艺术家 | 许哲瑜将参加巴西圣保罗双年展、首尔Mediacity双年展 - vanguard画廊

艺术家 | 许哲瑜将参加巴西圣保罗双年展、首尔Mediacity双年展艺术家许哲瑜巴西圣保罗双年展首尔 Mediacity双年展 Vanguard画廊荣幸双年展疫情许哲崇真艺客

Vanguard画廊荣幸宣布艺术家许哲瑜将参加第34届巴西圣保罗双年展，以及第11届首尔Mediacity双年展。上述双年展均原定于 2020 年开幕，因疫情影响延期至今年九月。

Vanguard Gallery is pleased to announce that Hsu Che-Yu will participate in the 34th edition of the Bienal de São Paulo and the 11th Seoul Mediacity Biennale. Both exhibitions were originally expected to open in 2020, but due to the global pandemic, have to be postponed to this September.

艺术家许哲瑜于1985 年出生于台北，2013 年于台南艺术大学造形艺术研究所毕业，现居台北。许哲瑜主要创作动画，视频和装置作品。这些作品体现了媒介与记忆之间的关系。对艺术家而言，重要的不仅仅是通过媒介追溯的历史事件，还包括记忆的构建和可视化，无论是私人记忆还是集体记忆。

Hsu Che-Yu was born in Taipei in 1985. He graduated from Graduate Institute of Plastic Arts of Tainan National University of the Arts in 2013. Hsu Che-Yu primarily creates animations, videos and installations that feature the relations between media and memories. What matters to the artist is not simply the history of events traceable through media, but also the construction and visualization of memories, be they private or collective.

艺术家近期展览

近期展览包括：“不寻常的某日”，Vanguard 画廊，上海（2020 年）；纽约电影节（2020 年）；“ 蓝图之外”，K11 艺术基金会 × 蛇形画廊 × NOWNESS，伦敦（2020 年）；“优势”，IKOB 当代艺术博物馆，比利时奥伊彭（2020 年）；荷兰鹿特丹国际电影节2020，光明未来短片单元（2020 年）；“台湾- 日本漫画美学与当代艺术展”，台湾博物馆，台中（2020 年）；莫斯科国际实验电影节（2020 年）；EXiS 实验电影和录像节，首尔（2020 年）；“Artivirals”，马拉特布鲁日城堡，根特（2020 年）；“人造单位”，TheCube 项目空间，台北（2020年）；巴黎/ 柏林国际会议2020，卢浮宫礼堂，大皇宫礼堂，巴黎（2020 年）；巴黎/ 柏林国际会议2020，世界文化之家，柏林（2020 年）；“没有艺术家就没有艺术”，安特卫普当代艺术博物馆，安特卫普（2020 年）；奥林布拉艺术节，萨勒诺（2020 年）；亚洲当代，巴黎亚洲艺术博览会，巴黎（2020 年）；利斯特艺术博览会—重写想象力，巴塞尔（2020 年）；双年展前放映计划，第十一届首尔媒体城市双年展，首尔（2019 年）；“HUGO BOSS 亚洲新锐艺术家大奖”，上海外滩美术馆（2019 年）；“ 操作＜＞计算：人类与世界之间的宇宙”，中国实验电影中心（2019 年）；“在裂隙中想象”，TKG +，台北（2019 年）；“忘忧草—考古女性时间”，广州时代美术馆（2019 年）；“少年当代—未终结的过去进行式”，当代艺术博物馆，台北（2019 年）；“人类的痕迹，城市间和世界的转型”，OCAT 研究所，北京（2019 年）；“影像焦虑”，台湾博物馆，台中（2019 年）；“共感知觉”，Fotoaura 摄影研究/Akademie Graz，台南/ 格拉茨（2019 年）；AAMP 亚洲艺术家动态影像平台，富川艺术邦克B39，MMH，富川（2019 年）；巴黎/ 柏林国际会议2019，视频库，巴黎/ 柏林（2019 年）；禹步：第12 届上海双年展，上海当代艺术博物馆（2018 年）；伦敦设计双年展：情绪状态，萨默塞特宫，伦敦（2018 年）；“IFFR 国际电影节鹿特丹2018”，光明未来短片，鹿特丹（2018 年）；AFLAS 西班牙动态影像艺术节，马德里屠宰场艺术中心，马德里（2018 年）；“曼谷双年展：影像台北”，Cho Why，曼谷（2018 年）；“ 相遇国际录像艺术节2018”，图像论坛，蓬皮杜艺术中心，巴黎（2018 年）；“相遇国际录像艺术节2018”，世界文化之家，柏林（2018年）；渗透影响媒体艺术节，俄罗斯文化产业艺术中心，莫斯科（2018 年）；2018 宝藏岩光节—又在这里，又在那里，台北（2018 年）；艺聚空间，巴塞尔艺术展香港展会，香港艺术中心电影院，香港（2018 年）；台湾动画节，爱丁堡艺术学院，爱丁堡（2018 年）。

