014年今日美术馆“云起——王劼音作品展”、2016年龙美术馆“风间云度——王劼音个展”之后艺术家的再一次大规模作品呈现，同时也是其在北京首次水墨创作的大型个展。As a senior artist born in Shanghai in the 1940s, Wang Jieyin's artistic creation has always been rooted in the context of traditional Chinese art. He is a comprehensive master of printmaking, oil painting, ink painting and other forms and languages. With continuing enthusiasm and persistence in art, he keeps injecting updated energy into Chinese ink painting, reshaping ancient visual languages to correspond to the contemporary aesthetic taste. Curated by Xia Kejun, this exhibition displays more than thirty ink paintings by Wang Jieyin. This is the third large-scale solo exhibition since “Beyond Clouds Solo Exhibition” held by Long Museum in 2016 and “Rising Clouds” held by Today Art Museum in 2014.
2020.12.20 - 2021.3.7
Affective-Imagoism: Artworks by Sang Huoyao
“境象主义——桑火尧作品展”是继2019年上海龙美术馆“境象主义——桑火尧作品展”、2018年新加坡当代美术馆“桑火尧——境象主义作品展”、2017年中国美术馆“混沌——桑火尧境象主义作品展”之后，艺术家对“境象主义”概念的又一次深化的认知表达。本次展出的作品共计五十余件，为艺术家近年来的全新创作，且首次集中展出。除了架上绘画亦有装置创作，更丰富地呈现了艺术家新的创作与思考，并进一步构建了境象主义美学的神秘、崇高、纯粹与深邃。 After "Affective-Imagoism - Sang Huoyao’s Works Exhibition" (Long Museum, Shanghai, China, 2019), "Sang Huoyao Solo Exhibition - Horizons of the Mind" (Museum of Contemporary Arts, Singapore, 2018), "Chaos - Exhibition of Sang Huoyao’s works" (National Art Museum of China, Beijing, China, 2017), the new exhibition features his deepened cognitive expression regarding the concept of "Affective-Imagoism", with more than 50 new artworks in recent years. In addition to paintings, there are also art installations, which more abundantly present the artist's new creations and thoughts, and further construct the mystery, sublime, purity and depth of "Affective-Imagoism" aesthetics.
In 2020, Asia Art Center (Shanghai) held two art exhibitions.
2020.5.30 - 7.26
Polychord - KOSHIMIZU Susumu & HARAGUCHI Noriyuki
随着包裹《墙与钢索》的洁净细棉布被徐缓揭开，一部沉淀于精准结构框架内，由能量与数值模式的美感同时发声并彼此融洽的复调律开始奏起。“复奏”是小清水渐(KOSHIMIZU Susumu)与原口典之(HARAGUCHI Noriyuki)两位物派(Mona-ha)重要人物各自代表性作品在空间划分中互相映照生成的动势轨迹。二人的作品以不同属性的自然物和工业化材料元素彼此间的关系以及与所处空间的关系为结构核心，通过分解重组产生的变化组合充满平衡与对位的协同律动性。经由简洁的重复和累积展开延伸与变动，从而推动质的强化。其创作所蕴含的异同与分合、协调和反差亦是自然世界和社会关系之“复奏”的视觉化呈现。Unveiling slowly, Wall and Wire Rope wrapped by clean muslin showing up, a sound of polyphony settled in the precise structure is unfolding tunefully and simultaneously with an aesthetic mode of energy and logic.
Polychord is a dynamic curve is generated by representative artworks of KOSHIMIZU Susumu and HARAGUCHI Noriyuki which reflect on each other while taking part in the space site. The essence of the structure of their works relates to the attributes of nature objects and industrial elements, as well as to the connection of particular positions. It is full of synergic rhythm of counterpoint and balance in the diversification and combination by decomposing and reorganizing. The concise repetition and accumulation develop evolvement and advancement to promote the strengthening of quality. In their creations, the similarities and differences, separation and unification, coordination and confrontation are visual representation of the nature world and social relations.
2020.9.5 - 11.28
Timeless Vision - Yang Chihung Solo Exhibition
“心象.诗境——杨识宏个展”，展览将持续至2020年11月28日。此次展览是继2015年东京上野之森美术馆“永恒的当下——杨识宏近作展”及2019年广东美术馆“磅礴——杨识宏作品展”的再一次集中展出。出生于1947年的艺术家杨识宏，于1968年毕业于台湾艺专（现为台湾艺术大学）美术科西画组，70年代末移居美国纽约。杨识宏自1980年代起活跃于纽约艺坛，至今创作不懈，成为继赵无极、朱德群之后最重要的海外华人抽象艺术家之一。1989年获得美国纽约州州长颁发杰出亚裔艺术家奖，更是首位获得美国“国家工作室”奖助计划的华人艺术家。1981年开始撰写艺术报道和评论文章，阐述西方艺术的发展情况，并发表于纽约《中报》、台湾《艺术家》杂志以及在两岸极具影响力的艺术杂志《雄狮美术》，对于当时国内艺术信息相对缺乏的环境下，可以说带来了许多深度的介绍及启发。给当时的中国艺术界打开了一扇了解西方最新艺术信息大门，为许多艺术家提供了当代艺术启蒙，也是首位进入纽约MoMA P.S.1展出的华人艺术家。After the past exhibition entitled “Eternal Present-Recent Paintings by Yang Chihung” held in Ueno Royal Museum, Tokyo in 2015 and “Majestic Momentum – Yang Chihung” held in Guangdong Museum of Art, Guangzhou in 2019. Artist Yang Chihung (b.1947) graduated from the Department of Fine Arts at the National Taiwan College of Arts (currently known as National Taiwan University of Arts), and immigrated to New York in the late 70’s. Yang Chihung has been active in the New York art scene since the 1980’s, and continues to create work to this day, becoming one of the most significant abstract expressionist painters since Zao Wou-Ki and Chu Teh-Chun. He was awarded the "Asian-American Artist" award from the Governor of New York in 1989, and was the first artist of Chinese descent to be awarded the Clocktower residency. He began writing reports and critiques on art, chronicling the developments of Western art; his writings were published in “Chung Po” in New York, “Artist Magazine” in Taiwan, and in the art magazine “Lion Art” which grew prominent on both sides of the strait, providing in-depth introduction and inspirations to a nation that was lacking in its sources of art information. For the Chinese art world then, it truly opened a door to the latest Western art news and information, imparting contemporary art knowledge to many artists.
