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动态｜Wu Tsang 曾吴个展“Anthem” @ Guggenheim Museum

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Wu Tsang 曾吴

Anthem｜“赞歌”

2021.07.23-2021.09.06

@Guggenheim Museum

1071 Fifth Avenue, New York

天线空间荣幸宣布Wu Tsang（曾吴）的个展“赞歌”将于2021年7月23日在纽约古根海姆美术馆进行展出，展览将持续至2021年9月6日。

Antenna Space is delighted to announce Wu Tsang's solo exhibition Anthem will be open on July 23rd, 2021 at Guggenheim. The exhibition will last until September 6th, 2021.

动态｜Wu Tsang 曾吴个展“Anthem” @ Guggenheim Museum Tsang 个展 Anthem 动态 Tsang曾吴Anthem｜赞歌 Guggenheim Avenue York 天线崇真艺客

曾吴的新作品《Anthem》（2021年）是与传奇歌手、作曲家以及跨性别活动者Beverly Glenn-Copeland 合作构思的，作品利用了古根海姆内教堂般的音效来构建艺术家所说的 "声学雕塑空间"。这个地点特定的装置围绕着一片悬挂在圆顶上，高八十四英尺的巨大帷幕而展开。曾吴将基于Glenn-Copeland表演中一系列原创构图，创造了"电影肖像"，并将其投射在这个丝质和半透明织物上。由此，《Anthem》把Glenn-Copeland的音乐织进了一片由其他更多声音交织而成的帷幕中，它们徘徊在博物馆的圆形斜坡上，建立起一片环绕空间的声景，萦绕着一种诱人和回荡的光环。在与音乐家Kelsey Lu和DJ、制作人、作曲家Asma Maroof的合作下，曾吴创造了这种编排声音的方式，作为一系列被Glenn-Copeland声音所召唤、激发的即兴反应。参观者被鼓励从博物馆的底部向上游览到建筑的顶部，反之亦然，以此探索《Anthem》如何沿着螺旋形的路径上升和下降。

展览的标题 "Anthem"来自于鲜为人知的历史，源于 "轮唱"这一词汇——一种将音乐作为精神实践的对唱方式。与传统的赞歌不同的是，它通过响亮的声音和统一的歌声来放大歌曲的力量，这个装置通过把模糊的人声音色、环绕音以及其他异质的声音和视觉纹理结合在一起，以增强将Glenn-Copeland呼唤的声音。在这个华丽又复杂的听觉环境里，《Anthem》也营造了安静、休憩与反思的时刻，圆形大厅被重新想象成一个供集体聆听与观看的温和环境。

本次展览由古根海姆美术馆的副策展人X Zhu-Nowell组织策划。展览文字由X Zhu-Nowell与音乐学家Frederick Cruz Nowell合作撰写。

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Wu Tsang’s new commission, Anthem (2021), was conceived in collaboration with the legendary singer, composer, and transgender activist Beverly Glenn-Copeland and harnesses the Guggenheim’s cathedral-like acoustics to construct what the artist calls a “sonic sculptural space.” This site-specific installation revolves around an immense, eighty-four-foot curtain sculpture suspended from the oculus. Projected onto this silky and translucent textile is a “film-portrait” Tsang created of Glenn-Copeland performing a series of original compositions. Conjuring an alluring and reverberant aura, Anthem weaves Glenn-Copeland’s music into a larger tapestry of other voices and sounds placed throughout the museum’s circular ramp, building a soundscape that wraps around the space. Working in collaboration with the musician Kelsey Lu and the DJ, producer, and composer Asma Maroof, Tsang developed this arrangement of sounds as a series of improvisatory responses inspired by the call of Glenn-Copeland’s voice. Visitors are encouraged to traverse upward from the bottom of the museum to the top of the building, and vice versa, and explore how Anthem ascends and descends along the spiral path.

The title of this exhibition, Anthem, draws from lesser-known histories of the word meaning antiphon, a style of call-and-response singing associated with music as a spiritual practice. Unlike a conventional anthem, which amplifies the power of a song through loudness and uniform sound, this installation enhances the call of Glenn-Copeland’s voice by combining it with ambiguous vocal timbres, changing tints of ambient sound, and other heterogeneous sonic and visual textures. Within this lush yet complicated auditory environment, Tsang’s Anthem also cultivates moments of quiet, rest, and reflection, reimagining the rotunda as a compassionate atmosphere for collective listening and looking.

