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展览预告 | 胡介鸣：格物·2020

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展览预告 | 胡介鸣：格物·2020 胡介鸣格物 Jieming格物系列紫色 No.28摄影 The Things 时间 Dates 崇真艺客

格物系列-紫色28# The Things Series - Purple No.28

摄影 photography

2020

胡介鸣：格物·2020

Hu Jieming: The Things 2020

展览时间 Exhibition Dates

2021.03.02-04.17

胡介鸣的《格物》系列创作始于2020年初新冠疫情爆发期间。全球社会运转的停摆，使人们的生活回到了最为隔绝的个体处境，这也是全人类所共同经历的最为典型的一次“例外状态”。这一特殊语境给了胡介鸣回到日常的契机：居家隔离让他卸下了包袱，能够专注于身边的事物，有机会去面对一种阔别已久的纯粹日常。平静、慢速的生活节奏减轻了人的精神负荷，人对时间的感受被拉长，人与物的关系更为亲密，生活也被还原地更为轻质和简单。

缓慢而封闭的异常环境激发了胡介鸣去辨识这种新日常。随着驻足、注视，以及不同时间的光照变化，以往被忽略的空间和熟悉物品给他带来了截然不同的感受。它们仿佛产生了有别于常理的形式力度，这促使了胡介鸣开始对日常进行了一次“格物致知”的探索。《格物》反观了人与物之间稳定而脆弱、矛盾却共生的关系。而那些异常与日常，未必被生活其间的人所意识到。

尽管《格物》的母题是日常，而“形式”统领了整个“格物”的历程。在创作过程中胡介鸣尽可能地去除事物本质的认知压力和附加的社会意义，转而去强化一种更为普遍的共通感知经验。同时，他以形式化的方法和表达，再次提取事物的自身要素，进而构成新的主观认知。他以简单的方式去呈现事物最简单的一面。

新冠疫情爆发这一特殊时期的语境是《格物》系列创作的起点，同时它已逐渐发展成为了一个持续进行的艺术项目。胡介鸣的《格物》试图重新唤醒我们对生活的真实体验和敏感，这正是我们在摆脱社会运行机制、回归日常时最为本真的收获。而这一经验也已然成为了我们共同的新常态的一部分。

Hu Jieming began work on his series The Things during the outbreak of the COVID-19 pandemic in early 2020. The shutdown of global society forced people to live in an isolated state, creating one of the most typical "states of exception" for humankind to have collectively experienced. This special context gave Hu Jieming an opportunity to return to daily life: home isolation allowed him to set aside the usual concerns and to focus on the everyday things around him with a much greater degree of attention than had been possible before. A calmer and slower pace of life puts us into a lighter frame of mind; time seems to lengthen as the relationship between people and things is brought closer, and life becomes simple and serene.

The slow rhythm of his unusually closed environment inspired Hu Jieming to investigate this new everyday. Previously ignored spaces and familiar objects brought him completely different impressions as he stopped, gazed, and noted the way changes in light affect perception. These objects seemed to have a formal intensity that was different from common sense. This prompted Hu Jieming to begin his exploration of the things that make up the everyday. The Things reflects on the stable and fragile, contradictory but symbiotic relationship between people and things. It draws attention to those parts of the everyday, both common and uncommon, that may not be realized by the people living in them.

Although the theme of The Things is the everyday, "form" dominates every aspect of the series. In his creative process, Hu Jieming strives to remove the cognitive pressure of understanding the so-called "nature" of things and their attached social meanings, instead choosing to emphasize more general common perceptual experience. At the same time, the elements of things themselves are clarified through formalized methods and expression, which allows for new subjective understandings to form. Through the series the artist presents the simplest side of things in a straightforward way.

The unique context of the outbreak of the COVID-19 pandemic formed the starting point of The Things, and it has gradually developed into an ongoing art project. Hu Jieming's series attempts to reawaken our true experience and sensitivity to life. It is this that we gain when we get rid of the social operating mechanism and return to daily life. And this experience has become part of our commonly shared new normal.