In 2020, Asia Art Center (Taipei I & II) held two art exhibitions.
2019.12.20 - 2020.3.1
Chuang Che Anniversary Solo Exhibition:
As Lofty as a Mountain 1960-2019
展名“如山之想60年”来自作品《如山之想》。《如山之想》是庄喆1960年的创作，除可视为抽象山系列“山想”的起点，更可视作他抽象创作的开端；本次展览共计展出十四件作品，“山想”系列的其中七件由庄喆亲自为本展挑选，从上世纪六十年代至今，横跨一甲子，在每个十年间都精选一张代表性的画作：《初始》1962、《影》1979、《珠露满山》1987、《春之道》1991、《深》2001及《醒》2019，除了与《如山之想》产生呼应与连结外，更试图牵引观者从“山”的思维去探究庄喆抽象画背后所蕴含的语境与意识。Chuang Che's Anniversary Solo Exhibition: As Lofty as a Mountain 1960-2019 is based on a work created by the artist in 1960 titled As Lofty as a Mountain. In addition to this piece representing the beginning of Chuang's abstract mountain series 'Mountain Imaginings', it also marks the start of his embrace of abstract art. This exhibition shows 14 paintings, seven of which come from the artist's 'Mountain Imaginings' series and six pieces from the series are selected by Chuang himself. Moreover, each painting represents one of the six decades in which he has been painting: The Beginning(1962), The Shadow (1979), Dewy Mountain (1987), Spring Way (1991), Deep (2001), and Awakening (2019). In addition to these paintings echoing and being connected to As Lofty as a Mountain, an effort has also been made to guide viewers from reflections about 'mountains' to a more in-depth exploration of the context and meaning that informs the abstract paintings of Chuang Che.
2020.10.3 - 11.29
Form Without Boundaries -
Chu Weibor, Lee Tsai-chien Dual Exhibition
亚洲艺术中心在其台北空间举办“大隅无界：艺域的无限扩展与延伸 - 朱为白、李再钤双人展”。作为“东方画会”代表性艺术家朱为白（1929 - 2018），与几何雕塑艺术家李再钤（1928 -）有着数十年的深厚友谊。本展共计呈现三十余件作品，在两人创作流变的对话中寻求彼此的东方抽象之内蕴。
Asia Art Center is proud to hold the dual exhibition Form without Boundaries, an exploration of infinite artistic expansion through the visual and conceptual dialogue of Chu Weibor and Lee Tsai-chien. A very special occasion, especially since Lee rarely exhibits his work in galleries, the show bears testament to the close, long-lasting friendship between the two seasoned artists. In total, the exhibition will feature 31 works of art: 15 created by Chu, a former member of the Eastern Painting Group, and 16 produced by Lee, one of the most representative sculptors of contemporary times. By tracing the pair's overlapping arcs of creative evolution, the exhibition aims to draw visitors closer to the Eastern abstractionism at the core of each artist's collection.
馆外展 Exhibitions in Museums
2020.8.9 - 8.23
The Incidental of the Fundamental
- Hang Chunhui's Art Practice
广东美术馆 Guangdong Museum of Art
艺术博览会 Art Fairs
In 2020, Asia Art Center participated in art fairs up to nine times.
| Gallery Weekend Beijing 画廊周北京 |
亚洲艺术家 AAC Artists
In 2020, Asia Art Center's cooperated artists have not only received invitations to exhibitions from domestic and international art institutions and the widespread attention of the media, but also won art awards and nominations for artistic achievements.
▲ 李真受邀参加“2020 - 松美术馆邀请展”
▲ 杭春晖受邀参展松美术馆“传统的复活 - 中国当代艺术的另一条线索”▲ 陈淑霞受邀参展广东美术馆 “水墨进行时：2000-2019”▲ 桑火尧受邀参展广东美术馆 “水墨进行时：2000-2019”
▲ 沈勤受邀参展广东美术馆 “仿宋体：沈勤作品展”
▲ 陈琦受邀参展今日美术馆 “致敬传统 - 当代纸艺术作品巡展”
Adhering to the principle of "equal emphasis on academia and market", Asia Art Center not only held plenty of academic talks and lectures; but also attracted many well-known scholars, art critics and curators from art and cultural circles. We sincerely appreciate for your further attention.
In 2021, Asia Art Center will continue to present more professional and high-quality exhibitions, and look forward to exploring more possibilities for various cooperation with other art institutions. We appreciate for your further attention.
正在展出 Current Exhibitions
亚洲艺术中心（台北一馆/二馆）《大隅无界：艺域的无限扩展与延伸 - 朱为白 、 李再钤双人展》
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