Wu Tsang: Anthem is organized by X Zhu-Nowell, Assistant Curator. The exhibition text is written by X Zhu-Nowell, in collaboration with musicologist Frederick Cruz Nowell.

曾吴 Wu Tsang

曾吴出生于1982年，目前生活居住在美国洛杉矶。曾吴于2004年在芝加哥艺术学院获得艺术学士学位，于2010年在加州大学洛杉矶分校获得艺术硕士学位。曾吴是一名电影人和表演艺术家，她的作品结合纪录片和叙事片的技巧，引入奇幻色彩的图像，探索隐藏的历史、被边缘化的叙事和表演作为行为本身的意义。曾吴重新想象了在主流框架之外的种族性别的表达，包容了我们体验社会现实的多样且变化着的视角。她的影像作品包括《We hold where study》（2017年），《Girl Talk》（2015年），《Damelo Todo (Gimme Everything）》(2010年），以及《Shape of a Right Statement》（2008年）等。曾吴的作品曾经在柏林的Gropius Bau、美国现代艺术博物馆、伦敦泰特美术馆、明斯特美术馆、阿姆斯特丹市立美术馆、美国惠特尼美术馆、纽约古根海姆美术馆、芝加哥当代艺术美术馆等机构展出。

近期个展、表演与电影展映：“Wu Tsang: Anthem”，古根海姆美术馆，纽约（即将展出）；“Visionary Company”，老佛爷百货基金会艺术中心，巴黎（2020年）；“There is no nonviolent way to look at somebody”，马丁葛罗皮亚斯展览馆，柏林（2019年）；“An Atmosphere of Messages”，Cabinet Gallery，伦敦（2019年）；“Diversity is Reality”，哥本哈根当代艺术中心，哥本哈根（2019年）；“Under Cinema”，FACT，利物浦（2017年）；“琉璃尤韧”，天线空间，上海（2017年）；“Devotional Document（第一部分）”，诺丁汉当代艺术中心，诺丁汉，英国（2017年）；“Devotional Document（第二部分）”，明斯特艺术馆，明斯特，德国（2017年）；“The Luscious Land of God is Sinking”，356 Mission Road，洛杉矶（2016年）；“A day in the life of bliss”，Julia Stoschek藏品，杜塞尔多夫（2015年）；“Wu Tsang Ft. Boychild: Untouchable”，阿姆斯特丹市立博物馆，阿姆斯特丹（2014年）；“Wu Tsang: Wildness”，泰特现代美术馆，伦敦（2013年）；“Wu Tsang”，惠特尼双年展2012，惠特尼美术馆，纽约（2012年）。

部分群展：“历史·当代”，台北当代艺术馆，台北（2021年）；“1,2,3,4: Dance in Contemporary Artists' Films”，The Glucksman, 科克，爱尔兰（2020年）；新加坡双年展，新加坡美术馆，新加坡（2019年）；“You: Works from the Lafayette Anticipations Collection”，巴黎现代艺术博物馆，巴黎（2019年）；“Luogo e Segni”，海关大楼博物馆，威尼斯（2019年）；“Leaving the Echo Chamber”，第十四届沙迦双年展，沙迦（2019年）；“Producing Futures - An Exhibition on Post-Cyber-Feminismus”，米格洛斯当代艺术博物馆，苏黎世（2019年）；“Strange Days: Memories of the Future”（与纽约新当代艺术博物馆共同呈现），The Strand，伦敦（2018年）；“Trigger: Gender as a weapon and a tool”，新当代艺术博物馆，纽约（2017年）；动态影像双年展，日内瓦当代艺术中心，日内瓦（2017年）；“Discordant Harmony”，Art Sonje中心，首尔（2015年）；“Looks”，ICA，伦敦（2015年）；“Real Humans”，杜塞尔多夫美术馆，杜塞尔多夫（2015年）；“Body Doubles”，芝加哥当代艺术博物馆，芝加哥（2014年）；“Made in L.A. 2014”，汉默美术馆双年展，洛杉矶（2014年）。

