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【OCAT上海馆 | 作品介绍】刘雨佳，《远山淡景》，2018

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当前展览“环形撞击：录像二十一” 共计展出31件作品。“作品介绍”系列将在展期内，以导览路线为序依次为大家推送每一件作品的介绍。展览由戴卓群策划，截取2000年以来的中国录像艺术样本，邀请到21位长期以录像为创作媒介的艺术家，内容涵盖自21世纪初至今，恰迈入21年的时间跨度。结合录像艺术在中国大陆起步和发展的特殊时代背景，在前卫和新潮艺术群起的波澜中，录像艺术应时而生地充当了新时期中国社会最前沿意识与观念启蒙的媒介剂，记录和映照下中国人的社会生活和精神境况以及思想情感纷纭变幻中的大千万象。

【OCAT上海馆 | 作品介绍】刘雨佳，《远山淡景》，2018 OCAT上海馆作品远山淡景刘雨佳上海馆 OCAT 当前环形录像系列展期崇真艺客

星标为《远山淡景》（2018）在本次展览现场所处位置

The star refers to the location of The Pale View of Hills (2018) in this exhibition

刘雨佳 Liu Yujia

b. 1981

No.14

远山淡景

The Pale View of Hills

2018

单通道录像

Single-channel video

38 分 26 秒（彩色，有声）

38’ 26” (color, sound)

作品由艺术家提供

Courtesy of the artist

在《远山淡景》中，我们透过香特尔·阿克曼（Chantal Akerman）式的长镜头，以一种极度安静的方式观察了一位当地女性的生活。这种方式造成了一种介于虚构与纪录之间的状态：我们貌似看到了这位身份特殊的女性生活的全部细节，但又被遮蔽于她神秘的过去之外；或者说，女主人公仿佛是“活着的证物”，而我们正在目睹那段历史的遗存与逐渐消逝。影片中的空间往往构成彼此冲突的关系：安静的生活空间与喧闹的展示空间，单色调的戈壁与色彩丰富的室内，民族化的装饰与公共空间（台球厅）的去地域化。这种空间冲突形成了这部极为沉静的电影的节奏变化，提示着时间在此的多重性。

刘雨佳，《远山淡景》，静帧，2018，单通道录像，图片由艺术家提供

Liu Yujia, The Pale View of Hills, still image, 2018, single-channel video, image courtesy of the artist

In The Pale View of Hills, we observe in extreme quietness the life of a local woman, through the kind of long takes typical of Chantal Akerman. This approach generates a middle ground between fiction and documentation: we seem to be seeing all the details of this particular woman’s life, but in the meantime her mysterious past is shadowed from us; in other words, the protagonist appears to be “living evidence” and we are witnessing the remains of her history and how it gradually dissolves. The spaces in the film often constitute conflicting relationships: quiet living spaces are contrasted with bustling display spaces, the monochromatic Gobi Desert with polychromatic interiors, and ethnic decor with delocalized public spaces (such as the billiards room and the dance hall). These spatial conflicts compose the rhythm of this extremely quiet video, and suggest a perturbated multiplicity of time here.

刘雨佳，《远山淡景》，2018，单通道录像。“环形撞击：录像二十一”展览现场，2021，OCAT上海馆，摄影：吴清山

Liu Yujia, The Pale View of Hills, 2018, single-channel video. Installation view of The Circular Impact: Video Art 21, 2021, OCAT Shanghai, photo by Wu Qingshan

艺术家简介

ABOUT THE ARTIST

刘雨佳

Liu Yujia

刘雨佳，1981年出生于中国四川，现生活工作于北京。艺术家的近期创作主要通过影像来探索记录性现实与虚构的辩证张力。刘雨佳曾在当代唐人艺术中心（北京）与上海沪申画廊举办个展。她的作品曾展出于上海当代艺术博物馆；匹兹堡大学美术馆；2019年广州空港双年展；上海昊美术馆；UCCA沙丘美术馆；德国杜塞尔多夫·尤莉娅.施托舍克收藏；澳大利亚白兔美术馆；英国曼彻斯特CFCCA；卡蒂斯特艺术基金会等，她的单屏影像作品也在法国蓬皮杜艺术中心等美术馆与机构进行放映。刘雨佳曾被提名“保时捷中国青年艺术家双年评选”（2019）。

Liu Yujia (b. 1981, Sichuan, China) currently lives and works in Beijing, China. Liu Yujia’s recent practice engages with moving image. Her video works and films explore the dialectical tension between the documentary reality and fiction, examining the complex and mysterious dimensions of subjective experience in different social and political context. Recent solo exhibitions include Tang Contemporary Art Center, Beijing and Shanghai Gallery of Art, Shanghai. Her works were exhibited in PSA, Shanghai; Museum of University of Pittsburgh; 2019 Guangzhou Airport Biennale, Guangzhou; HOW Art Museum, Shanghai; UCCA DUNE Art Museum, Julia Stoschek Collection, Dusseldorf; White Rabbit Museum, Sydney, Australia; CFCCA, Manchester, UK; Kadist Foundation, USA, etc. Her Single Screen video works and films have been screened in Centre Pompidou, Paris and other museums and institutes around the world. She has been nominated for 2018-2019 Porsche “Young Chinese Artist of the Year” Award.