户尔动态｜艺术家拉斐尔·多梅内克近期展览
拉斐尔·多梅内克与埃内斯托·奥罗萨合作展览
Collaborative works by
Rafael Domenech and Ernesto Oroza
Hialeah Eléctrica – Metavector
时间 Duration
2021.06.16（周三）
—
2021.10.10（周日）
迈阿密巴斯美术馆，迈阿密，美国
The Bass Museum of Art, Miami, USA
Image courtesy of The Bass, Miami Beach.
迈阿密巴斯美术馆正在展出古巴艺术家拉斐尔·多梅内克与埃内斯托·奥罗萨的合作展览Hialeah Eléctrica – Metavector。在他们的首次联合美术馆展览中，艺术家们构建了一个既是建筑又是雕塑的定点装置，并同时在三个不同的层面上产生功能：作为艺术项目，索引以及档案。多梅内克与奥罗萨表示："我们不想用展览来展示成果，而是想把展览作为催生研究的工具，这个过程是开放的，与参与者一起，发展出具有教学性与参与性的章程。"使用计算机数控（CNC）技术，艺术家们对二手或成品的，诸如乙烯，干墙等日常元素进行再加工；同时加入其个人档案库中的照片、报纸等印刷品，共同作用构建出其自身的视觉研究材料语汇。
Hialeah Eléctrica – Metavector will present a series of collaborative works by Cuban artists Rafael Domenech and Ernesto Oroza. For their first joint museum exhibition, the artists construct a site-specific installation that is both architectural and sculptural and functions on three different levels: as an artistic project, an index and an archive. “Instead of using the exhibition to show results we want to use exhibition as a tool to produce research and this process is open to develop pedagogical and participatory protocols with our collaborators,” say Domenech and Oroza. Using Computer Numerical Control (CNC) technology, the artists rework quotidian elements like vinyl and drywall (often found or repurposed), along with photos, newspaper and typographical ephemera from their archive as the material vocabulary that constructs their visual investigations.
埃内斯托·奥罗萨（1968年生于古巴哈瓦那）是一位艺术家、设计师和作家，在迈阿密和法国圣埃蒂安之间生活与工作。毕业于哈瓦那高级设计学院，后来在古巴和法国担任教授，他的实践旨在强调和批判性地理解人与物的互动，以及集体参与的物质文化在社区建设中的作用。其著作主题关于大众创造力，这些创造力表现在工具物与城市环境之中，他将其分别称为 "技术不服从 "和 "必要性建筑"。奥罗萨的创作实践以社区研究为基础，开发了遵循于本土风格实践与主客体经济逻辑关系的独特研究方法与传播渠道。
Ernesto Oroza (b.1968, Havana, Cuba) is an artist, designer, and author living and working between Miami and Saint-Etienne, France. A graduate of Havana’s Superior Institute of Design and later a professor in both Cuba and France, his practice is geared toward highlighting and critically understanding human-object interactions and the role that collective engagements with material culture have in the making of community. He has authored several books on popular creativity as expressed in tool objects and the urban environment—what he theorizes as “technological disobedience” and the “architecture of necessity,” respectively. Oroza’s creative practice is grounded in community research, and he develops research methods as well as channels of dissemination that follow the vernacular practices and economic logics of his subject-objects.
Image courtesy of The Bass, Miami Beach.
Bringing together shared interests and explorations into architecture, urban planning, modes of material production and adaptive construction, as well as mutual histories as Cuban émigrés to Miami, Domenech and Oroza fuse references to the South Florida city of Hialeah and Japanese architect Arata Isozaki (the architect behind the museum’s 2001 expansion project and 2017 transformation) as case-studies, sources for production and conceptual materials for the objects and structures in their exhibition.
Hialeah is nicknamed “The City of Progress” and home to the United States’ second largest Hispanic population (94.7% of residents identifying as Hispanic). It is also anecdotally known as the epicenter for fabrication of all types in Miami. The artists are interested in Hialeah's vernacular response to globalized modes of production and economic infrastructure. Looking to modern architectural history, along with the history of The Bass’ building, Domenech and Oroza situate their installation at The Bass in reference to Arata Isozaki’s collaboratively-formed installation Electric Labyrinth (part of the never-opened 1968 XIV Triennale di Milano), which reflected on the possibilities and drawbacks of the rapid architectural (re)development of Post-WWII Japan.
