站台中国|展览延期:袁运生《魂兮归来》延至6月13日闭幕
{{newsData.publisher_name}}
{{newsData.update_time}}
浏览:{{newsData.view_count}}
来源 | {{newsData.source}} 作者 | {{newsData.author}}

延期公告
线上讲座
重识 “ 袁运生 ”——围绕“魂兮归来”和“一段记忆的修复”两个展览的讨论
主办:站台中国当代艺术机构
时间:2021年6月5日 晚8:00-10:00

☝
长按海报识别二维码
进入直播
在中国当代艺术史上,袁运生一直是一个“异数”。上世纪六七十年代,他的两件作品——毕业创作《水乡的记忆》(1962)和首都机场壁画《泼水节——生命的赞歌》(1979)——先后引发的两次事件和风波,不仅改变了他的命运,也为他的一生蒙上了一层“传奇”色彩。从1962年的《水乡的记忆》到1979年的《泼水节——生命的赞歌》,似乎注定了袁运生是个事件性的存在。然而,正是这一事件性,在赋予他“光环”的同时,也掩盖了他一直以来的艺术追求。比如“民族化”,其实从他少年时代的书画启蒙到大学期间跟随董希文学习,从毕业创作到绘制首都机场壁画,从西北之行到游学海外,中国传统绘画不仅塑造了他的艺术观和美学观,也成了他孜孜以求的艺术目标和文化方向。2021年4月底,分别由站台中国和中央美术学院美术馆主办的“魂兮归来——袁运生个展”和“一段记忆的修复————袁运生《水乡的记忆》作品史研究”两个展览几乎同时开幕。值此展览举办之际,我们特别邀请了展览“魂兮归来”的学术主持鲁明军和“一段记忆的修复”的策展人李尧辰分别围绕这两个展览,就袁运生先生的艺术实践作一深入的探讨和对话。此次线上论坛我们特别邀请了中央美术学院人文学院宋晓霞教授担任主持。
袁运生,1937年生于江苏南通,1962年毕业于中央美术学院油画系董希文工作室。1979年参加首都机场壁画创作,先后在中央工艺美术学院、中央美术学院壁画系任教,以云南西双版纳线的线描人物画和首都机场《泼水节——生命的赞歌》大型壁画引起美术界与思想界的关注。1982年应邀访美至1988年并任教于塔夫茨大学、麻省大学、斯密斯学院、哈佛大学,期间创作了大量纸本水墨综合材料作品。1996年九月应邀回国,任教于中央美术学院油画系第四画室,并承担“中国传统雕塑的复刻与当代中国美术教育体系的建立”课题的研究工作,并尝试在中国传统雕塑、壁画、画像石、画像砖等“非书画系统”的视觉空间中寻求灵感和新启发。近期重要个展包括:《魂兮归来》,站台中国当代艺术机构,北京(2021);一段修复的记忆——袁运生《水乡的记忆》作品史研究,中央美术学院美术馆,北京(2021);《生命的赞歌》,站台中国当代艺术机构,北京(2019);《走向文明的自觉——袁运生艺术展》,中国美术馆,北京(2017);《第三条路——袁运甫 袁运生绘画作品展》,中间美术馆,北京(2014)Yuan Yunsheng, born in Nantong, Jiangsu Province on April 4, 1937, graduated from The Third Studio directed by Dong Xiwen, oil painting department, Central Academy of Fine Arts (CAFA) in 1962. In 1979, he participated in making mural paintings for Beijing Capital International Airport and taught in mural Department of the Central Academy of Craft Art and CAFA. He gained attention from art and intellectual circles with the portraits of Xishuangbanna people, as well as a large fresco “Water Sprinkling Festival: An ode to Life” commissioned by Beijing Capital International Airport. In 1982, he was invited to visit the United States until 1988 and taught at Tufts University, Massachusetts University, Smith College, Harvard University. During his stay, he created a large number of mixed media works on paper. In September 1996, he was invited to be the director and professor of the Fourth Studio of the oil painting department, CAFA. He initiated research project “Reproduction of Traditional Chinese Sculpture and Establishment of Contemporary Chinese Art Education System”, attempted to seek inspiration and new enlightenments from traditional Chinese sculptures, frescoes, portrait stones, portrait bricks and other “non-painting systems”.His recent important solo exhibition includes: 《REGENERATION》, Platform China Contemporary Art Institute, Beijing (2021); The Restoration of the Memory –A Study of the history of Yuan Yunsheng’s work ‘Memories of the Water Town’, CAFA Art Museum, Beijing (2021); EXTOL LIFE, Platform China Contemporary Art Institute, Beijing (2019); Self-Conscious to the Civilization Renowned Chinese Artists of Fine Arts in the 20th Century, National Art Museum, Beijing (2017); The Third Path—Yuan Yunfu Yuan Yunsheng paintings exhibition,Inside-Out Art Museum, Beijing (2014)His works have been collected by important art galleries and institutes at home and abroad. 
{{flexible[0].text}}
{{newsData.good_count}}
{{newsData.transfer_count}}