清影 | 陈栋帆：呼吸 即将在天目里开幕 | Opening - Chen Dongfan: Rhythm
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开幕时间：2021.2.26 16:00-19:00 （元宵节）Curators: Liu Beining; Yu Qiongjie; Inna XuOpening hours: 10:00ー18:00 (Closed Mondays)Location: Hangzhou, OōEli, Bld. No. 16, 2F, POP-UP GalleryDesign: Transwhite Studio清影艺术空间很荣幸地宣布，受邀入驻天目里游牧画廊，呈现陈栋帆大型个展“呼吸”。作为艺术家近期最重要的展示与总结，此次展览也是陈栋帆自2014年从杭州移居纽约后，第一次在杭州重新梳理并全面呈现数年间的创作历程。展览以“呼吸”为题，而英文标题则用了意为节律与循环往复的“Rhythm”，中英文展览标题的不完全对应是陈栋帆一直以来的习惯，源于他跨文化的生活和创作经验，通过错位的方式让词汇本身和展览标题的意蕴更好地打开。呼吸作为生理活动，对生存的重要性毋需多言。在如“人活一口气”等俗语以及乔治·弗洛伊德的“I can’t breathe”中，“呼吸”一词更蕴含了持久且复杂的社会心理意涵。从健身运动中对呼吸的重视，到音乐等表演艺术里的呼吸，以至于东西方神秘学的修炼中共通的对呼吸的精密关照等等，也为“呼吸”一词埋藏了追求身心自由境界的幽隐意义。本次展览以“呼吸”为题，既与陈栋帆2017年的个展《锻炼》相呼应，也意在切实地表达陈栋帆对艺术、社会与日常的态度和践行。陈栋帆的创作一直关注力量的倾注与情感的节奏，又不失冷峻与幽默的多重视角，其作品重视生命力的燃烧、转化与其间诗意的流淌，与文学和音乐若即若离。在疫情胶着的时下，用“呼吸”作为展览的标题与主旨，可以理解为陈栋帆以艺术家个人的敏感性和长久思考为立足点，站在当下的时间节点上，向艺术本体与社会心理发声、搅动、提案。
此次展示的作品中最早的是陈栋帆在2013年为天目里计划创作的《屋顶》系列，此外还有2017-2018年间艺术家对人像画与想象力作探索的《Daily News》和《肖像》系列，2020年于纽约疫情隔离期间创作的 《被遗忘的的信件2020》、《日记(衣⻝住行)》、《小说》、《风景》系列等充满情绪张力和日常思考的作品，以及在2021年新近创作的《抟土造人》雕塑和《无题》大幅抽象绘画装置系列，作为综合性的爆发和宣言。展览作品呈现出起承转合的节奏感，以绘画的方法为主要手段，转化为雕塑、壁画、悬挂物等多维互动的丰富空间样貌，延续了陈栋帆以笔触和色彩构成精神空间的持续探索。同时，艺术家也将把展厅的一部分化用为工作室现场，延续他纽约工作室的open studio习惯，融合艺术和日常，邀请观众一道营造“呼吸”绵长不绝的复杂性和可能性。图片致谢否画廊（纽约）、站台中国（北京）、Yeh Art Gallery（纽约）Inna Art Space are proud to announce their invitation for a residence at OōEli’s POP-UP Gallery, pending the presentation of a large scale exhibition from Chen Dongfan, “Rhythm”. In addition to this being an important summary of and expressing the artist’s recent activities, the exhibition is is a milestone, the first to assimilate and present anew and in full the several years of practice that have passed since his moving from Hangzhou to New York in 2014. “Breath” （Hu-xi）in Chinese and in English “Rhythm”, the exhibition titles imply repetitive, cycling cadences and in being not quite in sync with one another represent a longstanding custom of Chen Dongfan’s to take dislocation as a means to expand the implications of his lexicon and exhibition titles, a tactic originating in his experiences of living and working between cultures. As a biological process, the importance of breathing for survival needn’t be overstated. In adages such as “a fresh breath of life”, as in George Floyd’s “I can’t breathe”, the word assumes enduring, complex socio-psychological implications. From fitness training, through to music and the performative arts, all the way into Western spiritualistic practice, common, close emphasis, care and attention are paid to breath and breathing. This has furnished “breath” with deeper significance, that of pursuing a deeper state of freedom in body and mind. Taking “Breath·Rhythm” as its titles and resonating also with 2017's “Heated Bloom”, the present exhibition attempts to express the artist’s attitudes and approach to art, society and the everyday. Whilst Chen Dongfan’s work has concerned itself throughout with the investment of force and emotional rhythm, this by no means inhibits multiple viewpoints encompassing its solemnity, humor and so forth. The artist’s works foreground the climaxes and transitions of existential vigor, whilst maintaining at the same time a certain proximity to the literature and music. At this present moment time, in the midst of a pandemic, taking “Breath·Rhythm” both as thematic handle and title, the present exhibition may be taken in itself as a