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【OCAT上海馆 | 作品介绍】杨振中，《春天的故事》，2003

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当前展览“环形撞击：录像二十一” 共计展出31件作品。“作品介绍”系列将在展期内，以导览路线为序依次为大家推送每一件作品的介绍。展览由戴卓群策划，截取2000年以来的中国录像艺术样本，邀请到21位长期以录像为创作媒介的艺术家，内容涵盖自21世纪初至今，恰迈入21年的时间跨度。结合录像艺术在中国大陆起步和发展的特殊时代背景，在前卫和新潮艺术群起的波澜中，录像艺术应时而生地充当了新时期中国社会最前沿意识与观念启蒙的媒介剂，记录和映照下中国人的社会生活和精神境况以及思想情感纷纭变幻中的大千万象。

【OCAT上海馆 | 作品介绍】杨振中，《春天的故事》，2003 作品春天的故事杨振中上海馆 OCAT 当前环形录像系列展期崇真艺客

星标为《春天的故事》（2003）在本次展览现场所处位置

The star refers to the location of Spring Story (2003) in this exhibition

杨振中 Yang Zhenzhong

b. 1968

No.7

春天的故事

Spring Story

2003

单通道录像

Single-channel video

13 分 05 秒（彩色，有声）

13' 05'' (color, sound)

作品由艺术家和香格纳画廊（上海，北京，新加坡）提供

Courtesy of the artist and ShanghART Gallery (Shanghai, Beijing, Singapore)

2003年，杨振中去了位于上海近郊的西门子工厂，那里近1500位工人忙着生产供应给全球的手机。杨振中拿着录像机录下了每个工人念诵演讲稿的录像，这让这部长12分钟的作品看上去像是工厂流水线上制造出来的产品。《春天的故事》真切地解放了评论的生产力，并且是少有的能让我们参与其中，看到整个过程产生的作品之一。

杨振中，《春天的故事》，静帧，2003，图片由艺术家和香格纳画廊提供

Yang Zhenzhong, Spring Story, still image, 2003, image courtesy of the artist and ShanghART Gallery

In 2003, Yang Zhenzhong went to the Siemens factory just outside of Shanghai where some 1,500 workers were busy assembling mobile phones for the entire planet. Yang asked each of the workers successively to say one word from a speech as well as the workers' jobs there in the first place, until all 1,500 isolated words had been recited. Then the artist painstakingly spliced their contributions and recomposed together the entire speech, a long process which made the video look like a merchandise produced in assembling lines. The work emancipates faithfully the productive forces of criticism and stands as one of few works which invites audience participation and unfolds the entire processing of creation.

杨振中，《春天的故事》，2003，单通道录像。“环形撞击：录像二十一”展览现场，2021，OCAT上海馆，摄影：吴清山

Yang Zhenzhong, Spring Story, 2003, single-channel video. Installation view of The Circular Impact: Video Art 21, 2021, OCAT Shanghai, photo by Wu Qingshan

艺术家简介

ABOUT THE ARTIST

杨振中

Yang Zhenzhong

杨振中，1968年出生于中国浙江，现生活工作于上海。作为艺术家，其艺术实践以观念艺术为主要方向，涉及录像、摄影、装置，甚至包括绘画、雕塑等艺术形式，长期活跃于全球当代艺术系统，并于2003和2007年两次参加威尼斯双年展主题展。作为策展人，从上世纪九十年代末起，他与上海的艺术家们共同策划并发起了包括“超市展”“吞图”“快递展”等十几场重要的的当代艺术展览和项目。杨振中的创作核心，一方面持续关注生死议题并以玩世不恭的态度强化社会中存在的大量矛盾与错乱，另一方面则是对城市日常与政治空间中的人、物、景观的转化和再利用。

Yang Zhenzhong (b. 1968, Zhejiang, China) currently lives and works in Shanghai. As a practicing artist, YANG works primarily in the field of conceptual art with media that span from video, photography and installation to painting and sculpture. For decades, he is an active member of the international contemporary art scene and has showcased twice in the Venice Biennale (2003 and 2007). As a curator, he has collaborated with artists in Shanghai since the late 1990s and planned and initiated exhibitions including “Art for Sale”, “Dial 62761232: Express Art Exhibition”, “Hipic” and dozens of other important contemporary art shows and projects. Yang's creations have always been centering on the issue of life and death and highlighting the multitude of contradictions and disorders in the society with a cynical attitude on one hand. On the other hand, he translates and recycles the people, objects and landscapes in everyday urban life and political space.