关于艺术家

胡介鸣长期生活、工作于上海。他创作类型涉及新媒体、影像装置、摄影艺术等。其个展包括：“胡介鸣：14天”，外交公寓12号空间，北京，2020；“互动”，MAAC HHKK，布鲁塞尔，2004；“与你有关：胡介鸣2003年作品展”，比翼艺术中心，上海，2003等。

部分重要群展包括：“中国当代艺术新艺术史2000-2018”，银川当代美术馆，银川，2019；“客人的到来：上海当代艺术博物馆藏展”，上海当代艺术博物馆，上海，2019；“反投影：早期中国录像艺术中的媒体雕塑”，新世纪当代艺术基金会，北京，2019；“中国当代艺术年鉴展”，北京民生美术馆，2018；“根茎：中国当代艺术自主性研究展”，今日美术馆，北京，2018；“移动中的艺术：100件媒体艺术名作”，ZKM媒体艺术博物馆，卡尔斯鲁厄，2018；DEAF07/荷兰电子艺术展”，V2，鹿特丹，2017 ;“釜山双年展”，釜山，2016；“齐物等观：国际新媒体艺术三年展”，中国美术馆，北京，2014；“重新发电：第九届上海双年展”，上海当代艺术博物馆，上海，2012；“代码：蓝色”，第三届北京国际新媒体艺术展暨论坛，北京，2006；文化容器——ISEA2006/零壹，全球边缘艺术节，圣何塞，2006；“中国当代”，Boijmans Van Beuningen博物馆，鹿特丹，2006；“13：中国当代录像”MoMA PS1，纽约，2006；“聚焦：中国当代艺术——中国当代摄影录像艺术专题展”，中国美术馆，北京，2005；“影像生存：第五届上海双年展”，上海美术馆，上海，2004；“在过去和将来之间：中国新摄影和录像”，国际摄影中心，纽约，2004；“重新解读：中国实验艺术十年1990-2000”——首届广州当代艺术三年展，广东美术馆，广东，2002；“010101：技术时代的艺术”，旧金山现代艺术博物馆，旧金山，2001；“生活在此时”，汉堡火车站美术馆，柏林，2001。

About the Artist

Hu Jieming lives and works in Shanghai, China. His art creation related to video installation, photography, media art. His solo exhibitions include: 14 Days: Hu Jieming, DRC No.12, Beijing, 2020; Interactive, MAAC HHKK, Brussels, 2004; Connected to You, Bizart, Shanghai, 2003.

Selected group exhibition include: New Art History 2000-2018 Chinese Contemporary Art, MOCA, Yinchuan, 2019; The Return of Guests: Selections from the PSA Collection, PSA, Shanghai, 2019; Anti-Projection: Media Sculptures in the Early Chinese Video Art, New Century Art Foundation, Beijing, 2019; The Exhibition of Annual of Contemporary Art of China, Minsheng Art Museum, Beijing, 2018; Rhizome a Survey Subject of Chinese Contemporary Arts, Today Art Museum, Beijing, 2018; Art in Motion: 100 Masterpieces with and Through Media, ZKM, Germany, 2018; DEAF07/V2, Rotterdam, 2017; Busan Biennale, Korea, 2016; Thingworld: International Triennial of New Media Art, NAMOC, Beijing, 2014; Reactivation: 9th Shanghai Biennale, PSA, Shanghai, 2012; Code: Blue 3rd Beijing International New Media Arts Exhibition & Symposium, Beijing, 2006; Zero One San Jose: A Global Festival of Art on the Edge and the ISEA 2006 Symposium, San Jose, 2006; China Contemporary, Museum Boijmans Van Beuningen, Rotterdam, 2006; The Thirteen: Chinese Video Now, MoMA PS1, New York, 2006; Zooming Into Focus: Chinese Contemporary Photo & Video exhibition at China, NAMOC, Beijing, 2005; Techniques of the Visible 5th Shanghai Biennial, PSA, Shanghai, 2004; Between Past and Future: New Photography and Video from China, International Center of Photography, New York, 2004; Reinterpretation: A Decade of Experimental Chinese Art 1990-2000 - The First Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, 2002; 010101: Art in Technological Times, San Francisco Museum of Modern Art, San Francisco, 2001; Live in Time, Nationalglerie Im Hamburger Bahnhof Museum, Fur Gegenwart-Berlin, 2001.