户尔北京｜「行为之物：日常的实践」正在展出

行为之物：日常的实践

艺术家 Artists

纳迪娅·阿布特                       Nadja Abt

琼·乔纳斯                             Joan Jonas

圣戈·南古地                   Senga Nengudi

奥卢·奥古纳克               Olu Ogunnaike

尼可拉斯·里普绍夫       Niclas Riepshoff

郑亦然                             Jasphy Zheng

展期 Duration

   2021.08.27（周五）

—

   2021.11.13（周六）

地址 Location

户尔空间 北京市朝阳区酒仙桥路2号798艺术区东街 D08-3

Hua International Beijing D08-3, 798 East Street, 798 Art District, No.2 Jiuxianqiao Road, Chaoyang District, Beijing

第三手 The Third Hand (Finger I-V)｜尼可拉斯·里普绍夫 Niclas Riepshoff

混凝纸，有机玻璃，电线  paper-maché, plexiglas, electrical wiring｜41×73×148.5cm，135.5×88×188cm，136×88×233cm｜2021

有机蜂蜜的视觉心灵感应 Organic Honey’s Visual Telepathy｜琼·乔纳斯 Joan Jonas

单频影像，黑白，有声，17’24’’  Single-channel video, b&w, sound, 17’24’’｜1972

扇子舞 Dança dos Leques｜纳迪娅·阿布特 Nadja Abt

染色织物上丝网印刷，木头  Silkscreen on dyed fabric, wood｜150 × 300cm｜2021

表演者：冯发轫，刘梓峰，王哲，王梦凡

表演与内外 Performance with 'Inside/Outside'｜圣戈·南古地 Senga Nengudi

银盐照片  Silver gelatin print｜101.6 × 73.7 cm｜1977

情书五编 Love Letter No.5｜郑亦然 Jasphy Zheng

綜合材料  Mixed media installation｜170 x 100 x 40 cm｜2021

关于艺术家

纳迪娅·阿布特 

Nadja Abt 

1984 年出生于德国，威斯巴登｜现工作生活于柏林和里斯本

Born 1984 in Wiesbaden, Germany｜Lives and works in Berlin and Lisbon 

纳迪娅·阿布特在柏林自由大学学习文学和艺术史，并且在柏林艺术大学和布宜诺斯艾利斯大学学习纯艺术。在艺术家的行为表演、影像和绘画作品中，纳迪娅通过文学和电影的引用构建女性主义叙事。她是艺术家团体米歇尔·沃尔塔（Michelle Volta）和b_ books Berlin的一员。她最近参与的展览和行为表演包括 Bärenzwinger，柏林；柏林现代艺术中心，柏林；世界文化中心，柏林。她即将在波尔图的自由港（2021. 09）和里斯本的 Galeria Diferença 画廊（2021.10）举办个展。 

Nadja Abt studied Literature and Art History at Freie Universität Berlin as well as Fine Arts at Universität der Künste Berlin and the Universidad Torcuato di Tella in Buenos Aires. In her performances, videos, and paintings, She constructs feminist narratives that reference the world of literature and film. She is part of the artist collective Michelle Volta and b_books Berlin. Recent exhibitions and performances include Bärenzwinger, Berlin; KW Institute for Contemporary Art, Berlin; Haus der Kulturen der Welt, Berlin; Pivô, São Paulo; Casa Triângulo, São Paulo. She has upcoming solo shows at Freeport, Porto (Sept. 2021) and Galeria Diferença, Lisbon (October 2021). 

琼·乔纳斯 

Joan Jonas 

1936 年生于美国，纽约 | 现工作生活于纽约和加拿大新斯科舍 

Born 1936 in NewYork, USA | Lives and works in New York and Nova Scotia, Canada 

琼 · 乔纳斯是美国视觉艺术家，影像和行为艺术的先驱，是20世纪60年代末70年代初涌现的最重要的艺术家之一。琼的艺术项目和实验对于将影像行为艺术开创为一种艺术媒介有着深远的影响。不仅如此，她的影响也延伸到观念艺术、戏剧、行为艺术和其他视觉媒介。1958年，她在马萨诸塞州南哈德利的曼荷莲学院获得艺术史学士学位。后来在波士顿美术馆学院学习雕塑和绘画，并于1965年获得哥伦比亚大学的雕塑硕士学位。她曾参加纽约新当代艺术美术馆、纽约现代艺术美术馆、纽约所罗门 ·古根海姆美术馆、伦敦泰特现代美术馆的展览。她是自1990年以来，在威尼斯代表美国的第六位女性艺术家。2009年，乔纳斯获得所罗门 · 古根海姆美术馆授予的终身成就奖。 

