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动态 | Dora Budor 近期展讯

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动态 | Dora Budor 近期展讯 Dora Budor 近期动态展讯 bicycle dimensions Rise Set Berlin 崇真艺客

Dora Budor, Something To Remind Me, 2020

Rental bicycle, dimensions variable

Dora Budor

Sun Rise | Sun Set

2021.02.27-2021.07.25

@Schinkel Pavillon

Oberwallstraße 1, 10117 Berlin, Germany

Dora Budor的艺术实践根植于她对本土历史，生态系统，文化倾向，社会风俗及环境的研究。在她作品中，形态并非一成不变的，一切都在偏离原本的形态而转变成其他事物，物体不停合并成新变迁系统的一部分。作品中的每一个元素都融于彼此而存在。

Budor为本次展览“Sun Rise | Sun Set”创造了一件新的作品。2020年，Budor在柏林待了3个月，期间她常常骑着一辆租借来的自行车从住所前往工作室，而Schinkel Pavillon（本次展览地点）是这条路的必经之地。第三个月末的时候，Budor把这辆自行车融化，并将其铸入了Baroness Elsa von Freytag-Loringhoven的作品《Enduring Ornament》（1913）的模型中。

Von Freytag-Loringhoven是一个德国前卫艺术家，她也是一位达达主义者，演员，诗人以及自诩无政府主义者，她在作品中对资产阶级观念中的的女性之美以及女性的经济价值提出了挑战。《Enduring Ornament》被认为是她的第一个“现成”艺术作品——源于她前往自己婚礼时，在纽约街头发现的一个物件。然而，这个物件的直径约8.5厘米，（即使它的形状像一个婚戒）它并不能成为一个真的婚戒，反而可能更像是一个砝码抑或是某条铁链的一环。

与许多融入现代主义审美以及社会运动的女性一样，Freytag-Loringhoven的贡献被结构性地从历史中抹去了。近期，一些学者认为，目前存在的Duchamp与“现成”作品之间的主流叙事也许该被替换，他们推测了这两位艺术家之间可能存在的思想上的转变，甚至质疑了两者中的哪一位才是第一件“现成”艺术作品的作者。然而，两位艺术家除了在实践方式上存在某些相似之处，Duchamp与Freytag-Loringhoven的最大不同之处在于他们作品留存于世的形态。Duchamp的作品被美术馆收藏，且存在于艺术系统中，而Baroness的“现成”艺术作品和组装物件则走向自我毁灭，抑或是缓慢地渗入世界。

Dora Budor’s practice finds its origins in research of local histories, ecosystems, cultural tendencies, rites and circumstances. In Budor’s works, forms are not fixed or eternal, everything is mutating into something else, and objects are incorporated into new transitive systems. Here, each element exists in interdependency with the other.

For Sun Rise | Sun Set Budor has created a new work. During her three-month stay in Berlin in 2020, Budor used a rental bicycle, which she rode daily from her flat to her studio – passing the Schinkel Pavillon. At the end of her stay, Budor melted the bike and cast it into a mold made from the original ready-made by Baroness Elsa von Freytag-Loringhoven, titled Enduring Ornament (1913).

Von Freytag-Loringhove – a German avant-garde, Dadaist artist, performer, poet and self-proclaimed anarchist, challenged the bourgeoisie notions of feminine beauty and economic worth in her work. Enduring Ornament is believed to be her first ready-made – an object found on the streets of New York on her way to her own nuptials. Measuring about 8.5 cm in diameter, however, the ring does not actually function as a wedding ring, and it is ambiguous if it could be a weight, or a part of a chain.

Like many women who participated in the aesthetic and social revolutions of modernism, Freytag-Loringhoven’s contributions have been structurally excluded from that history.Some of the recent scholarship proposes an alternative to dominant narratives in correlation to Duchamp’s work, and speculates on the possible transfer of ideas between the two artists, even questioning the authorship of the first readymade. However, despite certain similarities in artistic strategy, a major difference between Duchamp's and Freytag-Loringhoven's work lies in the lives of their objects. Whereas Duchamp's were existing in the art system, collected and kept by museums, the Baroness's readymade and assembled objects either self-destructedor very slowly percolatedback into the world.

参展作品｜Exhibited Work

动态 | Dora Budor 近期展讯 Dora Budor 近期动态展讯 bicycle dimensions Rise Set Berlin 崇真艺客

动态 | Dora Budor 近期展讯 Dora Budor 近期动态展讯 bicycle dimensions Rise Set Berlin 崇真艺客 Dora Budor, Something To Remind Me, 2020

Rental bicycle, dimensions variable

Dora Budor

Emma Kunz Cosmos. A Visionary in Dialogue with Contemporary Art

2021.03.02-2021.05.24

@Aargauer Kunsthaus

Aarau., 5001 Aarau, Switzerland

动态 | Dora Budor 近期展讯 Dora Budor 近期动态展讯 bicycle dimensions Rise Set Berlin 崇真艺客

Installation view Emma Kunz Cosmos. A Visionary in Dialogue with Contemporary Art, Mar. 2 – May 24, 2021, Aargauer Kunsthaus, Aarau. Photo: Conradin Frei, Zürich

天线空间荣幸地宣布艺术家Dora Budor参与群展“Emma Kunz Cosmos. A Visionary in Dialogue with Contemporary ArtVisionary Company”。目前展览已于3月2日在瑞士Aargauer Kunsthaus开幕，展期将持续展至2021年5月24日。

Antenna Space is pleased to announce artist Dora Budor's group exhibition Emma Kunz Cosmos. A Visionary in Dialogue with Contemporary ArtVisionary Companywill be open since March 21, and will last until May 24, 2021.

