
治愈细胞
Healing
草间 弥生 | Yayoi KUSAMA
奈良 美智 | Yoshitomo NARA
村上 隆 | Takashi MURAKAMI
山口 蓝 | Ai YAMAGUCHI
河口 龙夫 | Tatsuo KAWAGUCHI
横尾 忠则 | Tadanori YOKOO
椙崎 裕輔 | Yusuke SUGIZAKI
金丸 悠児 | Yuji KANAMARU
沼田 月光 | Gokko NUMATA
井上 卡纳 | Kanna INOUE
磯辺 勝四郎 | Katsushiro ISOBE
小出 茜 | Akane KOIDE
石黑 昭 | Akira ISHIGURO
增田 将大 | Masahiro MASUDA
近藤 守 | Mamoru KONDO
小西 纪行 | Noriyuki KONISHI
加藤 智大 | Tomohiro KATO
坪山 斉 | Hitoshi TSUBOYAMA
坪山 小百合 | Sayuri TSUBOYAMA
中村 绫花 | Ayaka NAKAMURA
尻上 寿 | SHIRIAGARI Kotobuki
展览时间 | Duration
2021.4.10(周六)- 2021.5.30(周日)
(12:00 - 20:00,周一闭馆 Closed on Monday)
展览开幕 | Opening
2021.4.10(周六) 4pm-7pm
熏依社画廊 · Shun Art Gallery
地址 | Address
200031 上海市 徐汇区 复兴中路1363弄3号108室
Room 108, No.3, Lane 1363, Middle Fuxing Road, Xuhui District, Shanghai, China 200031

奈良 美智 Yoshitomo NARA | Pain | 版画 | Print ED 37 | 54×45cm | 2002
十五年进化论
时间回到2006年的8月,暑气冉冉的欧洲,一半的巴黎人此时都会选择在海边度过,而另一半则会流连于美术馆及画廊之间。巴黎也正是这样一个城市有着永远也参观不完的艺术展览,从古典艺术到当代艺术,从艺术到设计 。也正是从那个八月开始,人还在巴黎留学的我,开始了熏依社画廊进化论的第一论,上海M50空间。

草间 弥生 Yayoi KUSAMA | A Pumpkin(BT) | Silkscreen | ED120 | 33x27cm&45.5x38.3cm | 2004
M50的空间持续了10年,装修过两次。学生创业在三无状态下开始(无艺术家,无收藏家,无经验)。只能说自己初生牛犊不怕虎。但是对于喜爱之事的热情是我认为最美好的出发点与支持力。
刚开始的空间,结合了当代艺术与设计,自己设计并动手做过灯具装置10几件,群展和个展的策划组织,初始的美好和纯粹也在2008年北京奥运会,汶川大地震以及雷曼兄弟经济危机中经历了第一个震动。那一年,情绪和数字一样跌宕起伏。

草间 弥生 Yayoi KUSAMA | Mirror Box | Mixed Media | ED 280 | 14cm×14cm×14cm | 2001
来到2010年上海世博会,我们策划了上海世博会纪念版画,与中日两国的13位知名艺术家合作,日方的草间弥生先生及物派的関根伸夫,小清水渐,到中方也有周春芽,刘野等大师级艺术家。从历史上第一次世界博览会带来科技与艺术的冲击,到上海世博会纪念版画,这是一次中日双方当代艺术家的美好交流与纪念。在千禧年刚刚跨过的十年,我们感谢这13位艺术家对于亚洲当代艺术所作出的成就,于此纪念版画的发行除纪念意义外也希望激励之后更多的年轻艺术家,为亚洲当代艺术记录下这个时刻的同时也旨在激发未来。

村上 隆 Takashi MURAKAMI | 粉红时间 Pink Time | Hectographic Printing | ED 300 | 49.5cm×50.2cm | 2011
2011年东日本311大地震,在人类共同的灾难面前,我们继续着汶川大地震时做的慈善义拍活动,也感谢所有喜爱艺术的朋友身上永远持有着的人文主义至上精神。再次得到国际艺术家及藏家的善意捐赠,我们将义拍善款在李白的故乡江油市建成了7所图书室,以及在日本岩手县立美术馆捐赠于灾区儿童艺术项目。
我们于不断的事件中成长,无论是自然灾害还是社会行为,每一个展览,无论是群展还是个展;每一位艺术家,无论是声名赫赫还是初出茅庐,熏依社画廊始终保持着以艺术与设计相辅相成,互相启发的展览概念运行。我们在不断探索当代艺术设计的可能性的同时,也希望带给所有的观众新的视角与思考维度,这不失为当代艺术最为重要的宗旨。