Joan Jonas is an American visual artist and a pioneer of video and performance art, and one of the most important artists to emerge in the late 1960s and early 1970s. Jonas' projects and experiments were influential in the creation of video performance art as a medium. Her influences also extended to conceptual art, theatre, performance art and other visual media. In 1958 she received a bachelor's degree in Art History from Mount Holyoke College in South Hadley, Massachusetts. She later studied sculpture and drawing at the School of the Museum of Fine Arts in Boston and received an MFA in Sculpture from Columbia University in 1965.  She has participated in exhibitions in The New Museum of Contemporary Art, Museum of Modern Art, New York, Solomon R. Guggenheim Museum, New York, Tate Modern, London. She was the sixth female artist to represent the United States at Venice since 1990. In 2009, Jonas was awarded a Lifetime Achievement Award from the Solomon R. Guggenheim Museum. 

圣戈·南古地 

Senga Nengudi 

1943 年生于美国，伊利诺伊州，芝加哥 | 现工作生活于纽约和洛杉矶 

Born 1943 in Chicago, Illinois, USA | Lives and works in New York and Los Angeles 

圣戈 · 南古地是一位美国非裔视觉艺术家，主要以结合现成品和编排的行为表演的抽象雕塑而闻名。她是 20 世纪 60 年代以来活跃在纽约和洛杉矶的一个美国非裔前卫艺术家团体的成员。她是“Z工作室”的成员之一，也被称为洛杉矶起义电影运动（LA Rebellion），该组织由“以实验和即兴艺术实践著称”的美国非裔艺术家组成。南古地在应对性别限制的同时，使文化、族裔和种族的分类变得复杂化，这也成为她作品的核心。她经常结合非洲、亚洲和美洲原住民的艺术形式，特别是在她的表演作品和编导式摄影中。尽管南古地的作品强调性别、种族和族裔相关的问题，但她的作品更多聚焦在这些系统性的力量对每个人产生负面影响的方式，并且试图通过作品培养男女平等的跨文化的灵感。南古地的作品曾在纽约现代美术馆、洛杉矶哈默美术馆、宾州匹兹堡卡内基美术馆、洛杉矶当代美术馆、纽约哈莱姆工作室美术馆和纽约布鲁克林美术馆中展出。 

Senga Nengudi is an African American visual artist best known for her abstract sculptures that combine found objects and choreographed performances. She is part of a group of African American avant-garde artists working in New York and Los Angeles from the 1960s onward. She was a member of the Studio Z collective, also known as the LA Rebellion, that comprised African American artists "distinguished by their experimental and improvisational practice." Complicating cultural, ethnic and racial classification became as central to Nengudi's work as her handling of gender constraints. She often combines African, Asian and Native American art forms in particular for her performance pieces and staged photographs. While her oeuvre highlights issues surrounding gender, race and ethnicity, Nengudi's work focuses on the ways in which everyone is negatively affected by these systematic forces and her pieces attempt to foster cross-cultural inspiration for men and women alike. Nengudi's work can be found in the museum collections of the Museum of Modern Art, NY, The Hammer Museum, Los Angeles, CA, Carnegie Museum of Art, Pittsburgh, PA, Museum of Contemporary Art, Los Angeles, CA, Studio Museum in Harlem, New York, NY, and Brooklyn Museum, NY. 

奥卢·奥古纳克 

Olu Ogunnaike 

1986年出生于英国，伦敦 | 现工作和生活于伦敦 

Born 1986 in London, United Kingdom | Lives and works in London 

奥卢 · 奥古纳克是一位在雕塑，绘画，行为表演和装置艺术之间进行跨界实验的艺术家。他的创作围绕着对材料的使用展开，特别是木材。他将个人 / 集体的身份和木材相关联，并关注能够赋予我们个人和集体自我意识成长的仪式和事件。奥古纳克在他的作品中引入自然的元素，更具体地说是树木，他将树木比喻为在其生长和扎根的区域中的旁观者，从而牵引出更多主题：探索它们在我们居住的私密和公共领域中反映系统的潜力。出于对人类复合特性的兴趣，他探索木材材质不断变化的状态，以求借此指向被忽略叙事的残余：这些叙事与我们的历史发展有着千丝万缕的联系，并已根深蒂固地成为与我们的历史发展有着千丝万缕联系的固定资源。当一棵树从一个地方被连根拔起，化身为位于另一个地点的物品时会发生什么。他的作品曾在泰特现代美术馆、 英国皇家美术院和Cob Gallery等机构展出。 