关于迈阿密巴斯美术馆
迈阿密巴斯美术馆，迈阿密，美国
巴斯美术馆位于美国多元文化中心之一的迈阿密海滩，是现今当代艺术展出交流的重要机构之一。该美术馆于1964年成立，初期馆藏来自于当地收藏家约翰·巴斯和乔安娜·巴斯所捐赠的私人藏品，在原迈阿密海滩公共图书馆与艺术中心中开放。巴斯美术馆因多次组织诸如 Erwin Wurm 等国际艺术家在美国的首次美术馆个展而受到广泛认可；馆内也曾多次举办例如 El Anatsui、Isaac Julien、Eve Sussman，Piotr Uklański 等具有广泛国际影响力的艺术家的重要展览。其展览项目涵盖了广泛的媒介与艺术观点，为迈阿密海滩的多元化文化背景带来了新的视角。
The Bass is Miami Beach’s contemporary art museum. Founded in 1964 by the City of Miami Beach, the museum was established after the donation of a private collection by residents John and Johanna Bass and opened in what was formerly the Miami Beach Public Library and Art Center, a 1930s Art Deco building designed by Russell Pancoast. Recognized for organizing the first solo museum exhibitions in the United States of international artists such as Erwin Wurm, The Bass has also presented major exhibitions by influential artists including El Anatsui, Isaac Julien, Eve Sussman and Piotr Uklański. The exhibition program encompasses a wide range of media and artistic points of view, bringing fresh perspectives to the diverse cultural context of Miami Beach. The Bass is a nonprofit, tax-exempt organization accredited by the American Alliance of Museums. For more information, please visit www.thebass.org, or follow The Bass on social media at www.facebook.com/TheBassMoA or Twitter and Instagram via @TheBassMoA.
“共代谢”
“Co-Metabolism"
策展人 Curator
施金楽 / Jinle
时间 Duration
2021.07.30（周五）
—
2021.10.15（周日）
参展艺术家 Artists
Luyan Wang / 王鲁炎
Youyu Ni / 倪有鱼
Rafael Domenech / 拉斐尔·多梅内克
Ao Jing / 经傲
Cometabolism Studio / 共代谢工作室
Willson Douglas Lu / 姚家豪
MAO Space is pleased to announce the thematic exhibition, "Co-Metabolism," to open on July 30. These six artists (groups) with different creative backgrounds and roles include, Wang Luyan, Ni Youyu, Rafael Domenech, Jing Ao, Cometabolism Studio, and Willson Douglas Iu, will focus on "public art," "public space," "publicness" and the relationships among them as their starting points. The exhibition also serves as a new beginning for MAO Space’s commitment to promoting the development and innovative practice of contemporary public art culture and its dedication to exploring the public's in-depth knowledge and imagination on "public" practice.
展览现场｜共代谢
展览名“Co-Metabolism”原意指的是微生物在初级能源物质存在的情况下降解同一介质中难降解的有机化合物。取自此次参展艺术家共代谢工作室名称的转换，一方面指向六位艺术家（组合）作品相互之间在空间内部彼此对话、消解，同时相互转换、联结的过程所产生的特定语义关系，从而更深层次表达这些具备“公共性”意义的作品如何打破“私有化”空间与公共空间的边界，建立并拓展全新的生态场域——“公私合用”。
The exhibition title "Co-Metabolism" originally refers to the degradation of complex organic compounds in the same medium by microorganisms in the presence of primary energy substances. Adopting this title also draws from one of the participating artists, the Co-Metabolism studio. On the one hand, it points to the specific semantic relationship between the works of the six artists (group), which converse and dissolve each other within the space while transforming and connecting to convey how these works with "public" feature break the relationship between the "private" space and the "public" space in a different dimension and establishing and expanding a new ecological field of "public and private partnership."
随着大环境下公共空间不断被“私有化”，真正属于私人的空间变得难能可贵，公共艺术恰是打通公私空间的有效媒介，在这样的语意下，我们将此次展览场地视作公共空间，与作为私人空间的“家”互换角色，六位艺术家的作品分别置于展厅中代表不同寓意的“书房”、“客厅”、“餐厅”，同一屋檐下特定的场域内每位艺术家作品被赋予新的寓意，观众则在作品与空间角色的互换中反思何为“公”，又何为“私”？
As public spaces continue to "privatize" in the general environment, physical spaces that are truly private becomes rare, and public art is an effective medium for bridging public and private spaces. In this context, we regard the exhibition venue as a public space in exchange for the private space of a "home." The works of the six artists are placed in the "study" or "living room", respectively, which embody various meanings in the exhibition hall. Each artist's work is given a new significance in a specific space under the same roof, and the viewers would be encouraged to reflect on the meaning of "public" and "private" as their roles switch between the artworks and space.
