图片由台北国际艺术村提供
Image courtesy of Taipei Artist Village
正在展出 Current Exhibition
群展 Group Exhibition
“绕道而行”
"Detour"
杨季涓 Yang Chi-Chuan
展期 Duration: 2021.1.15-2.28
地址 Address: 台北国际艺术村，百里厅
台北市北平东路7号
Taipei Artist Village, Barry Room
No. 7 Beiping E. Rd., Taipei, Taiwan
(Scroll down for English version)
“绕道而行”一展以青少年的年龄阶段当作某种感性无法定义的线索，将位于北平东路的展场作为一条已知未来尽头的路面。在这已发生、正在发生但终将成为过去的事，如何辨认那刻的感受；过去的未参与，至今仍框于生活的经历感受，如何影响自己的观看角度。展览将时间与感受的变化状态聚集于此，进而以个人的独白重新观看社会意识，“我”如何在个人妄想里厘清真实。以这样的关注角度，杨季涓的作品《每个人的身体里都有一段旋律》，以高中时期曾参加合唱团的经历作为故事原型。她与台北市立和平高中合唱团共同重新录音制作合唱歌曲－“褒忠赞歌”，以寓言的方式在这社会框架中，留出每一个声音在群体中始终存在的（或许不易见的）特殊性。
——文字来源于台北国际艺术村
≡ 杨季涓 Yang Chi-Chuan
每个人的身体里都有一段旋律 The Rhythm Inside, 2021
四声道声音装置（25分钟），色铅笔绘于纸张
Four-channel audio (25 min), crayon on the paper
尺寸不定 Dimension variables
“绕道而行”展览现场，2021
Installation view of "Detour", 2021
图片由艺术家提供
Image courtesy of the artist
杨季涓近年的创作，逐渐由个人化的记忆事件转向寓言式架构，内容扩展至更贴近环境与群体的想像。《每个人的身体里都有一段旋律》是由过去参与合唱团的经验转化而来，并邀请和平高中和乐合唱团及指导老师共同录制完成。作品以合唱团员练唱过程中被指挥反覆纠正的过程，搭配上旁白时而参与其中，时而又跳脱情境的叙事，将个人与群体的关系寓言式的呈现，并将合唱团隐喻为社会缩影。
其中合唱团员所演唱的客家歌曲“褒忠赞歌”，显现台湾民谣中常见对于故乡情感或集体事件的情怀，借由词、曲人创作出时而柔美时而激昂的旋律，以音乐性构筑的大时代义民精神，亦与《每个人的身体里都有一段旋律》中，所隐喻、欲呈现的群体意识及认同从何而来相呼应。
褒忠赞歌 Ode to Bozung
作词：罗思容 Lyrics by Lo Sirong
作曲：石青如 Composed by SHIH, Ching-Ju
授权单位：财团法人拉纤人文化艺术基金会
Authorized by TMC Culture and Arts Foundation
演唱：和平高中和乐合唱团
Performed by Taipei Municipal Heping High School Choir
音频由艺术家提供
Audio courtesy of the artist
《褒忠赞歌》歌曲源起介绍
“义民爷”是早期在械斗、民变、战争中，因保卫家乡而牺牲的之尊称，为独特的台湾本土客家信仰，“义民祭”更是全台客家人每年一次的重要祭典。义民庙早在设置之初，是台湾垦荒时期客家移民心灵的寄托，“义民”、“褒忠”俨然成为客家人不畏艰苦、开疆辟土的精神象征。
《褒忠赞歌》内容是以不同方式描绘“你的爱”，是歌词中最核心的价值，用不同的面相刻画客家精神在温柔下的光明与义无反顾。
Ode to Bozung
“Yimin Ye” is an honorific title for militia who fought and sacrificed their lives to defend their homeland in strife, civil disorder and war. “Yimin” is the representative folk belief of Hakka people in Taiwan and the “Yimin Festival” is the most significant yearly festival of their culture. When the Hakka people were forced to immigrate to Taiwan, they found sustenance in their religious belief toward “Yimin Ye.” Nowadays, it is the spirit of “Yimin” and “Bozung” that represent the Hakka people’s bravery to blaze a trail.