Wu Tsang (b. 1982, Worcester, Massachusetts) lives and works in Los Angeles. Tsang received a B.F.A. (2004) from the School of the Art Institute of Chicago and an M.F.A. (2010) from the University of California at Los Angeles. Tsang is a filmmaker and performance artist who combines documentary and narrative techniques with fantastical detours into the imaginary in works that explore hidden histories, marginalized narratives, and the act of performing itself. Tsang re-imagines racialized, gendered representations beyond the visible frame to encompass the multiple and shifting perspectives through which we experience the social realm. Her films include We hold where study (2017), Girl Talk (2015), Damelo Todo (Gimme Everything) (2010), and Shape of a Right Statement (2008) among others. Her works have been featured in Gropius Bau, Berlin; MoMA, New York; Tate Modern, London; Whitney Museum of American Art, New York; Kunsthalle Münster, Münster in Westfalen, Germany; Solomon R. Guggenheim Museum, New York; Museum of Contemporary Art Chicago, Chicago; Stedelijk Museum, Amsterdam among others.

Selected solo exhibitions, performance and film screenings include: Wu Tsang: Anthem, Solomon R. Guggenheim Museum, New York (upcoming); Visionary Company, Lafayette Anticipations, Paris (2020); There is no nonviolent way to look at somebody, Gropius Bau, Berlin (2019); Diversity is Reality, Copenhagen Contemporary, Copenhagen (2019); Under Cinema, FACT, Liverpool (2017); Sustained Glass, Antenna Space, Shanghai (2017); Devotional Document (Part 1), Nottingham Contemporary, Nottingham (2017); Devotional Document (Part 2), Kunsthalle Münster, Münster in Westfalen, Germany (2017); Paratoxic Paradoxes, Benaki Museum, Athens (2017); The Luscious Land of God is Sinking, 356 Mission Road, Los Angeles (2016); A day in the life of bliss, Julia Stoschek Collection, Düesseldorf, Germany (2015); Wu Tsang Ft. Boychild: Untouchable, Stedelijk Museum, Amsterdam (2014); Not in my language, Migros Museum für Gegenwartskunst, Zurich, Switzerland (2014); Moved by the Motion, Diverse Works, Houston (2014); Wu Tsang: Wildness, Tate Modern, London (2013); Wu Tsang, Whitney Biennial 2012, Whitney Museum of American Art, New York (2012); Re:New/Re:Play, Residency and Public Program, New Museum, New York (2011).

Selected group exhibitions include: Chrono-Contemporary, MOCA Taipei, Taipei (2021); 1,2,3,4: Dance in Contemporary Artists' Films, The Glucksman, University College Cork, Ireland (2020); Singapore Biennale 2019: Every Step In The Right Direction, Singapore Art Museum, Singapore (2019); You: Works from the Lafayette Anticipations Collection, City of Paris Museum of Modern Art, Paris (2019); Luogo e Segni, Punta della Dogana, Venice (2019); Leaving the Echo Chamber, Sharjah Biennial 14, Sharjah (2019); Producing Futures - An Exhibition on Post-Cyber-Feminismus, Migros Museum, Zurich (2019); ‘Strange Days: Memories of the Future’ (in association with the New Museum, NY), The Strand, London (2018); A group exhibition with work by Dora García, Sharon Hayes, Emily Jacir, Mahmoud Khaled, Carlos Motta, Wu Tsang and Akram Zaatari, as well as a letter by Quinn Latimer, Witte de With Center for Contemporary Art, Rotterdam (2018); Trigger: Gender as a weapon and a tool, New Museum, New York (2017); Biennale of Moving Images, Centre d'Art Contemporain Genève, Genève (2017); The heart is deceitful above all things, Cornerhouse, Manchester (2015); Discordant Harmony, Art Sonje Center, Seoul (2015); Looks, ICA, London (2015); Real Humans, Kunsthalle Düsseldorf, Dusseldorf (2015); Body Doubles, Museum of Contemporary Art Chicago, Chicago (2014); Made in L.A. 2014, Hammer Museum Biennale, Los Angeles (2014).

动态｜Wu Tsang 曾吴个展“Anthem” @ Guggenheim Museum Tsang 个展 Anthem 动态 Tsang曾吴Anthem｜赞歌 Guggenheim Avenue York 天线崇真艺客