Olu Ogunnaike is an artist whose practice sits between experiments in sculpture, drawing, performance, and installation. His practice centers around his use of materials, in particular wood, which he directly correlates with identity, both personal and communal. His interest lies in the investigation of the rituals and events that inform our sense of individual and collective self-becoming. Ogunnaike uses nature, and more specifically trees, as a motif of the onlookers of the community in which they grow and occupy; exploring their potential for reflecting systems present in the intimate and public realms we inhabit. Interested in our composite identities, his explorations in the changing states of the materiality of wood look to point to the residues of potential narratives, narratives that become ingrained into a resource inextricably linked to our historical development. What can happen when a tree is uprooted from one geographical setting and turned into an object in another. The artist's works can be found among the collections of Tate Modern, Royal Academy of Arts and Cob Gallery. 

尼可拉斯 · 里普绍夫 

Niclas Riepshoff 

1992 年出生于德国，不莱梅 | 现工作生活于柏林和汉堡 

Born 1992 in Bremen, Germany | Lives and works in Berlin and Hamburg 

尼可拉斯 · 里普绍夫毕业于汉堡 HFBK 美术专业(硕士)。里普绍夫也曾在法兰克福的施泰德和加州艺术学院学习。他的作品广泛地运用不同材料和媒介，从陶瓷和计算机到纸模和绘画。通过多种材料及媒介的结合，他的雕塑作品时而发光、时而发声或发热。通过改变每个项目和他标志性的嘲弄风格，里普绍夫的实践开玩笑似地质疑“自我”作为艺术生产的真实代理人的概念。交织着对于特定场域的研究、个人叙事和对艺术历史运动的引述，他的作品关注着生物政治中心的主题：繁殖、幼年和年龄。除去个人创作外，他还与塔尼亚 · 尼斯-汉森（Tanja Nis-Hansen）合作，参与行为表演项目“CONNY”。尼可拉斯·里普绍夫目前正在柏林Stadium画廊举办个展。 

Niclas Riepshoff graduated from Fine Art studies (MA) at the HFBK in Hamburg. Riepshoff also studied at the Städelschule in Frankfurt am Main and the California Institute of the Arts. Niclas Riepshoff uses a wide range of material and media, from ceramics and computing-platforms to paper mâché and drawings, to form his sculptural protagonists that sometimes emit light, sound, or heat. By shifting gears with each project and his signature mocking styles, Riepshoff's practice playfully questions the notion of the "Self" as an authentic agent of artistic production. Interweaving site-specific research, personal stories, and references to art historical movements, his works are centered around those topics that biopolitics is most concerned with: reproduction, infanthood, and age. Besides his individual practice, he works together with Tanja Nis-Hansen under the collaborative performance project "CONNY." Riepshoff currently has a solo exhibition at Stadium, Berlin. 

郑亦然 

Jasphy Zheng 

1992 年出生于中国，厦门 | 现工作生活于纽约与上海 

Born 1992 in Xiamen, China | Lives and works in New York and Shanghai 

郑亦然是一名跨学科艺术家，她的实践主要围绕不可避免的沟通失败和想象的共同体等主题展开探讨。融合场景装置、行为、临时雕塑、艺术家书等媒介，郑亦然的作品常以未声明的方式隐身于日常场景之中，创造出新的场域和规则邀请公众的介入，试图在当代艺术语境内外，拓展人们对所处社会和文化环境的综观。郑亦然毕业于美国罗德岛设计学院，近期个人展览包括上海外滩美术馆（2020）和日本北九州当代艺术中心（2020），部分群展包括香港Para Site艺术空间（2021）、澳大利亚塔拉瓦拉艺术馆（2021）。

Jasphy Zheng is an interdisciplinary artist whose art practice explores topics including the inevitable failure of communication and the imagined collectiveness shared among individuals. With environmental installations, unannounced performance, ephemeral sculpture, and artist’s books, Zheng constructs situations as public interventions to raise our awareness of social and cultural environment in and out of the context of contemporary art. Recent solo exhibitions include Rockbund Art Museum, Shanghai, China (2020); CCA Kitakyushu, Kitakyushu, Japan (2020). Notable group exhibitions include Para Site, Hong Kong (2021); HUA International, Beijing, China (2021); TarraWarra Museum of Art, Melbourne, Australia (2021). Zheng received a BFA from Rhode Island School of Design.