横尾 忠则 Tadanori YOKOO | 高仓 健 Ken TAKAKURA | Paster | 72cm×51cm | 1979
从M50的10年跳转到法租界复兴中路,中途因为在韩国的事故导致右眼视神经损伤,故此中间按了一年的暂停键。当我们重新启动,秉持理念不变的前提下,形态可变,于个人是,于整个熏依社亦是。
我们想改变“传统”当代画廊硕大空白盒子展厅的距离感,集中式画廊展览带来的过多分泌却难以吸收。这些进化下的思考使我们来到了有历史的复兴中路的老房子里,四年的时光,一切在这里变得更加清晰,纯粹。而经历过动荡的个人和团队也更具有抗打能力和坚强的信念,我们也更加理解继续做喜爱事情的珍贵和不易。

石黑 昭 Akira ISHIGURO | 白卡拉拉大理石丘比 02 Gravitational field Bianco Carrara Kewpie 02 | Urethane and acrylic on Kewpie (vinyl) | 61cm×37cm×17cm | 2013
过去的十五年,每一个展览,与我们合作过的每一位艺术家,驻地项目下支持的青年艺术家,收藏的每一件作品,一直保持的概念,不断进化的概念,这些点滴与片刻都构成了我们走过的这15年的历史。
至此15周年之际,我们还在经历疫情,生活和日常移动都发生了巨大的变化,思考也是。或许我们每个人都在一段的时间里停滞不前又或是失落于下坠感,埋没在起伏的情绪中。但疫情便是可以引发对进化论最大的思考。希望我们不变的信念,就是继续做喜欢的事情。

小林 麻衣子 Maiko KOBAYASHI | Untitled (Message#3) | Acrylic on Canvas | 60×50 | 2019
这次【治愈细胞】展是我们15周年纪念馆藏展第一回,希望从熏依社空间过去十五年的小小进化论,带给到大家对于当下,过去与未来的大维度进化论思考。
进化论是为进化,也为轮回。我们在回看与思考过去中进化,从而一步一步走向未来。
未来可期。
shun
2021年4月初始
于东京

坪山 斉 Hitoshi TSUBOYAMA | Two #1 | Acrylic on Canvas | 60cm×80cm | 2019
The 15th anniversary of evolution
Back to the August of 2006, the heating summer days in Europe, half of the Parisians would choose to spend their time by the seaside, while the others would linger between museums and art galleries. Paris is also such a city where you never can finish visit the all art exhibitions, from classical art to contemporary art, from art to design. In the same time of the August I was still studying in Paris, and started the first movement of Shun Art Gallery, M50 space in Shanghai.

磯辺 勝四郎 Katsushiro ISOBE | 曼荼罗 Mandala | Pencil on Drafting Paper | 42cm×42cm
The M50 space has been running for 10 years and renovated for twice. Bring the student entrepreneurship, i started in the situation that not acquaintance with any artists and collectors and lack of experience, but i think the enthusiasm for things I like is the best starting point and support.
The M50 space’shows combined contemporary art and design at the beginning. I designed more than 10 pieces of lighting installations by myself and organized the group or solo exhibitions. However, at the same time the original passion was also influenced and shocked by Beijing Olympics, WenChuan earthquake and the Lehman Brothers crisis in 2008. That year, emotions trends were fluctuating as society numbers.

小西 纪行 Noriyuki KONISHI | 须崎 #28 Susaki #28 | Oil on Paper | 32.5cm×23cm | 2014
By 2010 Shanghai World Expo, we created a Shanghai World Expo Commemorative Plate Painting with 13 famous Chinese and Japanese artists , include Yayoi Kusama, Nobuo Sekine and Susumu koshimizu from Japan, Zhou Chunya and Liu Ye from China. Since the first World Expo brought to public the impact of technology and art, the Shanghai World Expo Commemorative Plate Painting is a beautiful connection and commemoration of contemporary art in Asia. In the first decade of the 21st century, we are grateful to these 13 artists and their achievements for Asian contemporary art movements, also we hope to inspire more young artists in the future by this Commemorative Plate Painting . Recording this moment for Asian contemporary art , it also aims to inspire the future.

