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开幕回顾｜对话米亚兹兄弟（上）Opening Review｜Talk with Miaz Brothers Vol.I

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开幕回顾 | 对话米亚兹兄弟（上）

Opening Review | Talk with Miaz Brothers Vol.I

意大利艺术家二人组 — 米亚兹兄弟（Miaz Brothers）个展《虚实新世界》已于2月27日在唐妮诗画廊-上海空间开幕。此次展览展出了多幅精美的朦胧作品，让观众回忆过去，畅想未来。

The Hazy Reality of The New World, the solo exhibition of Italian artist duo Miaz Brothers is open to the public at Danysz Gallery – Shanghai since February 27, 2021. This exhibition includes a few of exquisite “blurred images”, inviting the audience to remember the past, or dream about the future.

开幕回顾｜对话米亚兹兄弟（上）Opening Review｜Talk with Miaz Brothers Vol.I 米亚兹兄弟 Review 意大利艺术家二人组个展虚实新世界唐妮画廊崇真艺客

《虚实新世界》展览现场，图片由唐妮诗画廊提供

Exhibition view of The Hazy Reality of The New World, image: Danysz gallery

开幕当天，唐妮诗画廊特邀Artsy中国区内容与营销总监谢斯曼（Sonia Xie），发起一场与艺术家罗伯托·米亚兹的线上对谈活动，多位观众及艺术爱好者通过线上线下的方式参与其中。我们将分为上下两期文章，以文字形式整理此次访谈的内容。

On the opening day, Danysz gallery invited Sonia Xie, Artsy's Editorial and Marketing Head of China, to hold an online talk with Roberto Miaz. We were very glad to see many prople show up both online and in the gallery to participate in the Talk. This is the first of two posts to report on this event.

开幕回顾｜对话米亚兹兄弟（上）Opening Review｜Talk with Miaz Brothers Vol.I 米亚兹兄弟 Review 意大利艺术家二人组个展虚实新世界唐妮画廊崇真艺客开幕现场，图片由唐妮诗画廊提供

Opening day, image: Danysz gallery

Artsy: 能详细介绍一下你们的创作材料和过程吗？

Could you please elaborate on the material and your creative process?

罗伯托·米亚兹：过去我们尝试过油画、素描和各种色彩的效果，但对我们来说，最重要的是让一切变得模糊。所以我们不想做太精确的事物，这种不对焦、无法预知的形象，才是我们探索技术的追求。我们最终采用了喷枪和喷漆，用所有这些喷出来的点，来表达我们真正想做的。没有线条，没有明确，只有点。点的层次和简单的颜色混合，以此来展现形状，它能让你想到某些东西，但又不是那么确定和精准。

Roberto Miaz：In the past we tried oil paintings, drawings, varnishes and and colors of every kind of results but the meaningful stuff for us was to be indeterminate. We did not want to do something that was too certain. So this kind of out of focus, this kind of is not really perceptible image, was the quest of our technique or research of technique. So finally we though that the spray gun and spray paint with all the dots coming out could really describe what exactly what we were trying to do. So, no lines and no determination. Juts dots, layers of dots and the mixing of simple colors to achieve a shape that reminds you of something, but it is not so defined and certain.

开幕回顾｜对话米亚兹兄弟（上）Opening Review｜Talk with Miaz Brothers Vol.I 米亚兹兄弟 Review 意大利艺术家二人组个展虚实新世界唐妮画廊崇真艺客

对谈现场连线艺术家罗伯托·米亚兹，图片由唐妮诗画廊提供

Conference day online talk with Roberto Miaz, image: Danysz gallery

你们所有的“模糊图像”的原型都来源于大师杰作吗？你们如何决定选择哪些历史画作进行再创作？

Are all your “blurred images” referring to masterpieces by old masters? How do you make decisions on which historical paintings to choose to reinvent?

像我之前说的，我们喜欢在周围做实验。我们也做过静物、当代图像等的现代题材，但经典的大师作品在某种程度上更成功，因为人们更熟悉这种图片。我们作品的原型很多来源于这些经典的大师杰作。要知道，我们在意大利长大，那里的每个教堂都充满了这些艺术作品。它们给我们留下了强烈的影响，比在博物馆看到的东西给我们的冲击要强烈得多。所以比起现代作品，我们更着迷于这类图像。现代作品在某种程度上并不那么温暖，而我们喜欢偏温暖的主色调和构图。

So like I told you before, we like to experiment all around us. We also did modern subjects from still life to contemporary images but "the Old Masters" in some way is more successful because people can relate more to this kind of picture. And finally also our experience is based much more on the Old Master. You have to understand that we grew up in Italy where every church is full of this kind of artworks. And they gave us maybe the strongest impact, much stronger than the stuff we saw in museums. We are quite fascinated about this kind of images, more than the modern stuff that is not quite as warm in some way. We like this warmer side of the Master's colors and compositions.

开幕现场，图片由唐妮诗画廊提供

Opening day, image: Danysz gallery

你们的许多画作都带有学术/艺术的历史信息，这些信息需要一定程度的文化或学术背景知识才能理解。你期望不同文化背景的观众如何欣赏你的作品？

Many of your paintings play with scholarly/art historical messages that require certain degree of cultural or academic background knowledge to understand. How would you expect viewers from different cultural backgrounds to receive your paintings?

我们并没有太考虑世界各地的文化不同，只是在做我们真正喜欢的事情、为我们所来自的地方发声。我知道有些画更容易让人理解，但我们的目标并不是让所有人准确理解某些东西，而是尝试传递一些我们在图像中找到的感觉、情感。我们也不是很关注原作，不去管它是谁创作的。我们追求的是一个很短暂的爱的时刻。我们尝试为别人翻译同样的感觉。我认为我们的艺术理念是传递某些东西，就像是过滤器，试图给到人们一些我们翻译过的东西。

In this case, we are not really thinking about the different cultures around the world. We are really doing what we like. And we are speaking about where we are coming from. So more or less, I can understand that some are more understandable than others, but it's not really our goal to let anyone understand something precisely. We're really trying to give just some sensations, emotions that we find around, whatever image it is. We are not really interested about the original artwork, or who did it. It's really a quick little moment of love that what we are looking for. And we try to translate the same sensation we had to other people. Finally, I think in terms of our idea of art, it's like, again, a "giving" stuff, like we are filters and are trying to give people something that is translated by us.

《虚实新世界》展览现场，图片由唐妮诗画廊提供

Exhibition view of The Hazy Reality of The New World, image: Danysz gallery

如果想了解下集采访内容，请锁定我们公众号下周的推送。当前米亚兹兄弟个展《虚实新世界》将展览至2021年4月6日。唐妮诗画廊全体期待您的到来。

If you want to know more about this talk, please follow our next post. The current show of the Miaz Brothers, The Hazy Reality of the New World, will last until April 6, 2021. Danysz gallery is looking forward to your visit.

撰文&排版/Redaction & Layout：Yiffany

校对/Revision：Meng

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｜展览进行中｜

Shanghai : 唐妮诗画廊 -上海全新展览已上线 Miaz Brothers on show @DANYSZ - Shanghai

Paris：唐妮诗-巴黎正在展出 DANYSZ - Paris on show

London：唐妮诗-伦敦线上群展《匿名者》已上线DANYSZ - London online group show-Anonymities