grounding in the artist’s sensibilities and ongoing discourse, from whence art and collective psychologies are interrogated, stirred or proposed. The earliest of the works composing the present exhibition is from the “Rooftops” series, conceived for Nomad in 2013. Alongside this, it also contains pieces from the 2017-2018 period’s “Daily News” and “Portraits”, both series exploring portraiture and imagination. There are also works from the 2020 series “Forgotten Letters”, “Diary”, “Story” and “Landscapes”, the components of which are all strongly imbued with emotionally tense, diaristic , contemplative sentiment. Also presented are the explosive, encompassing statements of new sculptural and large-scale painted installation work from 2021’s “Earth into Man”. Between them, the works exhibited elucidate a sense of rhythm. Consisting primarily of paintings but also incorporating sculpture, murals, hangings and other media, the space of the exhibition as a whole extends the artist’s explorations of mental space by way of brush and palette. On top of this, in continuation of habits developed whilst making open studios living in New York, the artist to a certain extent also utilizes the exhibition space itself as a studio in-situ, fusing art with the everyday to invite viewers to unravel together the boundless, complex potentialities of “Breath·Rhythm”.(translated by Alastair McInnes)
关于艺术家
ABOUT ARTIST
2008年毕业于中国美术学院，现生活和工作于纽约。陈栋帆绘画实践中强调笔触、色彩和形式等元素的表现张力。他的创作从工作室里小尺幅的纸本，到大幅的架上布面及拼贴，再到建筑外立面的巨型壁画……不一而足。除了传统绘画，陈栋帆也常常将图书馆、商店、电影节等替代性空间作为自己的实践场所，用突破平面的绘画装置与音乐、舞蹈、行为等艺术形式相互结合，形成自己独特的平衡了叙述与写意、具态与抽象、公众与个体的绘画语言。
近期主要个展包括：
《漫长的黎明，海盗和诗人在黑暗中吹口哨》（否画廊，纽约，2020)《被遗忘的信件2020》（站台中国 d-Room，北京，2020）；《庇护所》（圣约翰大学Yeh Art Gallery，纽约，2020）；《肖像》（清影艺术空间，杭州，2019）；《昨夜星辰昨夜风》（否画廊，纽约，2018)；《锻炼》(清影艺术空间，杭州，2017)；《罗曼史》（否画廊，纽约，2017）；《朋克书店》（Square Peg画廊，纽约，2016）；《国王的巡游》（清影艺术空间，杭州，2015）。
(b.1982, Shandong Province, China) Chen obtained his B.F.A. from the Total Art Studio of China Academy of Art, Hangzhou in 2008. Since 2014 he has lived and worked in New York and Hangzhou. Chen Dongfan has actively participated in various public art projects and has created large scale paintings around the globe, including “Long Past Dawn, Pirates and Poets Whistle in the Dark” (New York, 2020)：“Forgotten Letters” (Beijing, 2020)；“Sun Yat-sen Road in Color” (New York, 2020); “The Song of Dragon and Flowers” (New York, 2018); “Live Before You Die” (Greece, 2016); “Where Has Happiness Gone” (Hangzhou, 2011); “Uncertain” (Hangzhou, 2010). The artist received special acclaim from American National and New York's House of Representatives for his exceptional contribution to the area and its community. His recent exhibitions include: Chen Dongfan: Long Past Dawn, Pirates and Poets Whistle in the Dark, Fou Gallery, New York (2020); Chen Dongfan: Forgotten Letters 2020, Platform China, Beijing (2020); Chen Dongfan: Sanctuary, The Yeh Art Gallery, New York (2020); Chen Dongfan: Heated Bloom, Inna Art Space, Hangzhou (2017).游牧画廊 POP-UP GALLERY 是位于天目里16号楼二楼的独立展览空间，展厅面积约660余平。空间将积极与全球当代艺术画廊和机构进行深入合作，通过呈现各类创作领域的艺术家展览或个人项目，为本地的艺术爱好者提供更加多元的文化艺术视角，并有机会开启自己的当代艺术收藏。游牧画廊 POP-UP GALLERY 期待以更加灵活且流动的画廊模式，把当代艺术收藏引入本地公众的文化生活视野。
清影艺术空间于2008年由徐益英女士在中国杭州成立。2014年在纽约布鲁克林开设了工作站。2019年清影开启了新的篇章，在纽约下东区开设了新的画廊空间。清影是一个与艺术家共同成长的艺术空间，是艺术与日常的践行者。New York
371 Madison Street #303
Hangzhou
Liuhe Road No.139, Building 12
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