展览预告 | 觉知·知觉 Inter-Sensorial

本展览作为第十三届上海双年展第二阶段：生态联盟的一部分，由同济大学设计创意学院策展实验室策划

Presented by the Curatorial Lab at the College of Design & Innovation, Tongji University for the 13th Shanghai Biennale Phase 2: An Ecosystem of Alliances

展览地点 Venue

上海当代艺术博物馆1楼1号展厅

1F Gallery 1, Power Station of Art

展览时间 Date

2021.3.5 - 3.21

回应 “第十三届上海双年展: 水体” 这一主题，“觉知 · 知觉” 呈现了同济大学设计创意学院师生近期的作品。 

本展览囊括18个项目，从物件、影像作品到交互装置，通过审视个体、人际和物种间的多声性，来探索人体、感官以及虚拟和物理空间之间的极限阈值。依托研究、推测和批判性反思，这些作品重新定义感官知觉及其媒介，质疑以人类为中心的主观性假设，从而颠覆刺激与感觉、主体与客体以及真实与感知之间的关系和方向，揭示观察、体验和存在的替代方式。

Responding to the Shanghai Biennale’s theme “Bodies of Water,” “Inter-Sensorial,” presents  recent work by students and faculty of the College of Design & Innovation at Tongji University.

Consisting of 18 projects, ranging from objects and videos to interactive installations, the exhibition will explore the liminal thresholds between bodies, perception, and virtual and physical space through an examination of individual, inter-personal and inter-species multivocalities. Through research, speculation and critical reflection, these works question anthropocentric assumptions about subjectivity by recalibrating sensorial perceptions and their sites of agency. As such, the relationships and directionalities between stimuli and sensation, subject and object, and real and perceived are destabilized to reveal alternative modes of seeing, experiencing and being.

策展人 Curated by

同济设创策展实验室 Tongji D&I Curatorial Lab：

陈伯康 Aric Chen   潘爱心 Azinta Plantenga

陈冬阳 Yan Chan   廖文熙 Wenxi Liao

展览设计 Exhibition design

庄明昱 Ming Zhuang

平面设计 Graphic design

廖文熙 Wenxi Liao

参展师生 Participants

鲍汐莹、Jan Dornig、胡可儿、柳雨之、祝佳枫、黄湘琪、白瑞景、戴奕伟、李与凡、刘品尧、魏弗兰、王骁雄、汪寅翔、倪潇枫、苗逸凡、胡锦瑞、苗凯翔、栾雅晴、戚倩莹、王小冬、陶然行、赵海怡、宁莉、付蔚、罗珍、胡方超、朱倩文、袁之淇、赵星芮、张杰、Jamie Allen、Nicole Sacchetti、Daniele Carlini、Daniela Vaccaro、Niccolò Azzolin、Serena Alampi、Francesca Anna Bazzo、Gaia Coradeschi、Caterina Castiglioni、Valentina Pagano、曹静、陈永群、张雪青、龚艳燕、赵华森、许乙弘、姚雪艳、俞鹰、戴若妤、林慈丰、陈颖钊、钟宁、苏梓裔、黄卉怡、陈夏露、秦嘉怿、张欧琦、毛一迪、郑青云、蒋雨彤及设计基础课程80名2020级大一新生

感·应

胡可儿, 柳雨之, 祝佳枫

2020
交互装置

“感知潮汐，看见磁场。”

随着城市发展的进程，人类正在失去一部分生物本能，身体逐渐遗忘大海、遗忘土地。我们关注当代城市语境下人体与自然的重新联结，“感·应”项目目前包含两件生物性可穿戴设备，分别模拟了牡蛎通过大气压判断潮汐周期、候鸟通过感光蛋白看见地磁场的特有生物感知，将这些生物信号转化为人类能感知的信息与交互方式，用科技培养新的“本能”，在城市进化中更新并增强人类与“水体”和“磁场”等自然系统的关系。

New Instinct

Hu Ke’er, Liu Yuzhi, Zhu Jiafeng

2020

Interactive Installation

Feel the tide, see the magnetic field. 

Human beings are losing their biological instincts, gradually becoming more distant from the sea and land. “New Instinct” focuses on reconnecting the human body with nature in the contemporary urban context. One of the wearable devices simulates oysters’ ability to sense tidal cycles through atmospheric pressure, while the other mimics the ability of birds to see the Earth’s geomagnetic field through photosensitive proteins in their eyes. These biological signals are transformed into sensations detectable by the human wearer, thus cultivating new "instincts" through technology.

看见悲喜

鲍汐莹 

2020
交互装置

该交互装置创造了一个沉浸式空间，可以传达我们的实时情绪状态，有助于自我意识和反思。通过移动，观者在装置中可以同时看到自己和自己情绪所构建的粒子山水。这种可视化有助于观者更形象了解他们当前的情绪，有助于心理康复。2020年，这件作品被放置在武汉市，旨在帮助因新型冠状病毒流行而产生心理影响的人们。

Emo

Bao Xiying

2020

Interactive Installation

This interactive installation creates an immersive space that communicates our real-time emotional state, contributing to self-awareness and reflection. Patterns are constructed by moving particles representing emotional fluctuations derived from the viewer’s facial expressions. This helps them visualize and understand their current emotions, which can contribute to psychological recovery. In 2020, the installation was mounted in Wuhan with the aim of aiding people who were psychologically affected by the coronavirus epidemic.

时光搁浅

张杰

2020-2021

凳子 

凳子几乎完全由宜家产品零件制成，可以视作机械传感器，帮助我们将身体姿势与时间概念联系起来。使用曲柄、滑块机构配合磁铁，人体坐下时产生的垂直力转化为旋转力，从而使连接在转盘上的沙漏旋转。沙砾的流动显示人在同一位置坐下的时间长度，引起人们对久坐的思考。

Era Stranding

Zhang Jie

2020-2021

Seating Object

Made almost completely from IKEA product parts, this chair works as a mechanical sensor, helping us connect our physical posture to the notion of time. Using a system of cranks, sliders and magnets, the vertical force generated while sitting is transformed into rotation, thus spinning an hourglass attached to a turntable. The flow of sand indicates how long one has been seated in the same position, helping create more awareness of one’s sitting habits.

潜水森林

魏弗兰

2017-2020

摄影，模拟混合冲印工艺

就像地球和我们的身体一样，森林主要由水组成。然而，这一事实并不容易被发现。我们认为森林是绿色的，但是我们能观察到它的“蓝色”吗？这些图像探索了自然中，被我们以人为中心的观点所和忽略的这一面。“潜水森林”呈现模拟和数字照片，它们经过缩放处理并在暗房进行手工或蓝图冲印。通过这个过程，图像揭示了植物内部隐藏的运动和流动性，以帮助我们重新发现维持所有生命的元素。

Underwater Forest

Francesca Valsecchi

2017-2020

Photographs, analog mixed printing techniques

The forest - like the planet, and our bodies - is mainly composed of water. Yet this fact is not readily seen. We think of the forest as green, but could we observe its “blueness”? These images explore this aspect of nature, invisible and neglected by our anthropocentric view. “Underwater Forest” features analog and digital photographs, manipulated in scale and hand-printed using water in a darkroom or as cyanoprints. Through this process, the images reveal the hidden movement and fluidity within plants to help us rediscover the element that sustains all life.

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