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ARARIO NEWS | 夫智铉顿善弼权五祥金仁培

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ARARIO NEWS | Jul Vol.1

夫智铉 BOO Jihyun

顿善弼 Don Sunpil

权五祥 Osang GWON

金仁培 KIM Inbai

夫智铉

个展「Relinghting」

Yeoncheon Art House

2021.07.02-08.29

展览现场 ©涟川艺术空间

Installation view of the solo exhibition Relighting @Yeoncheon Art House, 2021

由京畿道涟川艺术空间主办的展览「Relinghting」正在展出艺术家夫智铉的作品《Ultimate Space-Pause》。与位于非军事区边界上的废弃工厂经改造而重获新生的涟川艺术空间相似，夫智铉将废弃的捕鱼灯转变成装置作品，唤醒了观众全新的审美体验。

BOO Jihyun’s “Ultimate Space-Pause” is currently on view at “Relighting”, an exhibition of Yeoncheon Art House organized by Gyeonggi Cultural Foundation. Just as the old abandoned factory located on the border of the DMZ was reborn under the name of Yeoncheon Art House, BOO transforms discarded fishing lamps into installation works, awakening a new aesthetic sensibility to the audience.

顿善弼

个展「Cats on Mars」

奥胡斯当代艺术中心，丹麦

Little ASJC (Kunsthal Aarhus), Denmark

2021.06.21-07.20

展览现场 ©奥胡斯当代艺术中心，图片致谢：Mikkel Kaldal

Installation view of DON Sunpil's solo exhibition Cats on Mars @Kunsthal Aarhus. Photo: Mikkel Kaldal

展览「火星上的猫」是韩国善载艺术中心与丹麦奥胡斯当代艺术中心的合作项目“Little ASJC x Little KA”中的一部分。

The exhibition “Cats on Mars” is part of “Little ASJC x Little KA”, a collaborative project between Art Sonje Center and Kunsthal Aarhus.

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顿善弼，冒险（5）时间，4K单频影像（14'06"），第五版，2020

DON Sunpil, Adventure (5) Time, 4k single-channel video(14'06"), Edition of 5, 2020

在善载艺术中心第三个展览「火星上的猫」中，艺术家顿善弼展出了其纪录式影像作品《冒险(5)时间》(2020)。顿善弼幽默地以"猫为什么喜欢空投箱"为出发点，讲述了主人公为了一件限量版人偶，不惜去海外寻觅却不得，后来竟简单地通过一个名叫“Auction”的线上购物平台买到并直达家中的故事。这段经历带给主人公一个想法，同时也为理解猫的行为提供了线索，因而成为了视频的起点。最后，主人公意识到，猫把身体移入空箱的动作预示着 “移动物体的过程比物体本身更为重要”。

In Little Art Sonje Center’s third exhibition “Cats on Mars”， Don Sunpil presents a documentary video work, “Adventure (5) Time”(2020), which begins at the humorous enquiry, “Why do cats like empty delivery boxes?” The protagonist of the film, who travels overseas for a limited edition figure, ends the trip in failure. However, later the figure is simply delivered to the house through an online shopping platform ‘Auction’. This experience leads the protagonist to an idea, while also providing clues to understanding the cat’s behavior, which was the starting point of the video. Eventually the protagonist realizes that the action of a cat moving its body into an empty box predicts “the process of moving things is of more significance than the objects themselves.”

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P1: 顿善弼，第187号人偶，2021／DON Sunpil, No. 187 figure, 2021.

P2: 顿善弼，不可替代的盒子，2021／DON Sunpil, Non-Fungible Box, 2021.

P3: 顿善弼，商品拥抱者，2021／DON Sunpil, Goods Hugger, 2021.

影像作品中的三件实物与影像一同展示。作品《第187号人物》是推动故事的限量版人偶；《不可替代的盒子》则是一件日本运输到韩国、带有版号、形似快递盒的作品；《商品拥抱者》反映了购买欲望的变化过程。

“No. 187 figure (2021)”, the limited edition figure that kick-started the story, “Non-Fungible Box (2021)”, an object shaped as a delivery box shipped from Japan to Korea with the limited edition figure, and “Goods Hugger (2021)”, a figure as an embodiment of the changing process of the desire to buy things, will be displayed along with the video.

权五祥金仁培

群展「Texture House」

P.ARK，韩国釜山

P.ARK, Busan, South Korea

2021.07.01-11.30

展览现场 © P.ARK, 2021

Installation view of the group exhibition Texture House @ P.ARK, 2021

艺术家权五祥与金仁培携作品参与了位于釜山影岛的P.ARK文化中心开幕展「质感空间」。该展览空间通过将不同质感的作品汇聚在一起，试图唤醒参观者被遗忘的意识。

Works by GWON Osang and KIM Inbai are exhibited at “Texture House”, the inaugural exhibition of P.ARK, a cultural complex located in Yeongdo(影島), Busan. The space attempts to awaken a sense of forgotten awareness within the visitors, by bringing together and presenting varying works of different textures.

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