His recent exhibitions include: “An Unusual Day”, Vanguard Gallery, Shanghai (2020); “NYFF New York Film Festival”, Currents, New York (2020); “Out of Blueprints”, K11 Art Foundation x Serpentine Galleries x NOWNESS, London (2020); “The Upper Hand”, IKOB—Museum of Contemporary Art, Eupen (2020); “IFFR International Film Festival Rotterdam 2020”, Bright Future Short, Rotterdam (2020); “Taiwan–Japan Comic Aesthetics & Contemporary Art Exhibition”, Taiwan Museum, Taichung (2020); “MIEFF Moscow International Experimental Film Festival”, Moscow (2020); “EXiS Experimental Film and Video Festival”, Seoul (2020); “Artivirals”, Maaltebruggekasteel, Gent, Belgium (2020); “Artificial Unit”, TheCube Project Space, Taipei (2020); “Rencontres Internationales Paris/Berlin 2020”, Louvre auditorium, Grand Palais auditorium, Paris; “Rencontres Internationales Paris/Berlin 2020”, Haus der Kulturen der Welt, Berlin (2020); “Zonder Kunstenaar, geen kunst”, M HKA, Antwerp (2020); Linea d’Ombra Festival, LineaDoc, Salerno (2020); “ASIA NOW ”, Paris Asian Art Fair, Paris (2020); Liste Art Fair—Rewriting Imagination, Basel (2020); “Pre-Biennale screening program-The 11th Seoul Mediacity Biennale”, Seoul Cinema, Seoul (2019); “HUGO BOSS ASIA ART”, Rockbund Art Museum, Shanghai (2019); “Operations < > Calculations: The Universe Between Humans and the World”, Centre for Experimental Film, Shenzhen (2019); “Into the Crevices of Imagination”, TKG+, Taipei (2019); “Forget Sorrow Grass: An Archaeology of Feminine Time”, Times Museum, Guangzhou (2019); “Once Upon A Time—Unfinished Progressive Past”, Museum of Contemporary Art, Taipei (2019); “Human Trace, Intercity, and Transformation of the World”, OCAT Institute, Beijing (2019); “Anxiety of Images”, Taiwan Museum, Taichung (2019); “Sharing Perceptions”, Fotoaura institute of photography/Akademie Graz, Tainan/Graz (2019); “AAMP Asian Artist Moving Image Platform”, Bucheon Art Bunker B39, MMH, Bucheon (2019); “Rencontres Internationales Paris/Berlin 2019”, Video library, Paris/Berlin (2019); “Proregress”, Shanghai Biennale, Power Station of Art, Shanghai (2018); “London Design Biennale: Emotional States”, Somerset House, London (2018); “IFFR International Film Festival Rotterdam 2018”, Bright Future Short, Rotterdam (2018); “AFIAS Spain Moving Images Festival 2018”, Matadero, Madrid (2018); “Cinema Taipei”, Bangkok Biennial, Cho Why, Bangkok (2018); “Rencontres Internationales Paris/Berlin 2018”, Forum des Images, Centre Pompidou, Paris (2018); “Rencontres Internationales Paris/Berlin 2018”, Haus der Kulturen der Welt, Berlin (2018); “Osmosis Audiovisual Media festival” , CCI Fabrika, Moscow (2018); “Treasure

Hill Light Festival 2018—Here & There”, Treasure Hill Artist Village, Taipei (2018); “Encounters”, Art Basel Hong Kong, Hong Kong Arts Centre Cinema, Hong Kong (2018); “Taiwan Animation Festival”, Edinburgh College of Art, Edinburgh (2018).

■ 关于圣保罗双年展

艺术家 | 许哲瑜将参加巴西圣保罗双年展、首尔Mediacity双年展艺术家许哲瑜巴西圣保罗双年展首尔 Mediacity双年展 Vanguard画廊荣幸双年展疫情许哲崇真艺客

作为拉丁美洲最重要的双年展，圣保罗双年展正持续推进其将于今年9月举办的第34届展览计划，并于近期公布了本次参展的艺术家名单。雅科波·克里维利·维斯孔蒂 (Jacopo Crivelli Visconti) 将领导本次双年展的策划团队。

展览题目“Faz Escuro mas eu canto” (“Though it’s dark, still I sing”) 构思于疫情爆发之前，引自蒂亚戈·代·梅洛 (Thiago de Mello) 于1965 年创作的诗歌。91 位参展艺术家将通过作品呈现他们对于——“在这充满挑战的时刻，艺术可以做些什么”这一议题的思考与回应。

The Bienal de São Paulo, Latin America’s most important biennial, is plowing ahead with plans to mount its main exhibition in September. Recently, the biennial has revealed an artist list for that show, which is being curated by a team led by Jacopo Crivelli Visconti.

The show is titled “Faz Escuro mas eu canto” (“Though it’s dark, still I sing”), a reference to a 1965 poem by Thiago de Mello, and was conceived prior to the onset of the pandemic. The 91 artists included meditate in their work on what art can do during our challenging moment.

■ 关于首尔Mediacity双年展

艺术家 | 许哲瑜将参加巴西圣保罗双年展、首尔Mediacity双年展艺术家许哲瑜巴西圣保罗双年展首尔 Mediacity双年展 Vanguard画廊荣幸双年展疫情许哲崇真艺客

成立于2000年，由首尔市政府主办、首尔艺术博物承办的首尔Mediacity双年展，致力于在艺术、媒体和城市肌理之间开辟新天地。马容元被任命为第十一届首尔Mediacity双年展的艺术总监。

鉴于当前全球疫情和广泛的封锁措施，逃避现实变得更具象征意义和相关性。本次双年展以“ONE ESCAPE AT A TIME”为主题，探讨逃避现实在面临新形势下的全新语意。

Established in 2000 as an initiative of the Seoul Metropolitan Government, Seoul Mediacity Biennale is organized by the Seoul Museum of Art. The Biennale is internationally recognized for forging new links between art, media, and the urban fabric. Yung Ma was appointed as the Artistic Director for the 11th edition of the Seoul Mediacity Biennale.

In light of the current global Covid-19 pandemic and widespread lockdown measures, escapism has become all the more symbolic and relevant. Titled "ONE ESCAPE AT A TIME", the biennial is going to explore new contextual meaning of escapism under the new circumstance.