关于 MAO Space
关于艺术家
拉斐尔·多梅内克
Rafael Domenech
拉斐尔·多梅内克在社会主义制度中长大并接受教育，对建筑空间和公共宣传的兴趣自然地为拉斐尔·多梅内克的早期作品奠定了基础。移居美国后，艺术家经历转型、重新定位和文化融合的过程，影响与兴趣也随之扩大。多梅内克的作品只有在将它们融入特定的语境，接受而非拒绝环境时才被认为是完整的。艺术家使用灯作为载体来展示信息，他对如何通过力量，规则与秩序形成客体的生产过程充满兴趣。这些图像描绘了建筑和城市的发展，而这些发展自然地由政治动机所推动。他的艺术项目旨在创建一个悬挂式存档机制，在其创作中，作品、观众和空间的交互与集成形成 了绝对的整体体验。多梅内克 2019 年毕业于美国哥伦比亚大学并获艺术硕士学位。他的近年个展曾在纽约 Yeh Art Gallery、 户尔空间、美国巴斯美术馆、弗雷德里克·斯尼策画廊、苏格拉底雕塑园展出; 他参加群展的机构、画廊和艺术节包括布朗克斯美术馆、朱莉·索尔画廊、 哈瓦那双年展、迈阿密双年展等。他还曾获得洛克菲勒兄弟基金会、莫蒂·弗兰克基金、索罗斯基金会决赛入围者等奖项。
Having grown up and been educated in a socialist system,
an interest for architectural spaces and public propaganda
naturally defined the foundation for Domenech's early work. After
migrating to the US, the artist experienced a transformational
broadening of influences and interests through the transition, the
process of geographical relocation and cultural integration.
Domenech's work is perceived complete only when it assimilates itself into a specific context, accepting surroundings rather than refusing them. Domenech uses lamps as vehicles to display information. He is interested in how the production of objects is formed by forces, codes, regulations. The images depict architectural and urban developments that are politically motivated by nature. The project seeks to create a hanging archive, where the interaction and integration of work, viewer, and space form an absolute, overall experience.
Rafael Domenech graduated with a BFA from New World School of the Arts in Miami in 2015 and later earned an MFA from Columbia University in 2019. He has been exhibited by major institutions such as The Bass Museum, The Sculpture Center, Yeh Art Gallery, Hua International, Fredric Snitzer Gallery, and Socrates Sculpture Park. He has received several awards including the Rockefeller Brothers Fund, The Morty Frank Fellowship Fund, and Soros Foundation finalist.
关于户尔空间
About Hua International
户尔空间位于柏林和北京两地。作为一间新锐全球性画廊，户尔空间秉持着国际立场与合作精神，致力于潮流激变的全球艺术市场。画廊于2017年创立，在跨时区的两个空间内，积极倡导着国际化的艺术项目，携新兴艺术家和成熟的国际艺术家一道，呈现跨学科、表演性与社会参与的艺术。
画廊的选址分别位于两个充满活力的艺术区的中心。其中，柏林空间地处波茨坦大街一座历史悠久的战前建筑中，而北京空间则于2020年8月搬迁至知名的798艺术区。户尔空间还组织策展项目和艺术合作，追寻新的创作和叙说方式，持续推进当代艺术的进程。在艺术世界持续发生构造性变化的时代，户尔空间在运作模式上注重灵活性，实验性与合作性，致力于推进在艺术市场内全新而独特的艺术创作。
Hua International is a contemporary art gallery based in Berlin and Beijing. Driven by a cosmopolitan and collaborative ethos, Hua International is a new global gallery for a fast-changing global art market. Founded by Hua in 2017, the gallery champions a cosmopolitan program across its two spaces, featuring emerging and established international artists with a special emphasis on cross-disciplinary, performative, and socially-engaged art.
The gallery has positioned itself at the epicenter of two vibrant art districts. In Berlin, it is located in a historic, pre-war building situated in Potsdamer Strasse; in Beijing, the gallery relocated to the acclaimed 798 Arts District in August 2020. Hua International also hosts curatorial projects and artistic collaborations in order to pursue new avenues of production, discourse and promotion of contemporary art. In a time of tectonic shifts in the art world, flexibility, experimentation and collaboration are key components of the gallery’s model in promoting works of art that are unique and new to the market.
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