Ode to Bozung describes “your love” from different ways, which is the core value of its lyrics and portrays the brightness and righteousness embodied in the Hakka spirit.
≡ 杨季涓 Yang Chi-Chuan
每个人的身体里都有一段旋律 The Rhythm Inside, 2021
“绕道而行”展览现场，2021
Installation view of "Detour", 2021
图片由艺术家提供
Image courtesy of the artist
This exhibition views adolescence as an indication which is hardly defined with sensibilities and takes the exhibition space on Beiping East Road as the road extending into a predictable future. What’s happened and happening will eventually become parts of the past. Therefore, how can we identify the feeling at that particular moment? Those we missed, on the one hand, settle in our shared experiences. On the other hand, they reframe our perspectives toward certain things. This exhibition collects changes of time and feelings; moreover, reviews a social awareness via a personal monologue:how can “I” distinguish reality from my personal illusion?
Chi-Chuan Yang’s work ‘The Rhythm Inside’ is based on her experience of singing in a choir in senior high school. She invites the choir of Taipei Municipal Heping Senior High School to co-record the song, Ode to Bozung, interpreting each distinctive voice existing in a society.
- Text from Taipei Artist Village
≡ 杨季涓 Yang Chi-Chuan
每个人的身体里都有一段旋律 The Rhythm Inside, 2021
“绕道而行”展览现场，2021
Installation view of "Detour", 2021
图片由艺术家提供
Image courtesy of the artist
Yang’s recent works have been gradually veering from personal memories to a fable framework and evolving toward imaginations of a collective and surroundings. The Rhythm Inside derives from Yang’s experience of choir and is in collaboration with the Choir and the director from Taipei Municipal Heping Senior High School. A back-and-forth correction during the practice runs through the work along with a narrator who sometimes partakes in the narrative and sometimes withdraws from it. In this way, on the one hand, the relationships between an individual and a collective are fictionalized. On the other hand, a choir is viewed as a social microcosm.
Ode to Bozung, the Hakka song performed by the Choir, manifests a nostalgia for nation or collective event commonly found in a Taiwanese folk song. Its lyrics and composition develop into melodious and stimulating tunes. At the moment, the Yimin spirit of an era built with a sense of melodiousness and resonates to the collective awareness and identity which are metaphorized in The Rhythm Inside.
- Text from the artist
艺术家简介 About the artist
杨季涓1985年出生于台北，现居住工作于台北。杨季涓将记忆做为知识来源与媒介，探索在人们、地方、物件、事件之间的种种关系，赋予物质或非物质的形式来载动其感性和叙事表达。她经常采用说故事的方式在她的雕塑或空间装置里，创造出一种温暖质地的时间量体、一个轻巧的入口，穿透展开在生活、家庭、政治、都市环境、文化肌理等各种向度的问题。
她近年来举办的个展包括德国柏林Künstlerhaus Bethanien“Plastonki”（2020）、台北国际艺术村“短篇集：风和日丽”（2017）、咩事艺术空间“Tick-Tock”（2017）、朱铭美术馆“短篇集：从夜晚10点到清晨5点”（2017）等。获奖经历：2018三亚艺术季华宇青年奖入围、2017台北美术奖入选。
图片由艺术家和马凌画廊提供
Image courtesy of the artist
and Edouard Malingue Gallery
Yang Chi-Chuan (b. 1985) explores memory as a source of knowledge and agent to mediate relations among people, places, objects and events, giving it material or immaterial form to carry her sensitivity and narratives. Yang often employs storytelling to create a warm duration in her sculpture or installation that embodies a subtle access to a wide range of questions in life, around family, politics, urban environment and various cultural fabrics.
Yang’s recent solo exhibitions include: Plastonki, Künstlerhaus Bethanien, Germany (2020); Have a Good Day, Taipei Artist Village (2017); Tick-Tock, Things That Can Happen in Hong Kong (2017); Essays During the Night, Juming Museum (2017). She is the Finalist in 2018 Art Sanya Huayu Youth Award, China and 2017 Taipei Arts Award.
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