山口 蓝 Ai YAMAGUCHI | Mixed Media, Paper | 51cm×40cm
At 2011, we been through another big earthquake in east Japan, In the face of the common disaster of mankind, we continued the charity auction activity done during the Wenchuan earthquake . So thanks for all the supporters who love art and always hold the supremacy of humanism. We received kind donations from international artists and collectors again. Use these charity auction funds, we built 7 libraries in Li Bai’s hometown Jiangyou City,China , and donated a children's art projects in the disaster-stricken area at the Iwate Prefectural Art Museum in Japan.

坪山 小百合 Sayuri TSUBOYAMA | 天色美人 | Oil on Canvas | 60cm×50cm | 2019
We grow up in constant movements, whether it’s natural disasters or social behaviors, every exhibition, whether it’s a group or solo exhibition.Every artist, whether it’s famous or just a newcomer, Shun Art Gallery has always keep the vision based on inspire people from contemporary art and design. While we continue to explore the possibilities of contemporary art and design, also hope to bring new perspectives and thoughts to all audiences, This can be regarded as the most important purpose of contemporary art.
Shun art gallery moved to Fuxing Middle Road after 10 years in M50 space. we stopped for one year in between, because personal reason i had an accident in South Korea caused damage to the optic nerve of the right eye. When we restart but still keeping the same concept, we moved in french concession of shanghai.But the restart also make us realized the form can be change, both for individual and entire Shun Art gallery.

小林 麻衣子 | Maiko KOBAYASHI | 关注 Keep Your Eyes On | Mixed Media, Paper | 17.7cm×25.5cm | 2011
We want to change the sense of distance in a big contemporary exhibitions like a huge blank box and the mood that most galleries in shanghai are gather in the same area.Somehow indigestible mass . These rebel thoughts brought us to the French concession, a old `historic apartment space. And for past four years, more ideas has become clearer and purer in here. Individuals and teams who have experienced turbulence also have more resistance and strong belief. Time by time we also realize the preciousness continuing to do what we really like.
For the all past fifteen years, each exhibition, each artist we worked with, each young artists we supported under the residency project, each art piece of our collection, all based on the same concept that always be maintained, the concept of continuous evolution, these all things constitute our history of the past 15 years .

沼田 月光 Gokko NUMATA | 喇叭狗 Bulldog | Acrylic color, Wood panel | 30cm×30cm | 2008
At this 15th anniversary, we are still experiencing the COVID-19, and our daily lives have changed a lots, include our thoughts. Perhaps each of us has been stagnant a period of time or lost in the sense of falling and the up and down emotions. But this special period can trigger the biggest thinking movement about evolution. but still, hope that our unchanging belief is to continue to do what we really like.

尻上 寿 SHIRIAGARI Kotobuki | 睡觉的欧吉桑 寝るオヤジ | Pencil, Manual gesso frame | 15cm×13cm | 2009
The [ Healing ] exhibition is the first show of our 15th anniversary collection exhibitions. we hope that the small evolution theory from Shun Art Gallery in the past fifteen years can bring everyone a large-scale evolution thinking about the present, the past and the future.
The theory of evolution is for evolve, and it is also for reincarnation. We are evolving by looking back and thinking about the past ,so we can move forward more strongly.
Shun, wrote in Tokyo

近藤守 Mamoru KONDO | 蓝色珊瑚礁 Blue Caral Reef | Mineral pigments, India ink on Wood | 100cm×73cm | 2011
交通 | Traffic
● 的士 By Taxi
复兴中路靠近宝庆路 克莱门公寓
The Gallery is on the Middle Fuxing Road near Baoqing Road,.
● 地铁 By Subway
地铁1,7号线 常熟路站 徒步8分钟
Line 1, 7: Changshu Rd. Station, Walk from Exit 6/7.
● 公交 By Bus
NO.15, 49, 96, 198, 315, 824, 830, 927 宝庆路淮海中路
Baoqing Road Middle Huaihai Road.







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