参展作品｜Exhibited Work

起源 1（雄鹿饮水），2019

定制环境室（反应电子系统, 压缩机, 阀⻔, 3D打印元素, 铝, 丙烯酸, LED灯, 玻璃, 木材, 油漆）, 有机和合成颜料, 硅藻土, FX灰尘, 毛毡

152 x 160 x 86 cm

Origin I (A Stag Drinking), 2019
Custom Environmental Chamber: reactive electronic system, compressor, valves, 3D printed elements, aluminum, acrylic, LED light, glass, wood, paint, organic and synthetic pigments, diatomaceous earth, FX dust & felt
60 x 63 x 34 inches

动态 | Dora Budor 近期展讯 Dora Budor 近期动态展讯 bicycle dimensions Rise Set Berlin 崇真艺客

Installation view Emma Kunz Cosmos. A Visionary in Dialogue with Contemporary Art, 2.3. – 24.5.2021, Aargauer Kunsthaus,AarauPhoto: Conradin Frei, Zürich

Dora Budor（b. 1983，克罗地亚，萨格勒布）现于纽约生活和工作。她的实践在现实和电影叙事的交融地带展开研究，将制作的道具从电影生态中提取，将它们重新激活，纳入到新的传输系统中。她曾获得2014年的雷玛·霍特·曼基金会（Rema Hort Mann Foundation）新锐艺术家奖和2018年的波洛克·克拉斯纳基金会艺术资助。2019年，她获得了久负盛名的古根海姆创意艺术奖学金。

近期个展与项目：“Dora Budor: There’s something terrible about reality and I do not know what it is. No one will tell me”，空间艺术项目，现当代艺术博物馆，里耶卡，克罗地亚（2020）； “Dora Budor: I am Gong”，巴塞尔美术馆，瑞士（2019）；“Benedick, or Else”，80WSE，纽约（2018）；“Ephemerol”，Ramiken Crucible，纽约（2016）；“Spring”，瑞士学院，纽约（2015）。

部分群展：“Sun Set | Sun Rise”，Schinkel Pavillon，柏林（2021）；“A Visionary in Dialogue with Contemporary Art” Aargauer Kunsthaus，阿劳（2021）；“More, More, More”，油罐艺术中心，上海（2020）；“Permafrost. Forms of Disaster”，MO.CO. Panacée，蒙皮利埃，法国（2020）； “垂直花园”，天线空间，上海（2017）；The Trick Britain，贝鲁特Aïshti 基金会（2017）；“The Dream of Forms”，东京宫，巴黎（2017）；“第九届柏林双年展”，KW当代艺术研究院，柏林（2017）；“Artificial Tears”，应用与当代艺术博物馆，维也纳（2017）；“Dreamlands: Immersive Cinema and Art, 1905–2016”，惠特尼美国艺术博物馆，纽约（2016）；“Inhuman”，弗里德利希阿鲁门博物馆，卡塞尔（2015）。

Dora Budor (b. 1984, Zagreb, Croatia) is an artist based in New York. In her practice, she investigates the zones of infection between reality and cinematic fictions, extracting production-made objects from film ecologies, reanimating them, and incorporating them into new transitive systems. She was a recipient of the Rema Hort Mann Foundation’s Emerging Artist Prize in 2014 and Pollock Krasner Foundation Grant in 2018. In 2019, she was awarded the prestigious Guggenheim Fellowship for Creative Arts.

Recent solo exhibitions and projects: Dora Budor: There’s something terrible about reality and I do not know what it is. No one will tell me, temporary art intervention at Museum of Modern and Contemporary Art, Rijeka, Croatia (2020); Dora Budor: I am Gong, Kunsthalle Basel, Switzerland (2019); Benedick, or Else, 80WSE, New York (2018); Ephemerol, Ramiken Crucible, New York (2016); Spring, Swiss Institute, New York (2015).

Selected group exhibitions: Sun Rise | Sun Set, Schinkel Pavillon, Berlin (2021); Emma Kunz Cosmos. A Visionary in Dialogue with Contemporary Art, Aargauer Kunsthau, Aarau (2021); More, More, More, TANK Shanghai (2020); Permafrost. Forms of Disaster, MO.CO. Panacée, Montpellier, France (2020); Vertical Gardens, Antenna Space, Shanghai (2017); The Trick Britain, Aishti Foundation (2017); The Dream of Forms, Palais de Tokyo, Paris (2017); The 9^th Berlin Biennial, KW Institute for Contemporary Art, Berlin (2017); Artificial Tears, MAK, Vienna (2017); Dreamlands: Immersive Cinema and Art, 1905–2016, Whitney Museum of American Art, New York (2016); Inhuman, Museum Fridericianum, Kassel (2015).

动态 | Dora Budor 近期展讯 Dora Budor 近期动态展讯 bicycle dimensions Rise Set Berlin 崇真艺客